January 2021 saw the start of the Living Record Festival, which featured over forty artists and theatre companies showcasing digital work, from spoken word audio pieces to mini-web series. It has garnered many four-star and five-star reviews. In this two-part series, Carmina Masoliver discusses her picks of the festival’s most interesting shows. You can read part two here.
by Tesni Clare
Sunday’s events in Bristol have made headlines. Predictably, however, mainstream media has fallen into the trope of shortsighted reporting, indulging in simplistic, one-sided narratives of protestors as ‘mobs of animals’ who ‘attacked’ and ‘badly injured’ police officers. Whilst they make good headlines, these intentionally inflammatory discourses, alongside powerful images of burning vans, serve to eclipse the bigger story.
Mosques across Norwich have been working hard in recent years to develop understanding of the Islamic faith and culture, and to improve community relations. Starting with the establishment of the Ihsan Mosque near Chapelfield Gardens in 1977, there are also mosques in Dereham Road, Rose Lane and Aylsham Road, and a community centre in Sandy Lane. Not only is the local Muslim community small but it is geographically isolated from larger communities in Birmingham, London and Yorkshire.
Content warning: references to police violence, racist violence.
The revival of the Black Lives Matter movement has inspired an array of haunting artistic responses. Black Lives Matter: Poems for a New World, edited by Ambrose Musiyiwa, is no exception. With over 100 contributions from writers of diverse ages and backgrounds, the collection is a poignant exploration of an era of renewed protest and newfound solidarities, against the backdrop of the coronavirus pandemic.
By Howard Green
On March third, Chancellor Rishi Sunak announced his annual budget for 2021. As you would expect from a modern Conservative government, the budget showed an unwillingness to borrow and spend more than a moderate amount, despite the continuing economic pressures posed by the pandemic, and reaffirmed the government’s commitment to benefitting their rich donors while denying the most basic of help to the victims of years of Tory austerity. Sunak is spending just enough pocket change to maintain the appearance that the government isn’t just doing the bare minimum during the pandemic, but, typically, even this amounts to high praise from the largely right-wing mainstream media.
With the announcement on 4 January of a third national lockdown, the majority of students at the UEA have been unable to return to the University following the end of the Christmas holidays. However, a campaign was set up several days before the lockdown announcement by a group of students calling for a rent strike at UEA.
by Sean Meleady
Norfolk-based education workers belonging to the National Education Union (NEU) have won a hard-won victory, after working with other trade unionists across England to force the government to close schools to the majority of students. This follows a sharp rise in the number of COVID-19 cases, particularly amongst school-aged children.
By John Sillett
The recent collapse into administration of shop group Arcadia and Debenhams’ department stores was shocking, but not unexpected. Both companies have had their assets looted by their owners; Arcadia’s owner Philip Green has become widely seen as the unacceptable face of capitalism. Whilst the vultures pick over the bones of Topshop and its relations, there has been an avalanche of redundancies in many sectors, from construction to engineering. The pandemic has hastened the collapse or rationalisation of companies depending on footfall, like retail, hospitality and tourism.
By Howard Green
Every 4 years, the world’s attention turns to the US presidential election. It is widely seen as the most important election in the world, and it’s hard to argue that it will be any less than that this year. In a time of racial injustice, climate crisis and global pandemic, many in America have been looking for their politicians to put forward an inspiring, achievable vision of the future. Instead they have a choice between an egomaniacal incumbent and a lacklustre opposition.
In Sanatorium, Abi Palmer likens illness to a ‘lack of access’ to the world. But could we view this feeling of being ostensibly unmoored from reality as merely a different manifestation of it? Ableism is a prerequisite for the doctrine of optimum productivity and consumption endorsed by capitalist ethos, rendering healthcare essentially meritocratic. For women, BAME people, marginalised genders, queer people and anyone lacking cultural capital, who consequently struggle to be taken seriously by medical professionals (an experience that Palmer vividly evokes), performative illness becomes a grim necessity.