by Candice Nembhard
Shades of Today: Picking Up The Pieces Post-Truth
24th June 2017 – 23rd July 2017
Intense political climates such as Trump’s Administration and Brexit negotiations often mobilise visual, performative and conceptual responses among artists an. In an age of the closely documented and widely circulated, consumers are often inundated with updates and headlines, discussing a breadth of facts and fiction. Centrum’s group exhibition ‘Shades of Today: Picking Up the Pieces Post Truth’ not only addresses this either/or dynamic but looks to physical and online spaces that seek to keep specific narratives hidden from public consumption. The small interactive project space, through smell, image and sound, calls into question our own understanding of agency and accountability.
by Chris Jarvis
Culture and politics are inseparable. Culture is more than mere entertainment, more than escapism. Culture is central to how we understand the world, build our value sets and perceive our fellow people. It stirs human emotion in unique ways, pulling different levers in the brain. Sometimes overtly, sometimes with subtlety, the dominant cultural practices, institutions, icons and outputs are used to reinforce the dominant political system and defend the status quo. Establishment weaponise culture as a means of influence.
But this isn’t the sole preserve of the political right.
Looking through history, many of the most important moments of popular revolt have an accompanying soundtrack. The resistance to the Vietnam War had the protest folk singers. Rage Against the Machine were agitators of the US anti-globalisation movement. Riot Grrrl acts built feminist infrastructure, led pro-choice campaigns and brought ‘the personal is political’ sentiments to the fore of a cultural phenomenon. And so on, and so on.
This isn’t coincidental.Continue Reading
by Candice Nembhard
There are many ways in which the art world can be viewed as an exclusive realm to which only a select few are invited – and to a certain extent, I’d be inclined to agree with some of that sentiment. Behind the careful curation of white walls lies a system of complex unspoken rules that perimeter a selective and hierarchical structure. Be it curator, PR or private collector, everyone has their respective role in the art chain and, in part, this allows practice, consumption and interest in fine art to flourish.
by Tony Moore
Content warning: article mentions suicide.
World famous art comes to campus and it looks wonderful, works subtly with Lasdun’s buildings to eulogise their monumental quality whilst highlighting the interplay of light with the elements.
What’s not to like?
Then those pesky snowflake students start moaning that the figure might be perceived as about to jump and could be a ‘suicide’ trigger.
What is not to like, is that the snowflake students are fundamentally right to make their views known: they are confronting an authoritarian, elitist art work imposed on their community from ‘above’.
by James Anthony
The idea of ‘twinning cities’ and forming links with other communities worldwide came about following the Second World War. It was seen as a way of spreading understanding of different cultures with the aim of lessening the risk of future international conflict. At present, twinned places are regularly used as opportunities for trade and business in the UK – but perhaps not justifying for many people the money spent on maintaining these friendships. However, with fear of outsiders and those different to us seemingly rife in the media and amongst public opinion, the bringing together and understanding of other worldwide communities seems an excellent justification for a twinning programme.
Norwich is currently twinned with four other cities across the globe; Rouen in France, Koblenz in Germany, Novi Sad in Serbia and El Vejo in Nicaragua.Continue Reading
by Gwen Taylor
How on Earth do I put these feelings into words? I’m sitting here just after finishing Love is Love and I have been utterly floored. 2016 has been an awful year all around, a year where hatred and intolerance appear to have won, and love has been firmly pushed into a corner. One of the most horrific events of the year took place in June at the Pulse nightclub in Orlando. One person took the lives of 49 others who were celebrating their individuality and love in what had always been regarded as a safe space.
Love is Love is an anthology of responses to the shooting published by IDW Publishing and supported by DCComics to raise money for Equality Florida. It contains 144 pages of beautiful stories designed to celebrate love following a tragic event. Each piece is 1-2 pages long and all are incredibly powerful; the sheer number of contributors demonstrates how this horrific event was felt by everyone.
by Jan McLachlan
On a chilly December evening I went to St Margaret’s Church of Art in Norwich for the opening of ‘Enlightening the Eye’s Mind’. Rus Ki, the organiser of the exhibitions there, has a history of hosting thought provoking, inclusive exhibitions that are open to all artists and with no funding from the Arts Council or any government/corporate body. As Rus Ki says ‘providing our artists the freedom to articulate and express themselves however they choose’. This was no exception, with interesting and beautiful work by local artists, several of whom are disabled artists.
I was particulary looking forward to seeing (and hearing) Vince Laws’ work. Vince is an artist, a poet, a political campaigner and an activist. His politics often inform his artwork, but recently, as he says ‘I wanted something brighter to work on alongside some of the campaigning’.Continue Reading