by UEA Exodus
Every year, UEA’s School of Literature, Drama and Creative Writing decide a season of plays, performed and produced by third year Drama Students. This year, they present Exodus, ‘two plays on power and conflict’; both works of dramatic literature set during the 20th century but inspired by legends of antiquity. John Steinbeck’s ‘The Grapes of Wrath’, and Bertolt Brecht’s ‘The Caucasian Chalk Circle’. Both plays look at mass departures of people, engendering the ever present plight of refugees having to leave their homes.
By Carmina Masoliver
The second instalment of a series of short summaries of a wide variety of performances, from the comedic to the dramatic to the bizarre, direct from the Edinburgh Festival Fringe. Each entry is preceded by the title of the work in question, and the venue(s) at which it is being performed as part of the Fringe.
Content warning: mentions eating disorders, sexual assault, domestic abuse, childhood trauma.
by Lewis Martin
On Sunday 6th May I attended Scratch It! hosted by Hack Theatre at the Norwich Arts Centre. Aimed at attracting new writers and ongoing projects, the evening looks to give a platform to work that is happening in the area so it can be developed and flourish. The arts varied across the evening, ranging from comedy to drama and using different styles and formats.Continue Reading
by Carmina Masoliver
CW: discussion of domestic violence
An eight episode series, Las Chicas del Cable (The Cable Girls) begins with a woman killing her friend’s husband – part self-defence, part accident – also shooting her friend. It’s a drama full of love stories, as well as crime and mystery, yet domestic violence is a major theme that runs through the series. Set in 1928 in Madrid, it shows the impossibility of leaving an abusive relationship in a patriarchal society, where even the law protects men who are abusers.Continue Reading
by Hannah Rose
Tribute Acts is a bittersweet piece of autobio-theatre written and performed by Tess Seddon and Cheryl Gallacher from Theatrestate. Set against a space-age backdrop, Tess and Cheryl introduce their fathers via a pre-recorded video link. The dads look uncomfortable in their suits and ties. Their daughters are wearing spacesuits. The gulf between parent and child is obvious, and the unease is palpable.