By Bradley Allsop and Rowan Gavin
It is a time of extraordinary potential for change in UK Higher Education. Labour’s promise to end tuition fees has defied the critics and united many behind Corbyn’s political project. In this series, the Norwich Radical and Bright Green have brought together perspectives from across the sector to explore the possibilities of post-fees HE. In the final instalment, the series editors summarise the visions for the next chapter of UK HE that the series has laid out.
There is more energy, debate and innovation on the left now than there has been for decades. Capitalism’s multiple crises, and the inability of its defenders to respond to them, are beginning to translate into tangible political opportunity. This series sought to capture the essence of some of this historical moment and direct it towards thinking about what we want our university campuses to look like, beyond the staple progressive policy of scrapping tuition fees. A project in unashamedly utopian thinking, it recognised the very real possibility that free tuition might be a reality in the near future, and sought to explore how this requires the left to think practically about what comes after and where our energy should be focused next.
by Stu Lucy
Cooped up in an office in Uganda, inputting into what seemed like never-ending columns of cells in Excel spreadsheets, I would often ruminate about other jobs I could be doing which at that moment would be relatively more fulfilling and life affirming. One of the jobs I kept ending back at was as a member of one of the security teams responsible for the protection of the last northern white rhinoceroses: Sudan, Najin and her daughter Fatu. While in reality I knew my poor grasp of Swahili and lack of weapons training made it unlikely I’d ever work with the rangers responsible for the security of these magnificent animals residing within Ol Pejeta Conservancy in Kenya, I became interested in their plight, following their turbulent existence ever since.
by Stu Lucy
Back in the day, before Maggie had her way, there used to be a thriving northern powerhouse built on the foundations of a mining industry that provided thousands of jobs to people across a vast expanse of our fair isles. It was a dangerous job with the risks of explosions, cave-ins, and noxious fumes overpowering the brave men and women that dared descend into dark depths. One of the tools the miners had to protect themselves from some of the dangers of this perilous job was a tiny little yellow bird in a cage: a canary. When levels of noxious gases began to amass, this small bird would croak it, indicating to the miners it was time to get out. While hardly the most humane method of protecting themselves, it served its purpose and saved countless lives. The mines have now closed and canaries no longer employed to keep the miners safe, the metaphor however lives on, albeit in a somewhat larger capacity.Continue Reading
by Stu Lucy
In my previous piece I outlined a theory that compared the woes of our current modern condition to a biological model of a disease increasing its prevalence across the planet, particularly in the Western world. Although slightly macabre, I feel it was necessary to characterise the systemic issue of unbridled growth in such a dramatic and sensational fashion – after all it is the fate of humankind, and well… the planet, we are talking about here.
I finished with a simple analogy calling for global treatment of this cancer that has befallen us since the mantra of growth has been so fanatically professed by economists, politicians, and industrialists alike. How though may we undertake such a gargantuan task that requires the remodelling of all aspects of our societies, from our education systems to popular culture to our entire global trade system?Continue Reading
by Hannah Rose
It’s now ten years since the global financial crisis, the most significant economic meltdown since The Great Depression in the 1930s. What better way to mark the event than by going to see The Audit (or Iceland, a modern myth) at Norwich Arts Centre on 21st March? Taking on the voice of a nation which spoke out against the accepted narratives succeeding the 2008 financial crash, Proto-Type theatre’s latest work speaks to the powerless about the powerful.
A medley of performance, text, animation, music and myth-busting promises shine a light on new perspectives of the systems, government and hierarchies that have shaped recent global politics. Be warned: this is theatre that will turn the truth inside out.
This is the second piece of political work by Proto-Type, following A Machine They’re Secretly Building about surveillance in our modern times. Rachel Baynton, Gillian Lees, and Andrew Westerside are multi-disciplinary artists who lead the group, and also support young artists across the globe in making and performing original works.
Come and support this movement of myth-busting and truth telling…
Featured image via NAC, by Adam York Gregory
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by Justin Reynolds
Why, 10 years after a crisis of capitalism that has entrenched inequalities and insecurity, does the left still struggle to convince a sceptical public that an alternative economics is possible? That question was the focus of one of several intriguing sessions at The Norwich Radical’s recent War of Words conference. A new report by the New Economics Foundation (NEF) attempts to answer it.
Framing the Economy argues that progressives need to spend less time discussing the detail of economic policy and more on telling simple stories about how the economy works that people can understand. The project grew from a recognition that the right has long been better than the left at presenting ‘common sense’ understandings economic mechanisms.Continue Reading
by Eli Lambe
No, Soup Kitchens are not making Norwich’s “Homelessness problem” worse. It might seem that way to you, if you’re used to brushing the vulnerable off and not having to see the reality of more and more people’s lives. The easy solution – and the one that your newspaper and the local police like to peddle – is to force rough sleepers and vulnerable people out to the fringes of the city, where they’re cut off from their community and support and, most importantly it seems, you don’t have to see them.
What makes you think that your walking past the Haymarket every so often qualifies you to write about the lives of the people in the queue?Continue Reading