by Robyn Banks
Here’s something I never thought I’d say: I agree with Jo Johnson. A couple of weeks ago the Tory Universities Minister told university leaders and Vice Chancellors that they needed to “stop ratcheting up pay”. This was a reaction to the news that the VC at Southampton University has received a £125,000 pay rise in the space of 5 years.
by Rowan Van Tromp
House music, unlike other forms of music, is arguably apolitical — given the absence of lyrics. That doesn’t mean that the scene is apolitical however, as Lithuanian DJ Ten Walls found after committing commercial suicide following his public condemnation of homosexuals over Facebook. Subsequently one of the biggest house festivals in Europe, Hideout Festival in Croatia, cancelled his set, stating: “Hideout Festival is an inclusive event, which is open and accessible to all. Our fans and customers are important to us and we do not tolerate or condone any form of hate. For this reason, Ten Walls will not be playing at Hideout Festival this year.”
From its outset in the mid 80’s, house music has been about inclusivity, openness of expression, and removing society’s invisible boundaries. It is an environment intolerant of abuse and discrimination, with violence actively discouraged. The beauty of house music is in its diversity, fluidity, and ambiguity. What house represents for one person may be different to the next, yet they are still drawn together by the same four bar loop. The music in itself is like a socially binding drug.Continue Reading