THE ROAD TO FULLY AUTOMATED LUXURY GAY SPACE COMMUNISM: PART 1

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by Rob Harding

Let’s leave the sordid world of Earth behind for a bit, and explore the potential of a concept that’s kind of easy to dismiss out of hand.

In his venerable Culture series, Iain M Banks describes a future society based around Minds, unimaginably super-intelligent AIs that control vast ships and space-going habitats, on which a massive collection of alternately hedonistic and depressed lesser-biological beings (assumed to be human, although it’s never made explicit) live pampered and comfortable lives. The Culture is semi-utopian, although, if it resembles any society, it resembles the US in its relations with other civilisations, The books frequently focus on both the skulduggery necessary to keep the civilisation running and the injustice of being born outside it. Nonetheless, it is a portrait of a society in which humans (probably) are protected, cared for and treated equally through advanced technology.

Because utopias aren’t easy or fun to write, few societies like the Culture have appeared in fiction before or since. There is one notable version, however, in the form of an oddly idealistic leftie meme: Fully Automated Luxury Gay Space Communism.Continue Reading

REVIVING CAMPUS ACTIVISM – A ROADMAP

by Bradley Allsop

We live in turbulent times. The political establishment has been rocked again and again this last year. The government is embattled in a way it hasn’t been for 7 years and that rarest of things in British politics, change, is peeking its head above the parapet. What’s more, for the first time in my lifetime, it seems my generation is willing to be an active participant in all this. June’s election saw the highest rise in youth turnout in British political history – it reached its highest absolute level since 1992. It falls to those of us already engaged to fan this flame and help it spread beyond the ballot box, building the political courage and competencies of our fellows. Nowhere offers a better opportunity for us to do this than on university campuses.

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THE CULTURAL IS POLITICAL – THE REUNIFICATION OF LEFTISM AND CULTURE

by Chris Jarvis

Culture and politics are inseparable. Culture is more than mere entertainment, more than escapism. Culture is central to how we understand the world, build our value sets and perceive our fellow people. It stirs human emotion in unique ways, pulling different levers in the brain. Sometimes overtly, sometimes with subtlety, the dominant cultural practices, institutions, icons and outputs are used to reinforce the dominant political system and defend the status quo. Establishment weaponise culture as a means of influence.

But this isn’t the sole preserve of the political right.

Looking through history, many of the most important moments of popular revolt have an accompanying soundtrack. The resistance to the Vietnam War had the protest folk singers. Rage Against the Machine were agitators of the US anti-globalisation movement. Riot Grrrl acts built feminist infrastructure, led pro-choice campaigns and brought ‘the personal is political’ sentiments to the fore of a cultural phenomenon. And so on, and so on.

This isn’t coincidental.Continue Reading

WAR OF CULTURE AND IDENTITY: THE FRENCH PRESIDENTIAL ELECTION

world votes radical

by Chris Jarvis

All eyes in the UK are currently on the snap General Election called by Theresa May earlier this week. Across the English channel though, another election, possibly with more seismic impacts for the future of Europe and the wider world took place today. French voters went to the polls in what has been an ever-changing and eye-wateringly close first round of their Presidential election. With 80% ballots counted at the time of publication, we now know that Emmanuel Macron and Marine Le Pen will be going forward for a second round run-off vote on May 7th.Continue Reading

THE GORMLEY CASE

by Tony Moore

Content warning: article mentions suicide.

World famous art comes to campus and it looks wonderful, works subtly with Lasdun’s buildings to eulogise their monumental quality whilst highlighting the interplay of light with the elements.

What’s not to like?

Then those pesky snowflake students start moaning that the figure might be perceived as about to jump and could be a ‘suicide’ trigger.

What is not to like, is that the snowflake students are fundamentally right to make their views known: they are confronting an authoritarian, elitist art work imposed on their community from ‘above’.

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BUT HE’S NOT RACIST

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by Candice Nembhard

I have been living in Berlin for around two months now and generally the transition from the UK to mainland Europe has been a relatively easy process. If we put rising rent prices, endless German bureaucracy, and the future of Brexit aside, Berlin in some ways is a safe haven for a young black Brit such as myself.

Undoubtedly, my ability to move, live and work in Germany is not possible without an immense amount of privilege. I, unlike many people, do not face the same amount of adversity by simply being here; irrespective of my feelings towards my nationality, having a British passport is a golden ticket I didn’t have to work for. However, even with its numerous working and academic advantages, my citizenship does not defend me against the microaggressions of prejudice and racism that I receive almost on a daily basis.Continue Reading