We look back – perhaps forward – to the counterculture of the 1960s to try to understand optimism, or possibility, or hope. The abolition of the future over the course of the decades between then and now creates a clean, blank break, an insurmountable barrier in the collective (un)consciousness, that renders many of the ideas for radically new, collective styles of living, doing and being incomprehensible to us, the generations born after the ‘end of history’. The impossibility, to our 21st century minds, of alternative modes of social reproduction, for example, is the result, and process, of what cultural theorist Mark Fisher (1968-2017) called capitalist realism – the doctrine we are all subjected to which claims that the way things are is the only way that they can be, and that any attempt to do anything else is doomed to failure. There Is No Alternative.
By Chris Jarvis
In November, Muncie Girls announced the release of their debut album From Caplan to Belsize, set for a release in March 2016. They followed up this announcement with two singles – Gas Mark 4 and Balloon, and kicked off the New Year with vocalist and bassist Lande being featured on the cover of Kerrang! Magazine as one of the ‘Stars of 2016’ as well as being interviewed and played on Daniel P Carter’s Rock Show on Radio 1. It looks as though 2016 will be the breakthrough year for Exeter based indie-punks Muncie Girls. Having been part of what is so often a political scene, The Norwich Radical spoke to Lande about the new album, the politics behind it and how she sees the role of political music our series Music That Matters.