I AM MINE

by Samantha Rajasingham
a white skinned, black hair and clothed, Asian woman on a red background, looking at the viewer and wearing red lipstick; the style is a bit in the style of Alex Katz paintings, the eyes doing all the work at looking back at the viewer.

I am your nail technician, your straight A student,

your wildest dream, your exotic girlfriend, your

piano teacher, your lawyer, your doctor, your

nanny, your hairdresser, your Made in China,

your waitress, your receptionist, your

maths tutor, your babysitter, 

your Instagram hero,

your voice of wisdom, 

your liar, your thief, 

your nurse, your writer, 

your convenience store clerk,

your disease, your leader,

your toy, your master,

your victim of

foot binding,

your submissive,

your friend,

your enemy

your fantasy

your heresy

!

!

.

I am mine


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ILLUSTRATION: WHERE AM I SLEEPING

by Sara Harrington

As Sara and her band head off on tour around Europe, she shared this illustration of tour essentials. It’s also a good opportunity to revisit Blood, Sweat and Fears, an article Sara wrote when on a previous tour, in which she discusses what she learned about efficient tour packing 

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THE UNDERCROFT – ART, SPACE AND POWER

by Laura Potts

Artistic culture and practice has changed drastically over the past few centuries. From Renaissance painting and its high-minded focus on aesthetic and documentary purpose, to the eruption of absurdist Dada work in 1915, to the stark political statements of much modern art. The aesthetics of art and its chosen themes are not the only thing that has changed though; the spaces where we encounter art have also transformed.

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THE POWER OF ARTISTIC RECONSTRUCTION

by Jess Howard

Since Daesh first made itself known at the turn of the 21st century, a significant number of religious and historical buildings, artefacts and objects of cultural significance have been destroyed, in what the Secretary-General of The United Nations Ban Ki-moon once described as ‘a war crime’. In response to this, a series of art works have been created to replicate the objects that have been destroyed since Daesh first established itself, which leads us to consider the ways in which artistic reconstruction benefits culture and society.

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‘ONLY HOPE CAN WIN’: LABOUR NEED TO GO ON THE OFFENSIVE – ELECTING CORBYN IS THE FIRST STEP

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by Alex Hort-Francis

There’s an exchange in the original 90s British version of House of Cards (it’s on Netflix and just as good, if not better, than its US counterpart) that goes like this: the Conservative prime minister asks an advisor, “How do you rate the performance of this Government?” The advisor replies, “You’ve got 46% of the people, and that means you can afford to ignore the rest. The opposition has no chance because it’s got no powerbase. Most of the ‘underclass’ aren’t even registered to vote. You’ve virtually destroyed the two-party system.”

Some things apparently never change.Continue Reading