By Toby Skelton
There is an elephant in the room with Amie Marie’s mischievous comedy The Play About Theresa May: why publish a satire on May’s bungled and mayhemic term in government in 2021? When placed beside the burning wreckage of policies created by her etonian man-child of a successor, there is a risk of the text losing its relevance before you’ve even passed the cover. Marie navigates this hurdle gracefully, however; its name-sake target has been out of office nearly two years, but The Play About Theresa May is still an extremely timely exploration of political engagement in 21st Century Britain.
August saw the five-year anniversary of Lauren Kaye’s ‘I’m All In’, a poetry collection described as a ‘seductive collection of romantic and sensual poems that speak on the inevitable episodes of love, sex and relationships’. The occasion was marked on social media – at a time where artists are forced to be more resourceful than ever when the stage is taken away. As Kaye outlines in the introduction, her poetry ‘is written much how I speak’, and it is best to have seen her live or see live videos so you can then hear her voice as you read coming through the pages.
by Carmina Masoliver
Edinburgh Fringe festival seems to get bigger and bigger each year; there are hundreds of shows to choose from and the densely-packed programme can be difficult to decipher. Here we have briefly reviewed three distinct shows from the 2019 edition, dealing with the mind, the body, sexuality, relationships and gender.
by Sunetra Senior
A tall hill of turquoise, gendered cooing and guffawing, chainmail crop tops, and dance-fights with mops, performed to the sound of nineties nostalgia: Lizzy Shakespeare and Michelle Madsen, together known as Bait Theatre, effectively wield experimental drama to tear through the fanciful tropes of traditional fairy-tale femininity.Continue Reading
By Carmina Masoliver
The second instalment of a series of short summaries of a wide variety of performances, from the comedic to the dramatic to the bizarre, direct from the Edinburgh Festival Fringe. Each entry is preceded by the title of the work in question, and the venue(s) at which it is being performed as part of the Fringe.
Content warning: mentions eating disorders, sexual assault, domestic abuse, childhood trauma.
by Robyn Banks
On Sunday 6th May I attended Scratch It! hosted by Hack Theatre at the Norwich Arts Centre. Aimed at attracting new writers and ongoing projects, the evening looks to give a platform to work that is happening in the area so it can be developed and flourish. The arts varied across the evening, ranging from comedy to drama and using different styles and formats.Continue Reading
by Eli Lambe
In preparation for their upcoming show at Brighton fringe, Eliott Simpson and Elliot Wengler took the stage armed with their Tinder profiles – to proposition the audience for friendship. Closing a mixed bag of a night, their set contained some much needed reminders of how comedy can work without the tired, “edgy” humour that so often seems to haunt the stand-up world and which, in my mind, ruined so many of the night’s previous performances.
by Carmina Masoliver
If you’ve seen Rosie Wilby on stage, or come across some of her recent articles, you may be aware of her exploration of monogamy and non-monogamy in relationships. This complex issue is the focus of her new book: Is Monogamy Dead? A provocative title in itself, as a book that is part memoir and part research, it succeeds in its aims to both entertain and critique traditional relationship models. As a stand-up comic, Wilby has appeared at many festivals from Glastonbury to Edinburgh, and there are many stories in the book that have me laughing out loud. Yet, as with the best comedic work, it succeeds in not only being humorous but is also delivered with real poignancy.
by Alice Thomson
Life is hard. For everyone. We’re all trying to find some meaning to our lives, trying to figure out where we belong and what our purpose is. Amongst that, we see what is going on the world, either connected to us or globally. Our environment can be tough to digest.
My last article was about the cuts the government is in the process of implementing to benefits for disabled people. I spent a lot of time researching the article and it really brought me down. I already knew it was a problem and needed to be spoken about, bknowledge,ut to learn the extent of the issue and read personal experiences, made me feel hopeless. The news can easily do that. Making it difficult, not only to take control and make positive changes to our environment, but to make those changes for ourselves. It’s a trick that’s as old as the book. Since the time people were able to establish a hierarchy, those on top kept everyone else in the dark to keep them in their place. Knowledge is power. Muddy the water of knowledge, and we disengage and disenfranchise the masses.Continue Reading
by Richard Worth
Sean Spicer made an appearance at the Emmys on Sunday evening and an institution I hold incredibly dear to my heart almost destroyed itself. It was unexpected and extremely upsetting, but with time I think things could be alright. I am not referring to the Emmys of course, but to the tradition of satire.
Since the dawn of the Trump Era (a TARDIS-like section of time that hopefully, history will see as quite brief but which feels eternal to those in it), satire has arguably become more important than ever before. I’ve written about it a number of times for The Norwich Radical and I genuinely believe that mockery of the maniacal and mighty serves as a psychological sword and shield, at once cutting into the ego of demagogues and simultaneously protecting us from being pummelled into submission by their beliefs.
These past few years, as the Right, the Centre and, though it pains me to admit it, the Left have started to construct their own realities, satire has become more confusing as writers around the globe have all but given up trying to match the farcical nature of the world, but we still fought on under the banner of “this is not normal”.