By Laura Potts
Last Saturday, I attended the Green House Think Tank’s free one-day conference Facing Up To Climate Reality at the Norwich Forum. Founded in 2011, the Green House Think Tank aims to lead the development of green thinking in the UK, and offer positive alternatives to the business-as-usual approach that has done so much harm to the environment. Their conference aimed to consider questions around the reality of climate change and what it means for jobs and the economy in this country.
by Laura Potts
CW: Mentions violence against children
More than any other art form, spoken word performance art allows an audience to directly interact with the thoughts of the artist. This kind of interaction can often change minds more effectively than argument or statistic, making spoken word art a very progressive medium. As a spoken word enthusiast and an artist on a student budget, I was therefore excited to attend Matt Abbott’s pay-what-you-can preview of his Edinburgh Fringe show ‘Two Little Ducks’ at the Norwich Arts Centre recently. And my excitement was certainly justified – Two Little Ducks is a powerfully thought-provoking, politically driven work.
by Alex Powell
CW: mentions homophobia and homophobic abuse
Last week marked 50 years since the Sexual Offences Act 1967 entered into law, in the first step towards the decriminalisation of homosexuality. There’s been a great deal of coverage of this milestone in British media, including some brilliant, informative TV programming (I highly recommend the BBC’s drama ‘Against the Law’). But it is Owen Jones’s recent Guardian column ‘Hatred of LGBTQ people still infects society. It’s no time to celebrate’ that seems to have been most prominent. Jones’ arguments are certainly justified, but commentary like his risks misrepresenting the situation that now faces LGBT+ people in this country. It’s not all bad.
by Paige Selby-Green
“They’ll never do it,” I said, with total certainty. “I mean I’d love it – if it wasn’t Stephen Moffat writing it, at least – but they’ll never do it.”
I don’t think I’ve ever been so happy to be so wrong.
by Zoe Harding
On the same night Transgender Kids: Who Knows Best? aired (Thursday 12th), an apparently rather excellent documentary named Hospital exposed the difficult conditions under which the modern NHS works, bringing it to the attention of the nation that if you get sick and go to an NHS hospital, you’ll be treated by a doctor who’s working shifts more commonly seen in 19th-century coal mines while the Prime Minister calls them lazy. It was quite good. The subjects of Hospital (doctors) seem to have loved it. No such luck for the subjects of BBC2’s other documentary that night, however. Continue Reading
by Alice Thomson
(Content warning: discussion of ableism & ableist slurs)
The summer of 2016 saw outrage in response to the film Me Before You and its portrayal of disability. The film, directed by Thea Sharrock and based on the book by Jojo Moyes, is a romance following the lives of a young man (played by Sam Claflin) and woman (Emilia Clarke). Where’s the controversy in that, you ask? Well…
by Paige Selby-Green
It’s not news to know that we live in a hypersexual world, where the adage ‘sex sells’ is used to excuse a lot of the overtly sensual imagery thrown at us in day-to-day life. Sex is everywhere, even in adverts for things as mundane as sandwiches. It’s this steamy atmosphere that asexuals are facing as they finally begin to attain recognition in society, and there’s a distinct sense of what an uphill struggle it is.
Asexuality’s simplest definition is the lack of sexual attraction to any and all genders. Unfortunately, most allosexuals (people who aren’t asexual, and do experience sexual attraction) tend to get all amused and patronising when the words “I’m not interested in sex” are spoken in their vicinity. This is further exacerbated by the fact that this simplest definition is typically for the benefit of allosexuals, and does little to explain just how complex asexuality is.Continue Reading
by Rowan Van Tromp
Those of you who know me, have read my articles or listened to me speak, will know that I am passionate about environmental sustainability within the food supply chain. I have highlighted issues of soil degradation associated with inorganic farming, as well as the vast resource usage and carbon emissions related to meat and dairy consumption, but there is one environmental issue that I have campaigned on more than any other, and that is food waste.
