By Jonathan Lee
Part I of this article can be found here.
Since the United Kingdom signed the Withdrawal Agreement and formally left the European Union on 31st January, Remainers and Leavers are just as polarised as they ever were. Much of the rhetoric from Leavers and Remainers demonstrates a warped understanding of what the EU actually is and how it works. In this part, we address a few notable example of the things which both sides get very, very wrong.
By Jonathan Lee
Lots of people are probably feeling quite deflated at the moment, after the United Kingdom finally signed the Withdrawal Agreement and officially left the European Union on 31st January. Liberal Remainers are certainly making their grief known to the world, crying from the digital rooftops and tearing their virtual hair out. Meanwhile the most fanatic Leavers are probably wondering why all the foreigners are still here and why milk and flour still comes in litres and kilograms. It’s all fiction of course. We’ve not left the EU yet in economic terms, so until the end of the year almost nothing will change. Continue Reading
By Bradley Allsop
The only way to make the word ‘politics’, that great indicator of all manner of corruption and trickery, more contemptible is to plonk the word ‘student’ in front of it. It almost feels like you‘re not pronouncing ‘student politics’ right if you do it without a sneer, or at least a shudder. Student politics has an image problem.
by Alex Valente
Contains strong language.
If your opinion, if your ideology, if your personal mindset is that certain groups and communities of people are inferior to others, you do not deserve and will not be allowed to promote that idea. Fuck the notion of censorship, fuck the moderate, tolerant conversation, fuck the high road. Your ‘opinion’ denies the existence of a large portion of the world around you, and actively strives to suppress it. So you know what? Fuck you.Continue Reading
by Sara Harrington
A bolshy child running through a busy village, a nanny calls after her. Racing, they pass people conducting business, chatting, carrying linen, selling wares. The responsible guardian calls after the child carrying chaos in their wake; futile exclamations for them to stop and return to their studies. Refusing they rush rambunctiously, weaving in between villagers; who take notice. We take notice.
This scene is composed of women. Upon arrival at their apparent destination the child lashes fists and feet in the air, an indignant display of fighting. Determined to take part, the camera pans to show us the source of the excitement. Women warriors wrangle tacitly dropped shields from atop horses, all spin kicks and slaying swords that clash furiously, deadly blows dealt with gravity defying deft and ridiculous displays of battle prowess in all its slow motion glory. Child Wonder Woman is awash with awe and envy as we, the audience process our thoughts.
This is so fucking cool.Continue Reading
by Ellen Duncan
Content warning: article mentions suicide
I’ll start this review with a confession – Unthology 9, edited by Ashley Stokes and Robin Jones, is the first of the Unthology series that I’ve read. I can’t comment on the progression of the anthology series, nor on where any existing trajectory might take it. This review will stand alone, as Unthology 9 does for me.
It opens with an introduction: ‘Welcome to the Archipelago.’ This is a stylized, imagery-heavy bit of prose that could feel gimmicky, but mostly avoids the trap. And the concept – of an oceanic journey, of travel through and around and between and beyond the islands of an archipelago – feels appropriate to what follows.Continue Reading
In February The Norwich Radical carried an article by Chris Jarvis entitled ‘How I fell out of love with Peter Tatchell‘. This is Tatchell‘s reply.
by Peter Tatchell
A reply to the sectarian distortions of Chris Jarvis.
The future of progressive politics is under threat, again. But this time from the left. Historically, socialists and greens have made gains by building broad alliances around a common goal, such as the campaigns against the poll tax and the bombing of Syria. We united together diverse people who often disagreed on other issues. Through this unity and solidarity, we won. The government of the day was forced to back down.
Nowadays, we are witnessing a revival of far ‘left’ sectarian politics and it is infecting the Green Party too. Zealous activists, seemingly motivated by a desire to be more ‘left’ and pure than rivals, are putting huge energy into fighting and dragging down other campaigners.Continue Reading
by Carmina Masoliver
For those who are partial to a bit of poetry, you’ll probably have heard by now that Sarah Howe has been awarded this year’s T.S. Eliot prize by judges Pascale Petit (chair), Kei Miller, and Ahren Warner. You may also have seen this article, which questioned the negative tinge of the criticism of which Howe has received. Katy Evans-Bush argued that these criticisms were more to do with Howe’s age, gender and ethnicity (Howe is of dual Chinese-British heritage). Some seemed baffled both that it was possible to win on a first collection, yet also that it took her ten years to write. Surely the fact that she spent so long producing the poetry might suggest how it became possible to win? I mean, that, or witchcraft.Continue Reading
by Mike Carey
Continued from part one, published on The Norwich Radical two weeks ago.
