By Molly Ellen Pearson
‘I was still standing. I’m shot, I thought, I’m shot. I reached down and touched my stomach. Blood. There was a small hole, slightly charred, in my white shirt: my Paul Smith shirt, I thought, with a pang of anguish. I’d paid a week’s salary for it in San Francisco.’
A novel preoccupied with appearances and the dark realities they can conceal, it is no wonder that clothes are a recurring theme in Donna Tartt’s The Secret History. As protagonist Richard notices the gunshot in his expensive shirt at the climax, his ‘anguish’ stems less from the injury to his physical body than to the painstakingly assembled body of signifiers he has spent the novel maintaining; a ‘small hole’ through which his history, in its imperfect secrecy, is exposed.
By Laura Potts
Maintenance grants are a thing of the past and student accommodation costs are rising by the year. Is it any wonder that 80% of students worry about having enough money to get by? As a student myself I am surrounded by people whose rent is higher than their student loan, leading them to make sacrifices on important aspects of their lives, such as their diet. In many cases, students must choose to let their own health suffer as a result of lack of funds.
by Carmina Masoliver
On a recent trip to Hanoi, in Vietnam, I wandered the streets to see where the day would take me. This included going into lots of little art galleries, all housing incredible oil paintings and photography. In L’Institut Français de Hanoi, there was an experimental installation where a series of life-size photographs leaked onto the floor, and a white sculpture hung down from the ceiling like a cloud. Upstairs there were lots of neat illustrations from a range of artists. There was one smaller gallery that stood out from the rest where the eccentric art dealer with short turquoise-dyed hair spoke about the meaning behind each painting, telling me about Vietnam’s history with lacquer paintings as I admired a large glittering image of space.Continue Reading
by Liam Hawkes
Most people never entertain thoughts about where their clothing has come from. The demand for fast, cheap fashion has overwhelmed the garment industry for many years now, having a devastating impact on millions who work in the confines of the industry; and similarly a devastating impact on the environment.
by Jess Howard
Disclaimer: article discusses sensitive topics — features forced abortion.
The annual Met ball returned to New York this week. Held at the Metropolitan Museum of Art, the event charges ticket prices from upwards of £900, all in aid of The Met Costume Institute that opened in the 1940’s. The event is best known, however, for the guests that frequent it. Beyonce, Kim Kardasian and singer Lady Gaga all graced the red carpet. Draped in designs that supposedly followed the designated theme — ‘China: Through the looking glass’.
Celebrity interpretation was ‘interesting’ and, in some cases, borderline racist. For instance Fifty Shades of Grey star Dakota Johnson chose to accompany her Chanel Haute couture mini dress with a bag by the same designer. However, far from being a fun and exciting piece of couture, the bag featured a Chinese woman with stereotypically fine slits in place of eyes. As if Chanel, and indeed Johnson, were unaware of the thousands of Asian woman undergoing plastic surgery for the sake of achieving the western eyelid shape.Continue Reading
by Carmina Masoliver
For an exhibition with such an empowering title, I was intrigued to see what was being shown. Displayed at the Design Museum, it presented a timeline of women’s fashion until the present day. That said, the question of power was up for discussion, from the tiny corsets that squish women into an hourglass (arguably, the most dominant shape shown to be desirable throughout history), to the laughable early swimming costumes that showed an aversion to exposed flesh (it was simply a waterproof outfit).
On one hand, I couldn’t help but feel that aspects of fashion should be questioned and critiqued. In the Victorian period, women cinched in their waists with these corsets, and added fabric to their hips to emphasis the same shape that women are now striving to achieve through cosmetic surgery and Gok Wan’s cinch belts (the former sometimes having led to deaths). Surely, our bodies are not simply a fashion statement?Continue Reading
by Adam Edwards
The start of spring brings with it one of the fixtures of Norwich’s cultural landscape. Norwich Fashion Week 2015 is now drawing to a close, and the more I reflect on it, the uglier it seems.
I’m sure I’m not alone in the reservations I have about this, or any other event that tries to promote fashion as a force for good in our communities, lives and world. That said, I’d also like to try to move the debate beyond the realms of body idealism, anti-feminism and classism that are inherent in the fashion industry, and not remotely obfuscated in provincial events such as our city’s. I want to progress the argument into the realm of the truly terrifying, into which Norwich Fashion Week readily transports us.
We’re all aware of the uncomfortable truths that tremble at the edge of thought when we consider disposable fashion, but I want those truths dragged under the light of scrutiny.