Content warning: brief references to sexual assault
The Barging Buddhi and Other Poems takes us on a journey from human expectations that are created within a set culture, to more cosmic climbs, from which we are brought back to earth with the fragility of life, to then be connected to a wider sense of nature. Sunita Thind’s poetry is rich, sensual and visual. Although her numerous questions throughout the collection hint at self-doubt and uncertainty, she shows a strong sense of voice that is not easily contained, like the ‘pyrotechnical parrots’ she describes, how humans ‘clip their wings to capture the fury of their rainbow constellations / humans devouring them like black holes / sequestered in monster iron cages.’ The collection is strongest when assertive, using imperatives: ‘delete the tears’, ‘stain me’, maroon me.’
by Emmanuel Agu
Let’s face it, the history we are exposed to in this state is white-oriented, Eurocentric and frequently glamourizes the power and history of Britain’s Imperialism. School curriculum’s explain theorems, recount stories and literature of white heroes, white professors and white creatives. Our history museums and art establishments are filled to the brim of treasures looted from Africa and Asia that continue to remain in our state for claims of ‘greater accessibility’ for the rest of the world– Infact even within the castle of our Monarch sits the remains of buried princes forcibly taken from their homes. In the supremacist society we live in- white history is celebrated and panegyrized daily, don’t be so ignorant as to ask for your time of remembrance when society does not exclude you.
Black history month exists in defiance of the structures that chose to exclude those that supremacy excludes- but one must, ask what does it mean to be black?