by Emmanuel Agu
Lemonade, Beyoncé’s latest album, is aptly named. In the political climate we live in with constant reminders of the atrocities that black people face, and a music industry that seems to be losing its greatest and brightest this year, nothing could have been more refreshing than this album for popular culture and especially for black women. This is undoubtedly the strongest piece of work Beyoncé has ever produced; musically, visually, and politically. With features and samples from a wide variety of artists including James Blake, Jack White, Diplo and for a second time another sample from Outkast’s’ ‘Spottieottiedopaliciousness’ (which I will never complain about), Knowles-Carter goes from strength to strength and I am truly left to question if it is ever possible for her to release an album less brilliant than its predecessor.
by Emmanuel Agu
In the three years since the origin of Black Lives Matter campaigning- we as a people have plenty to be thankful for.
Amongst the continuous protests against non-indictments of cops who slaughter us; despite being refused entry to the venues that play our music and profit from our culture, we have made progress.
The movement only gains further ground each day: the suffering of our people is openly documented for all to see, and pioneering individuals in the movement are meeting with possible presidential candidates. The most important achievement of the movement lies in the renewed energy within a generation. Though it is often exhausting hearing the same harrowing accounts; to continuously explain valid theory and personal lived experiences to voices that will attempt to silence you- I am firm in the belief that the only way we can initiate radical change within structured oppression is through continuous and accessible discourse.