365 DAYS WITHOUT CHANGE — HOW THE ARTS AFFECT OUR ENGAGEMENT WITH CONFLICT.

by Jess Howard

Content warning: this article contains upsetting images.

In 2015 I wrote an article on an image of a Syrian child’s lifeless body being lifted out of the sea on a beach close to a Turkish resort. The photograph shocked people around the world at the time. It demonstrated the severity of the Syrian conflict, as the child in the photograph, and his family along with him, had been attempting to travel to Greece to seek refuge. September sees the anniversary of the photograph being taken, but how have our attitudes to photography and conflict changed in the past year?Continue Reading

AYLAN KURDI: 6 MONTHS ON

by Jess Howard

Last year, I wrote an article on what a photograph of a drowned Syrian toddler’s body being lifted from a beach in Turkey could tell us about the Syrian civil war. About how the common misconception that refugees are coming to western countries in order to receive benefits and take money from our governments was entirely incorrect, and how these photographs show us the risks these people are taking just to survive.

Aylan Kurdi, along with his brother Galip, mother Rihan and father Abdullah, were travelling from Syria to the Greek Island of Kos. Their goal was to eventually travel to Vancouver in Canada, where Abdullah’s sister Teema had lived for a number of years. However, during their journey to Kos the boat in which they were travelling capsized, and the two young boys and their mother subsequently drowned.

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WHAT CAN A PHOTOGRAPH TELL US ABOUT HUMANITY?

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by Jess Howard

In my last article for The Norwich Radical I talked about risks, the risks of those who disregard their personal safety, instead preferring to take time to photographs of death, danger and carnage on their smart phones. This article is going to continue in a similar vein, focusing on the risks that individuals are willing to take, but for far different reasons. This week I will focus on the dangers that thousands of refugees are currently encountering, as a means escaping the war and conflict in their home countries.Continue Reading

THE PEOPLE WANT

by Jo Thompson

Hard to look, hard to understand
the softness of his drowned bones
rocked here by the waters.

How quickly banners can catch alight,
a mumble in the crowd growing up,
becoming certain of itself: the people
want to topple the regime. All’s parched,
and everywhere the green sickens yellow.
Outstretched hands wither into fists.Continue Reading