Content warning: abuse, domestic violence, sexism
It is difficult not to be polarised on any given topic in the explosively divisive climate we are living through. However, emerging from the sensationalism is an irrefutable objective truth in the high-profile trial, where megastar Johnny Depp is suing his ex-wife, up-and-coming actress Amber Heard, for $50 million over editorial defamation: a clear example of inherent misogyny of the media. Heard penned her self-professed subjective piece in The Washington Post, supportively discussing a ‘Transformative Moment for Women’ during the height of the #MeToo campaign. The article, which was read out during the trial as part of Heard’s opening statement, was intelligently and boldly written, focussing on the actress’ harrowing experience of speaking out as female victim of domestic violence and the progressive change within the industry that she wishes to see. Further to this, there was no mention of Johnny Depp specifically or any of the personal accounts, currently being spewed out in public, due to his bringing her to court.
It is worth remembering that Depp lost his prior lawsuit against The Sun for referring to him as ‘abusive’, and in which the British judge found him guilty on 12 counts of the alleged domestic violence. To use the defendant’s own words in court then, he has ironically made democratic activism solely “about him.”
By Nicholl Hardwick, for The Grow Organisation
In contemporary Britain, our lives are pervaded with unique health and economic pressures. Capitalism, globalisation, Brexit and the internet have all contributed to a new era of loneliness, community isolation and disconnectedness. We may go days at a time without speaking or having sentimental engagement with another person. In particular, elderly members of the community frequently fall to the wayside as our distancing society ceases to encourage them to function as active participants.
by Tim Forster
Content warning: mentions domestic abuse, violence against women, violence against children
Twisted East Promotion have teamed up with Punk 4 The Homeless to put on a benefit gig at Gringos, Prince of Wales Road, Norwich on 3rd February 2018. The gig will raise money for local Women’s Refuges, Leeway Domestic Violence and Abuse Services and Punk 4 The Homeless, who support homeless children in Central America.
by Carmina Masoliver
cw: mentions of rape and addiction
For this second part on the Being a Man (BAM) Festival, I’ll be looking at the various panels that addressed men’s body image, different kinds of addiction, and the concept of masculinity – looking beyond gender as something binary, and taking sexuality into account.Continue Reading
by Gunnar Eigener
Content warning: mentions mass shooting
From big cities to rural communities, gun crime brings chaos and despair. Guns kill on average 12,000 people a year in the US. Recent shootings in Texas and Las Vegas have left local populations shattered yet a feeling of deja vu rests with an increasingly desensitised nation. Such events have ceased to shock, leaving only numbness and a perplexed public watching politicians squabbling over gun laws and counting potential lost or gained votes. But some things remain the same: the US has a gun problem and everyone knows it.Continue Reading
by Carmina Masoliver
cw: mentions suicide, rape, abuse, domestic violence, sexual violence
I left this year’s Being a Man Festival with over fifty pages of notes and a hopeful feeling – inspired by the coming together of people of all genders to take part in a dialogue on gender and its many intersections. Events like this show just how much there is to gain from men addressing gender from a feminist perspective, as opposed to the toxic perspective of the MRA groups. Below are a few highlights from the weekend focusing, in this first part, on mental health and the role of violence in men’s lives.
by Carmina Masoliver
CW: contains references to femicide, racism, violence against women, rape, child abuse
Across the weekend of 14-15th October, FiLiA held its annual conference. The organisation formerly known as ‘Feminism in London’, has recently been renamed after gaining charitable status. One of the goals they outlined from the onset was to make feminism for all women, not only certain groups. With this stance in mind, I wanted to see whether the conference would live up to expectations of inclusivity, as previous years had seen panel members shut down audience questions in regard to pornography and sex work. Would there be more open discussion in these areas?
by Carmina Masoliver
cw: mentions domestic violence
At the end of September, I attended and took part in Hastings Fringe Festival and got the chance to watch Spinal Krapp by Darren Maher, a ‘stand-up tragedy’ based in Dublin in the 1980s. Although initially uncertain, I ended feeling thoughtful about the piece, which explored the impact of violence on children, as well as looking at the ‘making of a monster’. When it comes to domestic violence, whoever the victim or perpetrator, it is ultimately about power and control. It was interesting to see this prior to attending the fundraiser for Penny Beale Memorial Fund, which similarly weaved tragedy and comedy together, bringing a different kind of poignancy to the night.
The Penny Beale Memorial Fund was started by the mother of Penny Beale (of the same name), whose daughter was murdered in 2001 after years of abuse by her partner. The charity aims to offer information and advice about domestic abuse through various means. The fundraiser opened with an introduction by Penny Beale, and a song by Carol Prior, who also compered the evening. Also on a musical note, Las Pasionarias’ powerful folk songs had an uplifting effect and there was a great feeling of sisterhood as they sang together, wearing in red and white flowers pinned to their clothes. The audience joined in for a song about Mother Earth, where we were united in its message of care and respect. Mellow Baku took to the stage with a guitar, referencing having grown up in a cult. Although the details were not spoken of in the same specificity as others, the emotions of this were shown through song. Baku not only delivered songs on guitar, but also recited poetry, making use of loop pedals and her incredible voice.
by Kev Walker
Content warning: mentions domestic violence, substance misuse, neglect and self-harm
He woke in the morning, as often he’d done
awake with the birds and the half risen sun.
The room was a tip, he hated it so
but to tidy takes time, it was time to go.
Throw on some clothes from off of the floor
kick his way through the grubby, knuckle-marked door.
Sneak down the staircase, dodging needles and glass
peer into the lounge, they’ll be easy to pass.Continue Reading