by Mike Vinti
It’s been a pretty big couple of weeks in the pop world. Prince died, Beyoncé pulled a well, a Beyoncé, and today (Friday April 29th) Drake has released his new album VIEWS. If ever there was a week to remind us of popular music’s impact on society and culture, this is the one.
While each of these moments are significant in their own right and worthy of articles of their own, of which there have been many, together they’ve demonstrated the power of music to unite people. Be it through, grief, shock or pure unadulterated hype, the three most significant cultural moments of the past eight days have used music to bring people together and for a few days at least, forget about those intent on tearing us apart.Continue Reading
by Mike Vinti
Last time round we focused on the explosion of hip hop taking place across the UK, this week we focus on the UK Rap scene’s mainstay: Grime.
Grime initially took off in the early 2000s thanks to pioneering production and vocal stylings of artists like Skepta and Wiley, whose invention of ‘Eski-beat’ birthed grime as we know it. Characterised by double-time rapping and generally sticking around 140 bpm, grime is hip hop’s faster, louder, and often far more hype cousin. Unfortunately, I was eight years old in 2002 and subsequently missed out on a lot of ‘OG’ grime. In better news however, after a lull in which the closest thing to grime you’d find on the radio was Wiley’s rather ill-considered attempts at pop, grime is back. With it comes a wealth of fresh, young, talent, raised on the genre’s roots and unafraid to experiment.