KISS MY GENDERS REVIEW

by Carmina Masoliver

The existence of the gender spectrum beyond the simple male/female binary is now more visible in mainstream media and popular culture than ever before. And whilst life for non-binary and trans folks is still difficult, even dangerous, there seems to be more cultural awareness (if not sensitivity) about various trans identities within cis circles. In the Hayward Gallery’s Kiss My Genders exhibition, this visibility of the gender spectrum takes centre stage.

Continue Reading

EDINBURGH FRINGE 2019 – PART 2

by Carmina Masoliver

trigger warning: mentions of sexual assault, mentions of transphobia

My second week at Edinburgh Fringe Festival offered a selection of shows more overtly dealing with Feminist themes. This selection ranged from the role that gender has to play in our experience of the dating world in the digital age, an exploration of the ‘pretty privilege’ set against trans experiences, to an examination of celebrities as female role models.

Continue Reading

EDINBURGH FRINGE 2019 – PT 1

edinburgh fringe 2019

by Carmina Masoliver

Edinburgh Fringe festival seems to get bigger and bigger each year; there are hundreds of shows to choose from and the densely-packed programme can be difficult to decipher. Here we have briefly reviewed three distinct shows from the 2019 edition, dealing with the mind, the body, sexuality, relationships and gender.

Continue Reading

DON’T GET FIRED – ‘CHOOSE YOUR OWN ADVENTURE’ GENRE ENTERS SOCIAL MEDIA

1

by Carmina Masoliver

When I was told by fellow poet and She Grrrowls team member Ibizo Lami that there was a ‘choose your own adventure’ (CYOA) game-cum-story starring Beyoncé on Twitter, I felt compelled to write about it. 

If you haven’t heard of it already (currently at 98.2K retweets and 256.7 likes), it works by imagining you are Beyoncé’s assistant for the day. Your goal: don’t get fired. Complete with photographs and gifs, each choice you make leads to another thread. Depending on your choice, you either face the termination of your contract or you are allowed to continue the game.

Continue Reading

THE LAST WORD FESTIVAL 2019 REVIEW

by Carmina Masoliver

The Last Word Festival at The Roundhouse, Camden, merges various art forms that all centre on the spoken word – in some cases fusing with music, circus and cabaret. Established artists feature in the festival alongside younger, emerging artists; The Roundhouse supports 18 to 25-year-olds starting out in spoken word poetry (amongst other things) through the Roundhouse Poetry Collective, of which I was a member. Each show I see, I bump into fellow poets, for example, chatting to Toby Campion, we realise we both came through the Roundhouse programme.

Continue Reading

AD LIBIDO BY FRAN BUSHE REVIEW

by Carmina Masoliver

Female sexual dysfunction is a topic rarely spoken about, and according to Fran Bushe’s show Ad Libido, it’s also something that is light years away in terms of medical research when compared with male sexual dysfunction. Hello patriarchy! This show presents us with projected images of what “solutions” she has come across to dealing with pain during sex, all of which are both hilarious and hideous at once. It is clear that this is not the same for male sexual issues, where there are actual solutions which are often available to buy over the counter.

Continue Reading

IN SEARCH OF EQUILIBRIUM BY THERESA LOLA

By Carmina Masoliver

One of the first things that strikes me about Lola’s debut poetry collection is the innovative use of form and the consideration of how text and space are on the page. The subject matter is essentially natural – life and death – yet, the poems are experimental and bring in cultural elements such as technological language and hip hop references, as well as religious allusions.

Continue Reading