REBEL KITES

by Sarah Edgcumbe

“We are fighting for freedom. We are fighting for our smiles. We don’t care what the occupation thinks about us or what they will do. This is an act of defiance.”

The certainty of retribution implied within the above statement seems exaggerative for merely flying kites, but this is the reality in Burin, a village that holds fast among beautiful rolling hills in the countryside of the northern West Bank, and which is also surrounded by three illegal Israeli settlements. Centuries old, with a population of nearly three thousand, the villagers of Burin have long cared for this land. They’ve raised their families here for generations, celebrated births and marriages, supported each other, grown and harvested ancient olive trees, with roots that symbolize the hundreds of years of Palestinian toil that connect the people to this land. This land that Israel wants so badly but will never have. Continue Reading

NOTHING AS IT SEEMS: A REVIEW OF WILL TEATHER’S INFINITE PERSPECTIVES EXHIBIT

by Hannah Rose

Tiny cheerleaders, an umbrella on the moon, portraits of dead rock stars – all of these and more can be found in the uncanny paintings of Will Teather. Time’s inconsistency runs throughout this unnerving exhibition. Teather plays with time in a way that would be funny if it wasn’t so unsettling. But then again, isn’t that the mark of a significant piece of art? To catch the viewer unawares?

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