by Robyn Banks
I’m a pagan.
You’re probably thinking of Satan worship or Ouija boards right now, right? Or figuring I must just be really in to Marilyn Manson. What if I told you I was a witch? Would you think of Hogwarts and broomsticks? Are you laughing yet? If you’re a Dawkins loving new atheist, fair enough. But if you’d defend anybody else’s right to their faith, you’re probably a hypocrite.
by Mike Vinti
Last time round we focused on the explosion of hip hop taking place across the UK, this week we focus on the UK Rap scene’s mainstay: Grime.
Grime initially took off in the early 2000s thanks to pioneering production and vocal stylings of artists like Skepta and Wiley, whose invention of ‘Eski-beat’ birthed grime as we know it. Characterised by double-time rapping and generally sticking around 140 bpm, grime is hip hop’s faster, louder, and often far more hype cousin. Unfortunately, I was eight years old in 2002 and subsequently missed out on a lot of ‘OG’ grime. In better news however, after a lull in which the closest thing to grime you’d find on the radio was Wiley’s rather ill-considered attempts at pop, grime is back. With it comes a wealth of fresh, young, talent, raised on the genre’s roots and unafraid to experiment.