REVIEW: THE CIRCLE, BY DAVE EGGERS

by Eli Lambe

Dave Eggers’ The Circle, both the book and the recent feature-length adaptation, is a dystopia formed around a Facebook/Apple/Google/Amazon-esque corporation, one which hosts and shares almost every aspect of its users lives. The novel does a remarkable job of capturing the subtle ways in which this model is marketed to us, how this format of data-as-product is often shrouded in apparently progressive buzzwords – community, accountability, transparency, participation – whilst the company which operates under this model does so under the same values as every other corporate entity.

There is a veneer of progressivity and respectability that companies adopt in order to retain and gain customers – like Facebook making it easier to harass trans people, or implementing guidelines that protect white men but not black children, and at the same time, for one month of the year, patchily providing a rainbow “pride” react to the users who liked lgbt@facebook. Perhaps not as extreme as Eggers writes in The Circle, but eerily close enough: “Anytime you wanted to see anything, use anything, comment on anything or buy anything, it was one button, one account, everything tied together and trackable and simple, all of it operable via mobile or laptop, tablet or retinal.”Continue Reading

IN DEFENCE OF THEORY

by Jack Palmer

Like any well-trained student, I’ll open with a quote. It’s one from the forever-sniffing, forever-scruffy, cultural critic and contemporary theorist Slavoj Žižek: “We need theory more than ever today. We should not feel terrorized by this false sense of moralistic emergence: ‘no time for theory, people are starving’ and so on. My god, it is only through theory that we have at least a hope to learn what to do!”

Žižek’s assertion is a provocative one: it challenges our understanding of that word ‘theory’. In the scientific sphere, ‘theory’ means a comprehensively proven idea – one, crucially, that forms the foundation for knowledge. In the humanities by comparison, ‘theory’ is abstract: it’s speculative, faddish and maybe even a little indulgent. But the claim staked here is that theory in the humanities is not all groundless conjecture; for Žižek it’s vitally grounded, and where the real work of thinking happens.

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