by Sara Harrington
CW: graphic imagery, menstruation
Wads of tissue swaddle the gushed gusset of my soon to be late underwear. DIY panty-lining for a DIY punk show. Tissue becomes currency as it is discovered that none of the loos in the entire venue have any – my stash acquired from the Wetherspoons further down the road. No cubicle provides the menstrual cup removing privacy of an old fashioned door. Instead, makeshift curtains swathe the space between yourself and a sorry stranger as the feat of dealing with your period in a space that assumes you do not have one trickles down your hand in all its bloody glory.
Do not have your period at a punk gig.
by Chris Jarvis
Culture and politics are inseparable. Culture is more than mere entertainment, more than escapism. Culture is central to how we understand the world, build our value sets and perceive our fellow people. It stirs human emotion in unique ways, pulling different levers in the brain. Sometimes overtly, sometimes with subtlety, the dominant cultural practices, institutions, icons and outputs are used to reinforce the dominant political system and defend the status quo. Establishment weaponise culture as a means of influence.
But this isn’t the sole preserve of the political right.
Looking through history, many of the most important moments of popular revolt have an accompanying soundtrack. The resistance to the Vietnam War had the protest folk singers. Rage Against the Machine were agitators of the US anti-globalisation movement. Riot Grrrl acts built feminist infrastructure, led pro-choice campaigns and brought ‘the personal is political’ sentiments to the fore of a cultural phenomenon. And so on, and so on.
This isn’t coincidental.Continue Reading
by Richard Worth
We’ve just got through the new Tory annual tradition of having the nation vote on internal party issues and having the result batter the incumbent Prime Minister. And, whilst the result is somewhat bittersweet with comedy boob-patting socialist Jeremy Corbyn – aka ‘the future liberals want’ – tearing chunks out of the Conservative mandate, we are still left with a government formed of a crypto-nationalist, sexist, and regressive party and an actual nationalist, sexist, and regressive party.
The truth of the matter is that no one was sure what would happen before the election, or during it and now we’re on the other side it’s only fitting that British democracy remains chimerical, confusing and dare I say it, unstable (take that May!). As such I’d like, as I do every fortnight, to say a few words about the current position of the Arts.Continue Reading
by Sara Harrington
A bolshy child running through a busy village, a nanny calls after her. Racing, they pass people conducting business, chatting, carrying linen, selling wares. The responsible guardian calls after the child carrying chaos in their wake; futile exclamations for them to stop and return to their studies. Refusing they rush rambunctiously, weaving in between villagers; who take notice. We take notice.
This scene is composed of women. Upon arrival at their apparent destination the child lashes fists and feet in the air, an indignant display of fighting. Determined to take part, the camera pans to show us the source of the excitement. Women warriors wrangle tacitly dropped shields from atop horses, all spin kicks and slaying swords that clash furiously, deadly blows dealt with gravity defying deft and ridiculous displays of battle prowess in all its slow motion glory. Child Wonder Woman is awash with awe and envy as we, the audience process our thoughts.
This is so fucking cool.Continue Reading
by Hannah Rose
This is a missive from the past (June 3rd) to the future (June 10th). Futures are shady places where the detail is rubbed out; they nearly always keep us in darkness, because we saturate them in too much hope. Perhaps that’s where it all went wrong: we should have shone a finer light between hope and cynicism. In Back To The Future, Marty McFly asks his girlfriend:“What happens to us in the future? Do we become assholes or something?”Continue Reading
by Lewis Martin
Last month, Freddie DeBoer wrote about the failure of the university system in the United States to equally fund different institutions across the country. Looking specifically at Connecticut, DeBoer shows how Yale, one of the prestigious Ivy League universities, fuels social inequality by receiving public funds as well as other sources for revenue whilst other, more accessible community colleges are “cut to the bone”.
by Richard Worth
If you have read my work here at The Norwich Radical and elsewhere (shameless self-promotion, I know) it should be apparent that I enjoy satire. And as reality subtly blends in a dystopian crap-scape, one of the very few plus sides is that the satire game is booming. In addition to the plethora of late night hosts to match personal preference (Colbert does it for me) keeping us informed and helping us to laugh instead of cry, the humble illustration has been holding a mirror up to the corrupt, the cruel, and the incompetent and making them look ridiculous, and they know it.Continue Reading