by Mike Vinti
On Wednesday, Later…With Jools Holland returned to our screens for its 47th series. Featuring Foals, Disclosure and My Morning Jacket among others, it was an entertaining, if safe, start to the show’s latest run. Later… is the flagship programme for BBC Music and much of the British music scene generally, and has always hosted a mix of established and up and coming artists. However, recently its bookings have become predictable, their performances lacklustre and the show itself stale. Continue Reading
by Mike Vinti
The future of the BBC is uncertain. Despite John Whittingdale’s assurances everything is going to be ok, you can’t help but wonder — if they’re abolishing grants for disadvantaged students, cutting disability benefits and generally meddling in the NHS, why would they save the BBC? As the Tories start to enact their new budget, it seems nothing is safe.
The cuts have already started. Though its programming has been weak in recent years, the loss of BBC Three is symbolic of the Tories plans for the rest of the broadcaster. It hardly seems like a coincidence, especially in the context of Osbourne’s refusal to scrap the free license fee for over 65s, that the BBC’s youth-focused channel was A) its most neglected or B) the first of its services to go. The Tories’ cuts to the welfare state have disproportionately affected young people ,and if previous attempts are anything to go by, so will its gradual disintegration of the BBC.
This will be easy for Cameron and his underlings in the department of Culture, Media and Sport to achieve. The BBC has been losing young viewers and listeners from its TV and Radio stations for years.Continue Reading
by Jake Fisher
If you were to ask any baby boomer what they feel about the BBC they would almost certainly tell you one thing: it ain’t what it used to be. Long gone are the Reith days of ‘to inform, educate, and entertain,’ they would say, while bemoaning the politicisation of the Corporation, and the falling quality of its programming. It shouldn’t come as any shock then that once again there’s likely to be a huge shift in the BBC’s functions and operations; in the space of two weeks two announcements have been made that almost certainly guarantee that whatever the BBC structure may be now is not what it’ll resemble in 48 months’ time.
The first came roughly a fortnight ago when it was revealed that 1,000 Beeb employees would lose their jobs as the Corporation seeks to make up a £150m shortfall in its budget. Cutting a thousand jobs will only save the BBC an estimated third of that shortfall, as opposed to, say, increasing the Licence Fee by a few pounds per licence, but since that would equate to raising taxes, we know the current government would never dream of doing that.
by Jack Brindelli
It is Valentine’s week – apparently that’s a thing now – a time of saccharine sweetness, hollow gestures, and empty consumerism in place of romance. In-keeping with the seasonal spirit, then, I want to talk to you today about hearts that long ceased to beat; about a festering horde of blank-faced ghouls, hungering to sink their teeth into human flesh. No, not the populace of shag-app Tinder. Today I am talking about actual zombies.
The undead have always possessed a special place in my own heart – sating more than a simple blood-lust in my own cinematic tastes. Zombies often shamble above and beyond the call of duty, creeping and clawing their way into socio-political territory rarely visited by the supernatural silver-screen. They often act as crude agents of social commentary – and sometimes even of justice. The reanimated corpses who so often fill our post-apocalyptic screens aren’t really a thing to be ‘feared’ by us as such; they are a cultural representation of us. Zombies are the fictional embodiment of the dominant section of society’s fear of a mobilisation of the filthy, impoverished masses.
As Robert Kirkman’s famous comic series (and subsequent televisual smash hit) so often reiterates, “We are the walking dead.”Continue Reading
by Jack Brindelli
The television debates are actually a trilogy of the most tedious, trivial events in the course of the UK general election. And I don’t say that lightly. They are a nuisance water-cooler moment at best, where bearded wastrels can gather on Twitter to discuss what a large forehead David Cameron has, or whether Nick Clegg’s shirt is saffron, or more of a dog-vomit yellow. And yet, nobody believes me — and as we begin the ominous countdown to polling day in May, they have become one of the biggest talking points in British political culture. But surely the events of the past few months regarding the Greens prove my point?