South East London has given me a new found love for cinema. After enjoying the Catford Mews’ short film festival recently, I made a point of attending the Crystal Palace International Film Festival (CPIFF) in September. Since 2010, CPIFF has been bringing independent films to the big screen from across the globe, including short films, mid-length films and feature films of all genres.
Content warning: violence, abuse, police brutality
Santa Maria Capua Vetere is a small town in the southern Italian region of Campania. A few weeks ago, prison surveillance videos emerged showing guards brutally attacking prisoners after inmate protests took place in April 2020. The footage is proof not only of the abuse of power that takes place in silence in Italian prisons every day, but it also highlights the urgent need for Italy to reevaluate its penal system. Despite being sparked by demands for better Covid protection and testing, last Spring’s protests were a culmination of longstanding issues which have characterised the Italian judicial and penal system for too long; from lack of basic hygiene standards to a general slowness in judicial processes – not to mention the extreme levels of violence perpetrated by prison guards.
By Howard Green
Sometimes, it’s hard not to laugh at contemporary British politics. The fall of Matt Hancock is the latest instalment in this ongoing political sitcom. Hancock, the Partridge-esque Health Secretary who came to prominence during the pandemic, was forced to resign a few weeks ago through external pressure following an extramarital affair with one of his aides, Gina Coladangelo.
By Howard Green
The most important intergovernmental organisation of the last year, the World Health Organisation, defines violence as:
the intentional use of physical force or power, threatened or actual, against oneself, another person, or against a group or community, that either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment, or deprivation.
The media in this country have used the terms ‘violence’ and ‘violent’ to categorise the recent civil disruption surrounding the Kill The Bill protests. Norwich’s recent protests couldn’t be called ‘violent’ by any stretch of the imagination, but there have still been reactionary responses attempting to write off their importance, including from the EDP. However in the case of places like Bristol, the word ‘violence’ has been openly used against protestors by the media and influential reactionary figures.
January 2021 saw the start of the Living Record Festival, which featured over forty artists and theatre companies showcasing digital work, from spoken word audio pieces to mini-web series. It has garnered many four-star and five-star reviews. In this two-part series, Carmina Masoliver discusses her picks of the festival’s most interesting shows. You can read part two here.
by Tesni Clare
Sunday’s events in Bristol have made headlines. Predictably, however, mainstream media has fallen into the trope of shortsighted reporting, indulging in simplistic, one-sided narratives of protestors as ‘mobs of animals’ who ‘attacked’ and ‘badly injured’ police officers. Whilst they make good headlines, these intentionally inflammatory discourses, alongside powerful images of burning vans, serve to eclipse the bigger story.
Mosques across Norwich have been working hard in recent years to develop understanding of the Islamic faith and culture, and to improve community relations. Starting with the establishment of the Ihsan Mosque near Chapelfield Gardens in 1977, there are also mosques in Dereham Road, Rose Lane and Aylsham Road, and a community centre in Sandy Lane. Not only is the local Muslim community small but it is geographically isolated from larger communities in Birmingham, London and Yorkshire.
Content warning: references to police violence, racist violence.
The revival of the Black Lives Matter movement has inspired an array of haunting artistic responses. Black Lives Matter: Poems for a New World, edited by Ambrose Musiyiwa, is no exception. With over 100 contributions from writers of diverse ages and backgrounds, the collection is a poignant exploration of an era of renewed protest and newfound solidarities, against the backdrop of the coronavirus pandemic.
By Howard Green
On March third, Chancellor Rishi Sunak announced his annual budget for 2021. As you would expect from a modern Conservative government, the budget showed an unwillingness to borrow and spend more than a moderate amount, despite the continuing economic pressures posed by the pandemic, and reaffirmed the government’s commitment to benefitting their rich donors while denying the most basic of help to the victims of years of Tory austerity. Sunak is spending just enough pocket change to maintain the appearance that the government isn’t just doing the bare minimum during the pandemic, but, typically, even this amounts to high praise from the largely right-wing mainstream media.
With the announcement on 4 January of a third national lockdown, the majority of students at the UEA have been unable to return to the University following the end of the Christmas holidays. However, a campaign was set up several days before the lockdown announcement by a group of students calling for a rent strike at UEA.