by UEA Exodus
Every year, UEA’s School of Literature, Drama and Creative Writing decide a season of plays, performed and produced by third year Drama Students. This year, they present Exodus, ‘two plays on power and conflict’; both works of dramatic literature set during the 20th century but inspired by legends of antiquity. John Steinbeck’s ‘The Grapes of Wrath’, and Bertolt Brecht’s ‘The Caucasian Chalk Circle’. Both plays look at mass departures of people, engendering the ever present plight of refugees having to leave their homes.
by Carmina Masoliver
Ever since I studied Frida Kahlo in class, I have been a fan. Self Portrait with Monkeys (1943) and The Broken Column (1944) always stood out in my mind from those years, the monkeys offering a protective symbolism, and the latter painting signifying a kind of strength through suffering. Like Kahlo, I enjoyed painting self-portraits, and I found it difficult to paint other faces with the same accuracy.
by Ewa Giera
Content warning: xenophobia, discrimination
The Day of the Duck, by Helen Stratford and Lawrence Bradby, takes form of neither a scripted play, nor a novel: intertwined with visual diagrams, elements of script and a simple, character-driven narrative, the book is a unique experience as opposed to a traditional novel. The story revolves around a Muscovy duck, the last of its species in a town heavily based on Ely in Cambridgeshire, whose goal is to discover why its brethren have all disappeared. The book is framed as a noir detective-style plot – the Muscovy duck takes on the role of the detective and asks all the uncomfortable questions to people whose names it’s not concerned with, which serves the aim of having the characters translate as everymen.Continue Reading
by Carmina Masoliver
On a recent trip to Mexico, I decided to take with me three books by authors of Latin American heritage, including two of Mexican background, and one Cuban. All were women. Aside from eating the most delicious chimichangas, learning about the ancient Mayan ruins, and climbing up the Ixmoja part of the Nohoch Mul, I spent a lot of my time reading these authors by the sea with a strawberry daiquiri. Within just one week I had nearly consumed them all and discovered a new love of Latin American writing.Continue Reading
by Lewis Martin
On Sunday 6th May I attended Scratch It! hosted by Hack Theatre at the Norwich Arts Centre. Aimed at attracting new writers and ongoing projects, the evening looks to give a platform to work that is happening in the area so it can be developed and flourish. The arts varied across the evening, ranging from comedy to drama and using different styles and formats.Continue Reading
by Justin Reynolds
Frankenstein: or The Modern Prometheus, the classic novel by Mary Shelley that stands at the pinnacle of the gothic tradition and looks forward to the new genre of science fiction, was first published 200 years ago this month. Shelley’s visceral tale of the terrible consequences that follow the failure of brilliant young scientist Victor Frankenstein to take responsibility for the strange new life he creates, is both of its time and utterly contemporary.
It can be read as a high Romantic fantasy set against a background of electric storms, shimmering Alpine peaks, Rhineland forests and Arctic wastelands, and as a subtle meditation on themes of knowledge and responsibility that resonate with today’s hopes and fears for the possibilities opened by artificial intelligence (AI) and synthetic biology.Continue Reading
by Laura Potts
Salò Press is a Norwich-based independent publisher of poetry, prose and experimental writing. The surreal nature of much of the work by the imprint allows a new ground for experimental writing, and the eventual outcomes that follow. Their most recent book – MILK: an anthology of eroticism – has just been published and I have the pleasure of reviewing the work.
The first thing evident within MILK is the importance of independent publishing as an arena to allow a multitude of voices, as there is a very broad range of writers with varied backgrounds and circumstances included. It shows a much wider cross section of society, and the creative work embodies that greatly: we find a freedom to pen emotions so strong that you wouldn’t initially think literary testimony could do them justice. Writers such as Jessica Rhodes, Rosie Quattromini, and Jane Jacobs have done just that.Continue Reading