by Carmina Masoliver
Piles of colourful patterned fabrics line the stage, and three women dressed in black Lycra leotards select a fabric and wrap it around their head. The fabrics are drawn across the stage as the performers’ bodies undulate in a backwards crawl, before the scene is set as a hair salon with the colours swept away in a swirl around a chair.
As the title The Hair Wrap Diaries suggests, during this Uchenna Dance production written by Bola Agaje in partnership with director and choreographer Vicki Igbokwe, we hear different stories from each performer. Yet the show is also interspersed with dance, giving it a strong sense of poetics as the words are broken up and repeated with the movements. The stories themselves are carefully selected, offering a rainbow of different generations of black women, exploring their relationship with hair.Continue Reading
by Eli Lambe
Hopkinson’s writing is enchanting. Her words wrap around you and inhabit you, they turn your skin to bark, the wind into a goddess, your body lifts and falls with the lines of beautifully crafted prose. To read her work is to be transformed, transported, transcended. Her first novel, Brown Girl in the Ring (1998), explored community, magic, and family in a Toronto “hollowed out” by white-flight and financial catastrophe.
Her second, Midnight Robber (2000), used language — particularly dialect — and mythology to imagine, from a Caribbean perspective, “what stories we’d tell ourselves about our technology – what our paradigms for it might be” and to bring together ideas of storytelling, colonialism and trauma. Since then, she has published several other novels and collections, all of which are thoughtful, accessible and fundamentally affecting, the most recent of which is the subject of this review. Continue Reading
by Zoe Harding
TW: Sexual assault
On the 22nd of May, the Oasis-class cruise ship Harmony of the Seas set sail from Southampton docks on its first commercial voyage. The world’s largest cruise ship, the Harmony is owned by Royal Caribbean and can carry up to 5,400 passengers as well as 2,100 crew. The ship will be sailing on various European cruise routes until October, when it moves to the Caribbean for the winter. The vessel resembles a block of brutalist flats with a pointy bit at the front, and rooms can cost up to £3,000 for a seven-day cruise. The industry boomed in the early 2010s and is still going, with over around 22.5 million passengers carried worldwide in 2015 at a profit of somewhere around $39.6 billion.Continue Reading