by Stu Lucy
In my previous piece I outlined a theory that compared the woes of our current modern condition to a biological model of a disease increasing its prevalence across the planet, particularly in the Western world. Although slightly macabre, I feel it was necessary to characterise the systemic issue of unbridled growth in such a dramatic and sensational fashion – after all it is the fate of humankind, and well… the planet, we are talking about here.
I finished with a simple analogy calling for global treatment of this cancer that has befallen us since the mantra of growth has been so fanatically professed by economists, politicians, and industrialists alike. How though may we undertake such a gargantuan task that requires the remodelling of all aspects of our societies, from our education systems to popular culture to our entire global trade system?Continue Reading
by Stu Lucy
Humans move, we always have done and always will do. Our movement has evolved through the existence of our species from necessity – following the seasonal availability of food – to luxury, such as holidays and recreational travelling. While part of our species has been afforded the opportunity to travel around the planet in our spare time, absorbing the multitude of cultures and landscapes it has to offer, there continues to exist a drive to move to find something better, not for food, as in pre-modern times, but economic and/or environmental security. Economic, climate and conflict migrant populations are increasing year on year, and are so for one very good reason: a global disease.
by Stu Lucy
Reasons for migration come in many forms.The now globalised and fully interconnected 21st century world allows people the capacity to travel great distances in search of work or a better standard of living for themselves. Increasingly though, more and more individuals, mainly from the developing world, are forced into the migrant sphere through no fault of their own. I have already touched on two types of migrant; those coerced by economic situations to move to foreign countries, as well as those unable to sustain themselves in their native environments as a consequence of various forms of climate effects. There is of course another migrant population that find themselves forced to leave everything they held dear behind as a result of more pervasive and damaging spectre: conflict.Continue Reading
by Scott Mclaughlan
The latest disaster in US foreign policy since Donald Trump’s notoriously tiny hands grabbed hold of the levers of US power is the uni-lateral decision to recognise Jerusalem as the capital of Israel.
Trump’s decision and his failure to gain significant backing for the move at the United Nations, have dominated recent international coverage of Israeli politics and current affairs. Conveniently for the Israeli government, it has overshadowed the corruption investigations currently engulfing the Israeli Prime Minister and resident waxwork, Benjamin Netanyahu.Continue Reading
by Justin Reynolds
Two thousand years ago this winter, a heartbroken Roman nobleman died far from home by the frozen shores of the Black Sea.
The poet Publius Ovidius Naso, known to the world as Ovid, had lived a very different life from the millions of Syrian refugees who today find precarious asylum in nearby Turkey, or the Rohingya, further east, camped in the fields of Bangladesh. But he too knew the pain and bitterness of exile.
In Rome, together with his contemporaries Horace and Virgil, he had been lauded as one of the greats of Latin literature. He was certainly the most fashionable. Born into the Roman aristocracy and enjoying the patronage of the legendary benefactor Maecenas, Ovid had won fame with his sly, knowing love poetry, before writing one of the classics of world literature, the Metamorphoses.Continue Reading
by Laura Potts
‘If anything, art is…about morals, about our belief in humanity.
Without that, there simply is no art’
Norwich’s own Space Studios hosted Bridges, a fascinating exhibition by artists Marcia X and Karis Upton, earlier this month. Entering through a small alley, I climb stairs up to the first few works, which I find in a dark setting, immersing me in the exhibition. Up another staircase, long enough for me to begin reflecting on what I’ve seen, is a much lighter space, with works hung from the sloped ceiling. Afterward, I’ll go on reflecting for some time – the themes and issues that Bridges explores are of such magnitude that every viewer is forced to sit up and listen.
by Rob Harding
Well folks, these last few weeks your humble correspondent has been travelling around Eastern Europe on a hastily-booked last chance tour. I’m four cities in and thought I’d share a little of the mood on the street from Warsaw, Vienna, Prague and Budapest. Part one of this article looks at Warsaw and Prague.