BLAST FROM THE PAST – CHRISTINA AGUILERA: STRIPPED

by Carmina Masoliver

I have a strange memory of Christina Aguilera performing Genie in a Bottle on Top of the Pops and my dad asking if I liked her songs. Strange, because it’s so unremarkable to be kept inside my head. At this stage I her career, she had made her big break, and soon enough I was listening to her album, with hits such as What a Girls Wants and Come On Over (All I Want Is You). Yet, it was three years later, when she released what I will always think of as her best album: Stripped.

I was having a hard time at school, and listening to this album was the very definition of empowering. I had been pushed out of a friendship group during a time where looking back, I honestly believe I was depressed, and this escalated to the extent where I felt I was a target for lots of different groups at school. I did make some new friends, and remember connecting with one of them through a shared love of this album. This was before we had learnt to talk about why it is that Beautiful holds so much resonance with us, but fourteen years later and we are still friends, now sharing a love of bell hooks.Continue Reading

DEBRIS STEVENSON — PIGEON PARTY

by Carmina Masoliver

Deborah ‘Debris’ Stevenson is founder of The Mouthy Poets, based in Nottingham, who are a collective of 50 young poets. A poet herself, with a blurb of incredible achievements, I can’t help but envy her success as someone so near my age (she’s actually younger). Watching from the outside, I can see how much she has grafted to get where she is today, and her enthusiasm for what she does shines through at workshops, performance events, and is inside every well-chosen word on the pages of the Pigeon Party (2014) collection with flipped eye publishing.

Poems are enclosed in two-part poem After The Blackstone Rangers, which sets the scene for the collection. They describe a childhood growing up in cities, where “everyone was learning”, whether rolling cigarettes, or dancing. The words are both familiar and unexpected; a place where love and friendships are based on fun that is “still disposable and warm” — referring to the “can of Scrumpy Jacks”— but also holding a wider resonance, like most of Stevenson’s work.Continue Reading

KYLIE JENNER’S WHEELCHAIR PHOTOSHOOT

by Jess Howard

The Kardashian/Jenner family are rarely far from the press. From Caitlyn Jenner’s sensational Vanity Fair cover early this year, to the recent birth of Saint West, they are seldom out of the news. Recently, it has been model and the youngest of the Kardashian sisters, Kylie Jenner, who has been in the limelight.

Causing controversy by taking part in a photoshoot in which she posed passive and sexually in a gold wheelchair, Jenner’s photoshoot, directed by photographer Steven Klein, and accompanying interview, were part of a feature in Interview magazine, and it is explicitly clear why the internet has reacted in such a passionate and infuriated way. Continue Reading

REVIEW: THE WORLD GOES POP

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by Carmina Masoliver

I was moved to go to this exhibit with its promise that it would move beyond the mainstream artists we think of when we think of pop art, such as Andy Warhol, Robert Rauschenberg, and Richard Hamilton, working in the 1960s and 70s. I enjoy the work of these artists, but having seen them all before, I was intrigued to see more women exhibited, as well as those across the globe.

The literature on the exhibition states it ‘expands the notion of pop art into a far wider geographical context, showing how different cultures and countries contributed to the movement.’ With Warhol’s famous Campbell soup cans we had a critique of consumerism, yet the images shown at The World Goes Pop aim to challenge social imbalances, including the role of women and civil rights. Here, I will discuss some of my highlights from the exhibition.Continue Reading

BODY ART IN THE WORK PLACE

by Jess Howard 

Covering the body with tattoos has been a tradition among multiple socio-economic groups for centuries. From identification to decoration, the act of adorning the skin with ink is in no way novel or unique. Day to day it is incredibly common to see tattoos on people of all ages, from the first tattoo immediately after the 18th birthday, to the person in their mid forties with an exquisite and elaborate full sleeve. In short, ink is everywhere.

Yet the stigma attached to visual tattoos in the work place shows minimal chance of disappearing. When I started my first ‘proper’ job, I was told that tattoos were not allowed to be visible, and even today, ten pieces of ink later, I find myself wearing long sleeves to interviews and asking if my potential employer would like me to cover them up. Even I, a woman who has long loved body art in all of its forms, assume that the stigma is still attached.Continue Reading

PORNOGRAPHY AS ART

by Jess Howard 

Earlier on this month, Playboy magazine announced that their publication will no longer be featuring nudity as of March 2016. Citing the rise of easy access to internet pornography, the company has decided to pull their famous images from the publication in a bid to reconcile their disintegrating readership with their increasing online audience, which went nudity free at the end of last year.

Playboy made a name for itself during the 1950s, when sex and nudity where far less mainstream and far more taboo. Having previously worked for Esquire, after leaving due to a financial disagreement (when he was denied a raise of $5) founder Hugh Hefner set up the publication from his home in Chicago, Illinois. Unsure as to whether or not the publication would thrive, the first magazine was undated in case a second issue was not produced. Having purchased a nude image of film star Marilyn Monroe, taken before she had found success in the entertainment industry, Hefner placed it on the cover. As we now know, the magazine was to be a huge success.

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