I hate to rake up ancient history, but here’s another example from a little further back – dredged up because in this case it is a writer of literary novels (Edward Docx, in the Observer in 2010) who’s saying this, so the agenda is maybe a little more naked.
Even good genre… is by definition a constrained form of writing. There are conventions and these limit the material. That’s the way writing works and lots of people who don’t write novels don’t seem to get this: if you need a detective, if you need your hero to shoot the badass CIA chief, if you need faux-feminist shopping jokes, then great; but the correlative of these decisions is a curtailment in other areas. If you are following conventions, then a significant percentage of the thinking and imagining has been taken out of the exercise. Lots of decisions are already made.
Considering that Docx rails against “a fundamental dishonesty” in the way this subject is usually discussed, I’m going to pick my words with care.
by Mike Carey
The argument about the relative merits of literary and genre fictions just keeps running and running. There’ll be periods of decorous silence, and then it will break out again, usually in the form of some egregious statement in a broadsheet or magazine, and it will be like it never left.
One thing you tend to notice after a while, though: it’s almost never writers of genre fiction who are picking the fight. To be fair, it’s often not “literary” writers either – it’s academics taking up the cudgels on their behalf; considerately telling us which stories are worth serious consideration and which aren’t. And I guess we appreciate the help, right? Because it’s a bewildering fictional landscape out there and an innocent young seeker after truth could easily go astray.Continue Reading
by Mike Vinti
Flying Lotus, alongside Shabbaz Palaces and Thundercat, released their first single on Monday of new project WOKE. Featuring George Clinton of Parliament-Funkadelic, it’s a typically psyched out, funk laden cut, overflowing with strange samples and squelching synth lines.
Since the release of You’re Dead! last October, Flying Lotus’s profile has been growing. No longer merely the preserve of open-minded hip hop heads, he’s broken out to become a critical darling and gained lucrative mass appeal, having produced tracks on Kendrick Lamar’s latest LP To Pimp a Butterfly. Flying Lotus is also the founder, and head of, record label Brainfeeder, a collective of musicians from around the world specialising in experimental electronic music and hip hop, with a heavy jazz influence.
Brainfeeder has provided a home not just for Flying Lotus’ pet projects such as WOKE, but for some of the most challenging and boundary pushing artists currently recording. As its founder’s profile grows and grows, now is the perfect time to explore some of the other artists on its roster and their releases over the years.Continue Reading
by Carmina Masoliver
When the Conservatives came to power this year, without even the Liberal Democrats to soften the inevitable multiple blows, many artists buckled up for more difficult years. I’m not one to buy the starving artist cliché, but it’s a reality that in these times, where arts funding is being cut (despite receiving a proportionally meagre amount), that being any kind of artist is going to be a struggle. It also means that it is sold as a less viable career path for young people, and the arts are placed back in the hands of the wealthy elite.Continue Reading
by Robyn Banks
CW: Domestic violence
Like so many other politically engaged people I know, I follow the blog Another Angry Voice. A couple of days ago one of his articles appeared on my timeline, and it seemed to be about feminism. Yay, feminism, my favourite subject! I agree with about 90% of what is written on his blog, frequently share his infographics and articles and generally understand him to be a well meaning, intelligent and rational man who’s work I admire. Naïve, I clicked the article.
Over the next few days the article resurfaced on nearly every feminist group or page I follow, and I wish that was where I had first seen it because most of these groups use trigger warnings which could well have saved me from having to drive to work 20 minutes after reading, late, choking back angry tears and almost killing cyclists. But those tears will be useless if I don’t direct them in to something productive, so here is my open letter to Thomas G Clark, creator of Another Angry Voice.