by Alex Valente
I moved back to Prato, Italy, last March. I thought I’d left behind the UK poetry scene, so very different in Italy in so many ways. Then, my own hometown organises a whole series of free events, including poetry nights – and invites Inua Ellams to perform his An Evening with an Immigrant show. Did you really think I wouldn’t attend, notebook in hand?Continue Reading
by Emmanuel Agu
Lemonade, Beyoncé’s latest album, is aptly named. In the political climate we live in with constant reminders of the atrocities that black people face, and a music industry that seems to be losing its greatest and brightest this year, nothing could have been more refreshing than this album for popular culture and especially for black women. This is undoubtedly the strongest piece of work Beyoncé has ever produced; musically, visually, and politically. With features and samples from a wide variety of artists including James Blake, Jack White, Diplo and for a second time another sample from Outkast’s’ ‘Spottieottiedopaliciousness’ (which I will never complain about), Knowles-Carter goes from strength to strength and I am truly left to question if it is ever possible for her to release an album less brilliant than its predecessor.