by Sunetra Senior
Part Three (of Three): An Ideological Ambush and Choosing Utopia. Read Part One here and part Two here.
Here, another sinister aspect of the Trump campaign, now verified by the recent Cambridge Analytica scandal, was the invasive, online method through which I proposed that an amoral moneyed elite was not only manipulating, but also forcibly hijacking the public’s trust. I will again emphasise another, so far unacknowledged, caveat: this method of manufacturing investment not only cheats people short-term – including those vacuous nutjobs at the top- but sustains a deceptive, distinctly digital control well into the destructive future. Once removed and shiny, the technological medium of devices and social media is the perfect way to distract from the escalation of political inequality by cunningly feigning advancement.Continue Reading
by Sunetra Senior
Part Two (of Three): Bladerunner 2049 and a Tragic Trajectory. Read Part One here and part Three here.
Yet, a year on and the opposite seemed to manifest. Last year’s big, sponsored march was populated by blatant careerists and women who seemed to think the Feminist conclusion lay in just stony vocational power. This was the severe, stifled energy I’d been feeling. It wouldn’t have been surprising to see a placard that read: ‘Good women Go to Work!’ No wonder then, that there was also interpersonal tension and division between the various organisations at the demonstration: women were feeling competitive. Here, I will emphasise: to fixate on external acquirement such as an invincible social status and intensive office hours and treat them as if a modern romance, is to internalise a toxic masculinity that does not oppose but instead reinforces historic gender inequality. Follow this regressive trajectory, and not only do women begin to undermine their previous progress, but too, start to become foot soldiers in a universally dark tyranny.Continue Reading
by Sunetra Senior
Part One (of Three): Bourgeois Beginnings. Read part Two here and Part Three here.
‘Are we in the right place?’ was a semi-serious question posed by a friend of mine at the 2018 Women’s March, which took place in London on 4th March to commemorate worldwide Women’s Day. Having been to many demonstrations between us, including the historic 2017 Women’s March, which took place the day after President Trump’s inauguration, we had sound reference points between us too. Usually, there’s a friendly, lively atmosphere. You might even enjoy some canned ciders as you watch an animated speaker deliver one motivational speech after the next.
In 2018, however, the big women’s march was sedate, controlled, and most alarmingly of all: conformist. I even got elbowed in the face by a male police officer who told me to ‘stay within the demonstration line’. This was immediately after I’d passed a giant stone pedestal, encircled by a murder of male reporters, gathered creepily at that higher vantage point like gigantic crows. Hitchcockian voyeurism aside, women also seemed to be adopting the strange, disciplinary mood. One female speaker said to keep fighting ‘even if it took another 100 years’. But where was the urgency? Where ‘was the anger’? as feminist performer Sophie Cameron tweeted out.Continue Reading
by Chris Jarvis
We return with a round-up of the best radical music from the past year!
By Lewis Martin
Last week’s Conservative Party conference in Birmingham was met with sizeable protests, as you’d expect given the party’s actions in its eight years in power. Groups such as the People’s Assembly opened the weekend with their usual rally and march against the continued austerity measures being implemented across the country, to the detriment of many in society. I was lucky enough to witness and be involved in one of the most powerful protests, on the final day of the conference, when Disabled People Against the Cuts (DPAC) led action against the continued rollout of the failing universal credit system and the ongoing cuts to benefits by the Department of Work and Pensions (DWP).
by Eli Lambe
Created as a collaboration between Menagerie Theatre Company and the University of Cambridge Geography department, The Great Austerity Debate is a collaborative experience aiming to bring the experiential and material consequences of austerity into focus through the life of one single mum, Megan.
by Gunnar Eigener
Content warning: mentions xenophobia.
As the UK government stutters to find ways to deal with the looming end date for Brexit negotiations, the news is awash with alternatives, the prospect of ‘no deal’, leadership challenges and campaigns for a second referendum. While the fight goes on, one problem is becoming increasingly apparent, not just in the UK, but globally; where is the opposition to the creeping right-wing politics that is slowly casting its shadow over the world?