On a recent trip to Mexico, I decided to take with me three books by authors of Latin American heritage, including two of Mexican background, and one Cuban. All were women. Aside from eating the most delicious chimichangas, learning about the ancient Mayan ruins, and climbing up the Ixmoja part of the Nohoch Mul, I spent a lot of my time reading these authors by the sea with a strawberry daiquiri. Within just one week I had nearly consumed them all and discovered a new love of Latin American writing.
by Lewis Martin
On Sunday 6th May I attended Scratch It! hosted by Hack Theatre at the Norwich Arts Centre. Aimed at attracting new writers and ongoing projects, the evening looks to give a platform to work that is happening in the area so it can be developed and flourish. The arts varied across the evening, ranging from comedy to drama and using different styles and formats.
Frankenstein: or The Modern Prometheus, the classic novel by Mary Shelley that stands at the pinnacle of the gothic tradition and looks forward to the new genre of science fiction, was first published 200 years ago this month. Shelley’s visceral tale of the terrible consequences that follow the failure of brilliant young scientist Victor Frankenstein to take responsibility for the strange new life he creates, is both of its time and utterly contemporary.
It can be read as a high Romantic fantasy set against a background of electric storms, shimmering Alpine peaks, Rhineland forests and Arctic wastelands, and as a subtle meditation on themes of knowledge and responsibility that resonate with today’s hopes and fears for the possibilities opened by artificial intelligence (AI) and synthetic biology.
by Laura Potts
Salò Press is a Norwich-based independent publisher of poetry, prose and experimental writing. The surreal nature of much of the work by the imprint allows a new ground for experimental writing, and the eventual outcomes that follow. Their most recent book – MILK: an anthology of eroticism – has just been published and I have the pleasure of reviewing the work.
The first thing evident within MILK is the importance of independent publishing as an arena to allow a multitude of voices, as there is a very broad range of writers with varied backgrounds and circumstances included. It shows a much wider cross section of society, and the creative work embodies that greatly: we find a freedom to pen emotions so strong that you wouldn’t initially think literary testimony could do them justice. Writers such as Jessica Rhodes, Rosie Quattromini, and Jane Jacobs have done just that.
CW: abuse, DV, violence
Male-on-female abusive relationships are often pictured as shows of overt violence and brutalism. You imagine a fragile feminine frame being thrown against a wall by a heaving, snarling man, as if a piece of precious china. But this is only a surface image, and what I would even go so far as to call a political smoke-screen. Though physical intimidation does despicably feature in many cases of male-on-female violence, the less acknowledged – and thus yet more prevalent– characteristic of abuse of women is deeply emotional, and moreover, disturbingly banal.
by Laura Potts
This year’s degree show was of striking magnitude. The work in all departments was of a very professional standard, with the textiles department in particular showing great craft and display skills with their breathtaking exhibition. These high standards were maintained throughout, even into the degree show shop, which housed snippets of work for sale.