by Mike Vinti
Content warning: mentions racism, rape
Well, that’s it folks, it’s official. Donald Trump is the Republican nominee and one step closer to wiping out all sentient life on earth, sorry I mean one step closer the US presidency. It’s been a pretty terrifying week watching the Republican National Convention, even on this side of the Atlantic, and the hate levels are only set to rise as the human whoopee cushion begins his flatulent rampage towards the Whitehouse. Now, it’s been clear for sometime that the Republicans were going to have a cloud of methane with a wig floating on top for their nominee, however all the pomp and plagiarism (looking at you Melania) has got us thinking about what music should play in a presidential election, particularly one with such apocalyptic overtones.Continue Reading
by Mike Vinti.
If 2014 was the year of anything it was the year popular music started to be taken seriously. Services such as Spotify, and the dawn of Smartphones, means that music is more a part of our lives than ever before; a trend that’s influencing the way we engage with it both in terms of platform and as an art-form. It’s easy to view music as a compliment to life, a melodic enhancer to otherwise mundane activities and there’s nothing particularly wrong with treating it as such — I can’t force you to like Death Grips. Music can and should bring pleasure, but as we listen to more and more of it, its messages and intentions are being ignored.
For years now, debate has raged about the messages and politics in TV, Cinema and in Literature, hell, even music videos have had their fifteen minutes of ‘long read’ blog coverage, yet music itself has gone largely ignored. The reason for this, as a friend of mine noted recently, is because of music’s ubiquity — it’s everywhere, all the time. It soundtracks our walks home and our work, our free time and our periods of most intense concentration — as I write this, I am, totally unsurprisingly, listening to music.