by Laura Potts
Education is amazing. It encourages the growth of passion for any number of subjects, and opens doors for many to enter into the field that that passion leads them towards, where their research work is often vital to the discovery of all sorts of new and exciting things.
However, the modern system that has emerged as society has ‘advanced’ does not always prioritise the curiosity and growth that education cultivates over more material concerns such as financial gain. The increases in the various fees and costs associated with higher educational institutions and the shrinking of the creative curriculum at earlier levels often means that a passion for a subject is no longer enough. But as with any monolithic trend, alternatives have sprung up down the years.
‘Freelance Struggles’ aims to vocalise and explore the realities of working as a creative freelancer in amongst a world of ‘nine to five-ers’. By collating a diverse array of stories from a variety of creative professionals this series hopes to contextualise the working art world and give space to discuss what it really means to become your own boss.
Along with its cooler weather, cosy knit-threads and overpriced pumpkin-flavoured beverages, October’s changing of the seasons includes the the seeing in of ‘Inktober’ for online artists. The worldwide challenge originated with the artist Jake Parker, who wanted to improve his inking skills and set himself the challenge of creating a new, fully inked drawing everyday for a month. The initiative has been incredibly successful on Instagram, where users share and support other artists and encourage each other to keep up with the challenge.
My illustration, ‘Sinktober’ highlights the sinking feeling of the list that keeps growing, the unattainable aspirations and goals you set yourself and the never ending deadline. It’s the restless feeling of carrying too much in what feels like the wrong direction. It’s the friends that you do not see, the family you have not called, and the many projects you did not say no to.
Featured image by Sara Harrington. It shows a person carrying several bags full of stuff whilst towing an indignant dog – the notations identifying the stuff being carried as the person’s workload and stress
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CW: abuse, DV, violence
Male-on-female abusive relationships are often pictured as shows of overt violence and brutalism. You imagine a fragile feminine frame being thrown against a wall by a heaving, snarling man, as if a piece of precious china. But this is only a surface image, and what I would even go so far as to call a political smoke-screen. Though physical intimidation does despicably feature in many cases of male-on-female violence, the less acknowledged – and thus yet more prevalent– characteristic of abuse of women is deeply emotional, and moreover, disturbingly banal.
by Laura Potts
‘If anything, art is…about morals, about our belief in humanity.
Without that, there simply is no art’
Norwich’s own Space Studios hosted Bridges, a fascinating exhibition by artists Marcia X and Karis Upton, earlier this month. Entering through a small alley, I climb stairs up to the first few works, which I find in a dark setting, immersing me in the exhibition. Up another staircase, long enough for me to begin reflecting on what I’ve seen, is a much lighter space, with works hung from the sloped ceiling. Afterward, I’ll go on reflecting for some time – the themes and issues that Bridges explores are of such magnitude that every viewer is forced to sit up and listen.
by Eli Lambe
There is a new independent publishing house in Norwich. Seam Editions has already published some amazing pieces (seriously I am ashamed of everything I’ve ever written in comparison). Focusing on the emerging field of creative-critical writing, they provide a platform for interactive, experimental and formally disruptive writing. I was lucky enough to be able to sit down with four of the team to talk about the incredible progress they have made since their launch late last year. I met Sara Helen Binney, Sarah A. Jones, Simon Pook and Rob Ward at the Playhouse.