by Laura Potts
Salò Press is a Norwich-based independent publisher of poetry, prose and experimental writing. The surreal nature of much of the work by the imprint allows a new ground for experimental writing, and the eventual outcomes that follow. Their most recent book – MILK: an anthology of eroticism – has just been published and I have the pleasure of reviewing the work.
The first thing evident within MILK is the importance of independent publishing as an arena to allow a multitude of voices, as there is a very broad range of writers with varied backgrounds and circumstances included. It shows a much wider cross section of society, and the creative work embodies that greatly: we find a freedom to pen emotions so strong that you wouldn’t initially think literary testimony could do them justice. Writers such as Jessica Rhodes, Rosie Quattromini, and Jane Jacobs have done just that.Continue Reading
by Colin Hynson and Matthew White
Four years ago, on the north side of Norwich, a new community centre came into life. Before that the Silver Rooms had been owned and run by Norfolk County Council as a drop-in centre for local older residents. In 2010 Norfolk County Council announced that it was selling off the building as a response to cuts imposed by the coalition government. A group of local people fought back determined that the building should carry on benefiting the local community. In 2012, the building became an Asset of Community Value (later used in the campaign to save the Owl Sanctuary). Norfolk County Council then abandoned the auction and said that the building could be run for the benefit of the community and the rooms were leased to the community for 25 years for a peppercorn rent of £1.00 a year.Continue Reading
by Eli Lambe
Released shortly before the disaster at Grenfell, Dispossession: The Great Social Housing Swindle is a timely and balanced exploration of the factors that led to the tragedy, and to the wider social cleansing of working class and low income communities throughout the UK. Introducing the film to a packed room in Norwich’s Cinema City, director Paul Sng emphasised the need to counter the “media culture of denigrating people who live in social housing”. The goal of the film, for Sng, was to show that people living in these estates and situations are valuable in themselves, and that the communities that exist there are important and should be preserved, as well as highlighting how this is overshadowed constantly by the prioritisation of profit and private sector gains.
by James Anthony
I never thought I’d start off a serious article by writing about talking during sex, but here we are. It’s a slightly awkward subject, and one that the world of comedy is not afraid to touch upon. Specifically, I’m referring to everyone’s favourite fictional radio presenter, Alan Partridge, who is no stranger to the delicate topic of conversations mid-intercourse. I’m Alan Partridge brought to British comedy a very memorable line, during a less than steamy sex scene, in which Alan asks his partner just what she thinks of the pedestrianisation of Norwich City Centre.
Aside from being a line used as a sure-fire way to detect a fellow Partridge fan, those outside of Norwich may not realise that we recently celebrated fifty years since the first high street in the city became pedestrianised, and that the debate around the motorist vs pedestrian issue continues to rage on. It is very much to this day – as Alan himself would say – a ‘hot topic’.Continue Reading
by Joe Burns
Over the last three decades, the number of people that control the businesses that shape our lives has decreased dramatically. Distant stakeholders and unrelated shareholders seem to have a say in local housing projects, food supply, transport maintenance and many other necessary community projects. Big brands are becoming more successful at dictating markets and reaping the rewards.
In the recent past, Tesco executives were revealed to have been paid up to 900 times more than the average Tesco worker. Dave Lewis, CEO of Tesco, was paid £4,600,000 in 2016. When explaining the reason why he received almost five million pounds in one year, Deanna Oppenheimer – who is the leader of Tesco’s remuneration committee – said he had achieved increased volumes, reduced costs, increased cash flow, and completed significant disposals and business restructuring to strengthen the balance sheet. For some, more money is what makes good business.Continue Reading
by James Anthony
The Forum is often described as a key landmark of Norwich, a grand glass structure which stands alongside City Hall and St. Peter Mancroft Church, overlooking the market. Intended as a building fit to mark the turn of the century, The Forum was opened in November 2001 and has since become one of the main meeting places in the city centre, truly a forum for the people of Norwich.
Many of those meeting there – enjoying pizza, coffee and the various exhibitions hosted within – may not realise the scale of destruction and loss of history that took place twenty-three years ago, pre-dating the grand building we know today.Continue Reading
by Eli Lambe
Dave Eggers’ The Circle, both the book and the recent feature-length adaptation, is a dystopia formed around a Facebook/Apple/Google/Amazon-esque corporation, one which hosts and shares almost every aspect of its users lives. The novel does a remarkable job of capturing the subtle ways in which this model is marketed to us, how this format of data-as-product is often shrouded in apparently progressive buzzwords – community, accountability, transparency, participation – whilst the company which operates under this model does so under the same values as every other corporate entity.
There is a veneer of progressivity and respectability that companies adopt in order to retain and gain customers – like Facebook making it easier to harass trans people, or implementing guidelines that protect white men but not black children, and at the same time, for one month of the year, patchily providing a rainbow “pride” react to the users who liked lgbt@facebook. Perhaps not as extreme as Eggers writes in The Circle, but eerily close enough: “Anytime you wanted to see anything, use anything, comment on anything or buy anything, it was one button, one account, everything tied together and trackable and simple, all of it operable via mobile or laptop, tablet or retinal.”Continue Reading