by Mike Vinti
Between Spotify releasing data showing that hip hop is the most widely listened to genre of music, and the imminent release of Straight Outta Compton: The Movie, rap has been in the news a lot recently. With the spotlight firmly on Dr. Dre & Co., and in light of a fantastic article for Gawker by journalist and MC Dee Barnes, detailing the abuse she faced from the former NWA member and how women were excluded from the movie, questions have begun to be asked about the treatment of women in hip hop.
In many ways these questions are long overdue. As with many other genres, women have been all but erased from the popular narrative of hip hop’s history, and many rappers still use misogynistic language today. The latter of these is the most frequent, and most generalised, complaint levelled against hip hop and rap, and has been since the genre reached mainstream popularity. Continue Reading
by Mike Vinti
Since its inception gangsta rap has been a thorn in the side of the establishment. Brash, violent and loud, its explosion in the late 80s and 90s tore up the rule book of hip hop and reshaped the genre in its own image, introducing the world to the harsh reality of life on the streets of black America. With the cinematic release of ‘Straight Outta Compton’ a week away (August 15th) it only seems fitting to look back at some of gangster rap’s greatest and explore its legacy thirty years on.
Gangsta rap is hip hop’s bratty younger brother, fed on the social conscious rhymes of early hip hop but filled with the anger of a generation excluded from the yuppie party of the eighties. Like punk before it, its church is broad, ranging from the smooth, sun-drenched rhythms of G-Funk, to the hard edged, sample heavy boom bap of Wu Tang Clan. Frequently criticised by those on the left and the right for glorifying violence and misogyny, scapegoated for the prevalence of crime in black communities, and beloved to many a hip hop head, the story of gangsta rap is the story of poverty in America, as relevant to this day as it was back in ’86.Continue Reading
by Mike Vinti
For the past few years, hidden away from the mainstream media, and even much of the music press, British Rap has been flourishing. Rap in the UK comes in two major forms; Grime and UK Hip Hop. The Grime Renaissance of 2014/5 has seen the genre reinvigorated, keeping the best elements of its mid-2000s domination and pushing its boundaries both in terms of lyricism and production. On the UK Hip Hop side of things, labels like High Focus and Blah! Records have been slowly gaining more and more of a following, carving out a fresh faced, DIY oriented scene and shrugging off the ‘crusty’ aspersions that have come with the genre for so long.
Due to the frankly immense volume of rap music coming out the UK right now, this article will be in two halves, each dealing with one side of Britain’s rap world — this week, UK Hip Hop!Continue Reading