by Justin Reynolds

Frankenstein: or The Modern Prometheus, the classic novel by Mary Shelley that stands at the pinnacle of the gothic tradition and looks forward to the new genre of science fiction, was first published 200 years ago this month. Shelley’s visceral tale of the terrible consequences that follow the failure of brilliant young scientist Victor Frankenstein to take responsibility for the strange new life he creates, is both of its time and utterly contemporary.

It can be read as a high Romantic fantasy set against a background of electric storms, shimmering Alpine peaks, Rhineland forests and Arctic wastelands, and as a subtle meditation on themes of knowledge and responsibility that resonate with today’s hopes and fears for the possibilities opened by artificial intelligence (AI) and synthetic biology.Continue Reading


by Scott McLaughlan

Israel’s population is 74.7% Jewish, 20.8% Arab and 4.5% “other”. According to the latest population statistics, “those of European and American ancestry make up about 2.2 million (36%) of the Jewish population, while Africans fill out another 14.5% and Asians are 11.2%.”

That being said, there are also currently around 50,000 African Migrants in Israel, most of whom are from Eritrea or Sudan. Under the UN Refugee Convention (signed by Israel in 1954) no migrant can be forcibly returned to their country of origin. Israel currently abides by this convention, but systematically refuses to grant asylum to refugees, irrespective of their status and the potential danger and persecution they have fled.

Israel’s Foreign Ministry spokesman, Emmanuel Nahshon, recently spewed out the reason for the impasse: Asylum seekers threaten Israel’s identity. The Israeli cabinet has now approved the morally repugnant Holot migrant detention centre, in Israel’s Negev desert, for closure. As a result, two options were laid on the table: step up deportations or jail those who refuse to leave Israel.Continue Reading


by Scott Mclaughlan

Despite being considered one of the “seven wonders of the world”, the Taj Mahal was bizarrely absent from a tourism booklet produced this summer by the state government of Uttar Pradesh (UP). Completed between 1631 and 1648, the Taj Mahal is perhaps the finest existing example of Mughal architecture, considered ‘the jewel of Muslim art in India’, in 1983 it was designated a UNESCO world heritage site.

Its international prestige notwithstanding, a storm has been brewing around the famous monument: it has been the scene of regular protests and the focus of an increasingly prominent political campaign to marginalise its national and cultural significance.Continue Reading


by Laura Potts

Education is amazing. It encourages the growth of passion for any number of subjects, and opens doors for many to enter into the field that that passion leads them towards, where their research work is often vital to the discovery of all sorts of new and exciting things.

However, the modern system that has emerged as society has ‘advanced’ does not always prioritise the curiosity and growth that education cultivates over more material concerns such as financial gain. The increases in the various fees and costs associated with higher educational institutions and the shrinking of the creative curriculum at earlier levels often means that a passion for a subject is no longer enough. But as with any monolithic trend, alternatives have sprung up down the years.

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by Laura Potts

Artistic culture and practice has changed drastically over the past few centuries. From Renaissance painting and its high-minded focus on aesthetic and documentary purpose, to the eruption of absurdist Dada work in 1915, to the stark political statements of much modern art. The aesthetics of art and its chosen themes are not the only thing that has changed though; the spaces where we encounter art have also transformed.

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by James Anthony

It has been suggested that the world famous Colman’s brand may soon break with a tradition more than 200 years old, of producing mustard and other products here in Norwich. Make no mistake – this is not nearly as trivial as it sounds, and would be nothing short of a local tragedy.

This may seem exceptionally daft, but Colman’s has so much history here in Norwich, it is tough not to be upset by this news.  Colman’s Mustard has been based in Norfolk since 1814 when Jeremiah Colman formally set up his mustard and flour business in Stoke Holy Cross, just outside of the current Norwich city boundary. Later, Jeremiah Colman’s great-nephew Jeremiah James Colman established the production factory in Norwich in 1858, which still exists today. With business booming, royal approval was gained in 1866 with the granting of a Special Warrant as manufacturers to ‘Her Majesty the Queen Victoria’, helping our local mustard gain a global reputation and put Norwich on the culinary world stage.Continue Reading


by Laura Potts

‘If anything, art is…about morals, about our belief in humanity.
Without that, there simply is no art’

Ai Weiwei

Norwich’s own Space Studios hosted Bridges, a fascinating exhibition by artists Marcia X and Karis Upton, earlier this month. Entering through a small alley, I climb stairs up to the first few works, which I find in a dark setting, immersing me in the exhibition. Up another staircase, long enough for me to begin reflecting on what I’ve seen, is a much lighter space, with works hung from the sloped ceiling. Afterward, I’ll go on reflecting for some time – the themes and issues that Bridges explores are of such magnitude that every viewer is forced to sit up and listen.

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