SACRILEGE: SPEAKING WITH THE FOUNDERS OF NORWICH’S GOTH NIGHT

By Kasper Hassett

Norwich has a goth scene. That’s not always obvious – but go digging in the Underbelly of The Rumsey Wells on certain Saturdays and you might find yourself caught up with those who move on the city’s darkest dance floor.

Started by Alixandrea and Dvae in Cambridge, Sacrilege is a semi-regular club night showcasing a range of dark music from all eras. In recent years it has moved with them to Norwich, and is now gaining traction as a hub for the East Anglian alternative community to gather and enjoy goth music. I got in touch with Alix and Dvae to discuss Sacrilege, how it came to be and what may be in its future.

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THE NORWICH RADICAL IN 2022

by The Norwich Radical team

This past year was trying in different ways than the first two of this new decade, but no less keenly felt for that. The pandemic – not over, not yet, probably not for a long time – has whittled down everyone’s immune systems, patience, well-being and welfare. It has also been exploited as a means to pass more authoritarian policies into effect, in the UK and elsewhere.

In our country alone, as our co-editor Rowan Gavin wrote in July, “unelected and corrupt powers continue to wield violence in the name of policing, and continue to roam our streets [as they] regurgitate bigotries that were once only voiced in public by fundamentalists and neo-fascists.” The cost of living, coupled with inflation and profit-mongering, has meant a cold, hungry winter for many.

And yet, Rowan pointed out, we “return every time to the communities of people that resist these cruel forces, today and the next day and the day after.” We return to organise where we can, find reasons to celebrate when we can, and endeavour to have as much fun as we can along the way.

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BODILY SENSATION AND MENTAL INSIGHT – AN INTERVIEW WITH HANNAH JANE WALKER

by Carmina Masoliver

Hannah Jane Walker is the author of The Power of Feeling Sensitive in a World that Doesn’t, which was released earlier this year. I know Hannah as a poet and theatre maker who created a show about being a Highly Sensitive Person (HSP). The term, coined by psychologist Elaine Aron, refers to people who score highly on sensory-processing sensitivity. This often appears as increased emotional sensitivity, stronger reactivity to both external and internal stimuli, and a complex inner life. As a fellow HSP, I contacted Hannah to interview her about the book and being an HSP.

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‘BURN THE WITCH’: AN OVER-DUE DEFENCE OF AMBER HEARD IN A MANIACALLY MISOGYNISTIC MEDIA

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by Sunetra Senior

Content warning: abuse, domestic violence, sexism

It is difficult not to be polarised on any given topic in the explosively divisive climate we are living through. However, emerging from the sensationalism is an irrefutable objective truth in the high-profile trial, where megastar Johnny Depp is suing his ex-wife, up-and-coming actress Amber Heard, for $50 million over editorial defamation: a clear example of inherent misogyny of the media. Heard penned her self-professed subjective piece in The Washington Post, supportively discussing a ‘Transformative Moment for Women’ during the height of the #MeToo campaign. The article, which was read out during the trial as part of Heard’s opening statement, was intelligently and boldly written, focussing on the actress’ harrowing experience of speaking out as female victim of domestic violence and the progressive change within the industry that she wishes to see. Further to this, there was no mention of Johnny Depp specifically or any of the personal accounts, currently being spewed out in public, due to his bringing her to court.

It is worth remembering that Depp lost his prior lawsuit against The Sun for referring to him as ‘abusive’, and in which the British judge found him guilty on 12 counts of the alleged domestic violence. To use the defendant’s own words in court then, he has ironically made democratic activism solely “about him.” 

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SCROUNGE, BY AMIE M MARIE – REVIEW

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by Toby Skelton

Shortly after the 2016 amendments to the assessment of Personal Independence Payments (PIP), a cartoon scolding the Department of Work and Pensions (DWP) began doing the rounds on social media. In it, a figure sits behind a desk declaring: “If they drown, they need PIP. If they float, they weren’t ill.” whilst a woman is dragged out of the office by her hair. Accompanied by the caption “Conservatives Disability Policy”, the illustration caught a lot of online attention for this comparison of the DWP’s practices to those of the elementally evil Witchfinder General Matthew Hopkins. Some found it an absurdly distasteful comparison; others deemed it a justified piece of satirical exaggeration. But as Amie M Marie deftly exposes in her new play Scrounge, the cartoon was barely hyperbolic in its analogy.

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‘IT MIGHT GET WEIRD’ – AN INTERVIEW WITH THE NEUTRINOS’ KAREN REILLY

by Ananya Wilson-Bhattacharya

In November 2021, as Glasgow swirled with police, delegates and protesters during the COP26 conference, one sound art gallery was hosting a unique performance. There, Norwich band The Neutrinos performed Darkroom, their lockdown-inspired, one-audience member soundscape show which takes place – as the name suggests – entirely in darkness. I caught up with vocalist Karen Reilly about the show, the band’s partner project Klanghaus and their dream Darkroom performance venue.

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THE NORWICH RADICAL IN 2021

by The Norwich Radical team

If we’ve learned one thing at The Norwich Radical this year, it’s that solidarity is our strongest tool. It has been for the past year, and it will continue to be for the year just started.

Solidarity is what is keeping most of us going on this fascist little island, filled with transphobia and xenophobia; this island in which the government is enacting destructive and violent repression of migration, of self affirmation, of any form of protest; this island in which the media and arts establishment are complicit instigators of a mental and physical retreat to the dying nightmare of empire and colonisation.

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WHEN SERIOUS MEETS SILLY – ROBIN GOOD THE POLITICO-PANTO REVIEW

by Ewa Giera

“You’re a socialist, how can you hate people?!”

The line is directed towards Marion, the genderqueer activist, café worker and counterpart to Robin Good.  

The audience laughs goodheartedly at the oxymoron. Taken aback, I find myself laughing along. Soon after, Marion decides to run in the election to oust the Tory-coded Sheriff of Norwich, alongside Robin, and their drag queen father, Stratton Strawless.

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PAINTING MYSELF HAPPY – AN INTERVIEW WITH VINCE LAWS

by Vince Laws and Alex Valente

We sat down remotely with local artist Vince Laws to talk about his recent series of paintings, modelled and grafted on famous works of Western painters, for the now available exhibition Painting Myself Happy – part of the Together! Disability History Month Festival, taking place online from 11th November to 9th December.

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THE UNDERGROUND MUSIC SCENE AFTER COVID

by Ash

Your local music scene is a hive of energy which fuses together networks of people from all walks of life. It’s as much an awkward social battleground as it is an arena where ideas can be shared and explored in confidence and solidarity; it sustains avenues of expression which promote unity and mutual aid and offers sanctuary for people from disadvantaged and marginalised backgrounds to let off some steam. So as we enter a political chapter dominated by censorship and surveillance, we should all be asking ourselves what we can do to keep it alive. 

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