A DUNCE’S GUIDE TO CONFEDERATE AND ART CRITICISM

by Richard Worth

Often my articles here in the Arts section follow a similar pattern; I observe what I think is a poor defence or poor criticism of a subject, give my contrary reasoning and cast some shade, then tried to conclude with what I think is a better approach to art in general. The overall meta-thesis tends to be “artists and audiences need to be smarter and less sensitive”.

Whilst I do have fun writing such pieces, I feel that my critical pattern is par for the course for liberalism in general. There is an overwhelming feeling of being against something rather than for something. Politically I can reason myself around this. If I’m against inequality in the workplace, I’m de facto for equality. With the arts though it can make me feel like a grumpy old curmudgeon who hates everything and writes from a place of negativity and harsh criticism; To remedy that I wanted to write about something that I was excited about. I failed.

Not only is it a great crime drama with a nunchuck-wielding lead named Dashiell Bad Horse, but the show will have an almost entirely Native American cast and give a voice and representation to the issue of a people marginalised and mistreated in their own land.

What I wanted to write about is the upcoming television adaptation of Jason Aaron and R.M. Guéra comics series Scalped. I love Scalped. It’s a gritty western-crime-noir about an undercover F.B.I. agent on Prairie Rose Indian Reservation. It’s brutal, tense and amazing. Its depiction of life on the “rez” and the struggles of Native Americans feel raw and honest and uncomfortable. I’m not the type of guy who gets super excited for either comic book adaptations or TV series, but this is different. Not only is it a great crime drama with a nunchuck-wielding lead named Dashiell Bad Horse, but the show will have an almost entirely Native American cast and give a voice and representation to the issue of a people marginalised and mistreated in their own land.

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JOAN LEE: THE MARVELOUS MUSE

by Richard Worth

The story goes that Stan Lee was dragging his feet on Marvel’s latest bid to catch up with the Distinguished Competition. He was becoming bored with the monster-matinée mags he made with Kirby and uninspired by the sci-fi parables he produced with Ditko and now his bosses had tasked him with making a book to rival DC’s newest hit, Justice League.

Stan wasn’t one for superheroes. They were too perfect, too unflawed, and too unfit for the hyper-dramatised, purple prose that was Stan’s hallmark. He moped and complained about his artistic integrity, as writers are wont to do, boring all around him until his perpetually patient wife finally told him to get on with it. Continue Reading

THE CULTURAL IS POLITICAL – THE REUNIFICATION OF LEFTISM AND CULTURE

by Chris Jarvis

Culture and politics are inseparable. Culture is more than mere entertainment, more than escapism. Culture is central to how we understand the world, build our value sets and perceive our fellow people. It stirs human emotion in unique ways, pulling different levers in the brain. Sometimes overtly, sometimes with subtlety, the dominant cultural practices, institutions, icons and outputs are used to reinforce the dominant political system and defend the status quo. Establishment weaponise culture as a means of influence.

But this isn’t the sole preserve of the political right.

Looking through history, many of the most important moments of popular revolt have an accompanying soundtrack. The resistance to the Vietnam War had the protest folk singers. Rage Against the Machine were agitators of the US anti-globalisation movement. Riot Grrrl acts built feminist infrastructure, led pro-choice campaigns and brought ‘the personal is political’ sentiments to the fore of a cultural phenomenon. And so on, and so on.

This isn’t coincidental.Continue Reading

STRIPTEASE: ADMIRATION FOR SATIRICAL CARTOON

by Richard Worth

If you have read my work here at The Norwich Radical and elsewhere (shameless self-promotion, I know) it should be apparent that I enjoy satire. And as reality subtly blends in a dystopian crap-scape, one of the very few plus sides is that the satire game is booming. In addition to the plethora of late night hosts to match personal preference (Colbert does it for me) keeping us informed and helping us to laugh instead of cry, the humble illustration has been holding a mirror up to the corrupt, the cruel, and the incompetent and making them look ridiculous, and they know it.Continue Reading

CAPTAIN AMERICA: TRUTH, JUSTICE, AND THE OUTRAGE WAY

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by Richard Worth

Captain America is a Nazi and everyone is very, very mad. There has been a whole bunch of articles about Cap’s Nazification, some explaining it away as comics being comics, others taking a very real offence to the souring of Steve Rogers’ origins. Created by Jewish superteam Joe Simon and Jack Kirby as a way of taking out their frustration at America’s lack of involvement in WW2, it’s clear that this change has huge importance in our current climate.Continue Reading

A THANK YOU TO COMICS ARTIST LEO BAXENDALE

by Richard Worth

The Beano was a part of my childhood I took for granted. To be clear, that’s not to say I didn’t value every issue I had, more that it was a fundamental part of my existence. It was always around and I assumed everybody read it in the same way I assumed everybody had tea in the evening. The Beano and its characters were accepted, not considered. Which brings me to a shameful point: I never thought about who created them.

The death of Leo Baxendale is a sad loss for the nation. Continue Reading

THE NORWICH RADICAL YEAR IN REVIEW 2016

by The Norwich Radical

2016 was a bleak year for many. Across the world, the forces of liberty, of social progress, and of environmental justice lost time and again in the face of rising fascism, increased alienation, and intensifying conflict. That notwithstanding, there have been moments of light. In the Austrian Presidential election, the electorate confirmed the independently Green candidate Alexander van der Bellen; the #noDAPL water protectors gained a soft victory in early December; in fact, there is a full list of positives from the past year, if you want cheering up.

2016 saw our team expand to more than 25 writers, editors, and artists as well as host our first ever progressive media conference, War of Words. Our readership has grown from 5,000 per month to more than 6,500 per month. In total, nearly 80,000 people have read content on The Norwich Radical website this year.

In 2017, The Norwich Radical will turn three years old, with plans to grow our team and publication more than ever before. We’ll also be returning to Norwich to bring debate and discussion on the future of the media, with War of Words back for a second year. Continue Reading