ECONOMIES OF RECOGNITION

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by Liv Barnett

Academics are often accused of failing to make their research matter to audiences other than themselves. Anthropologists are particularly criticized for writing theories and ethnographies that not only go unread by non-anthropologists, but are also too inaccessible to those they may be writing about. Here I hope to try and explain a central aspect of my PhD research in Papua New Guinea and share some of the ways it has got me thinking about politics and economics in the UK.

The stereotyped anthropologist gets criticized for using the experiences of a usually colonised ‘other’ for their own project of producing knowledge that counters the taken for granted understandings people have of humanity or society in ‘the West’, which are presumed to be universal to human nature. This is a legitimate argument which has to be taken seriously. Therefore, I self-consciously use some of my observations in Papua New Guinea (enabled by the generosity of those who I lived with in PNG) and the ideas of European/western social theorists.

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REVIEW: BRIDGES @ SPACE STUDIOS NORWICH

by Laura Potts

‘If anything, art is…about morals, about our belief in humanity.
Without that, there simply is no art’

Ai Weiwei

Norwich’s own Space Studios hosted Bridges, a fascinating exhibition by artists Marcia X and Karis Upton, earlier this month. Entering through a small alley, I climb stairs up to the first few works, which I find in a dark setting, immersing me in the exhibition. Up another staircase, long enough for me to begin reflecting on what I’ve seen, is a much lighter space, with works hung from the sloped ceiling. Afterward, I’ll go on reflecting for some time – the themes and issues that Bridges explores are of such magnitude that every viewer is forced to sit up and listen.

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