GRAFFITI IS A CRIME

by James Anthony

On the face of it, rural train stations don’t feel as though they should be particularly thought provoking places, and they’re probably the last place you’d look to find an inspiring piece of community art. ‘Community art’ in this sense may be bending the meaning of the term a little too far for some – what I saw outside Wymondham train station the other evening were simply thinly scrawled words spray painted onto an old grey wall.

The words were ‘graffiti is a crime’.

An amusing phrase to go alongside the obvious activity – but as I walked past debating whether or not I could be bothered to take a picture or bring it up in pub conversation later, it got me thinking more and more about how graffiti is viewed in society. I don’t condone defacing clearly private property; I believe graffiti is an art form that needs to be given space.Continue Reading

THE GORMLEY CASE

by Tony Moore

Content warning: article mentions suicide.

World famous art comes to campus and it looks wonderful, works subtly with Lasdun’s buildings to eulogise their monumental quality whilst highlighting the interplay of light with the elements.

What’s not to like?

Then those pesky snowflake students start moaning that the figure might be perceived as about to jump and could be a ‘suicide’ trigger.

What is not to like, is that the snowflake students are fundamentally right to make their views known: they are confronting an authoritarian, elitist art work imposed on their community from ‘above’.

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FEARLESS LITTLE GIRLS AND GREAT BRASS BULLOCKS

by Richard Worth

If you’re reading this you are doubtlessly already aware of Kristen Visbal’s sculpture Fearless Girl, that has taken up residence on Wall Street opposite Arturo Di Modica’s Charging Bull. Sculpted by Visbal and funded by State Street Global Advisors Fearless Girl appeared on March 7th, 2017 (the eve of the Women’s March) and went viral. Its intention is to address the lack of women at the top of huge corporations.

Most people would have to agree this is a worthwhile cause; unfortunately, Di Modica isn’t exactly happy about Fearless Girl’s placement and is currently campaigning for its removal. Before we decry this as sexism or fear of the power of women, in any fair society he should be allowed to state his claim, so let’s hear it.
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GORMLEY SCULPTURE SPEAKS

by Jake Reynolds

give me a piss pot I’ll call it
sunset showers
you are what you read so I’m
Economic and Business History in Venezuela
does it feel like I am watching you
not go to a midweek lectureContinue Reading

FINE ART IN CÓRDOBA

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by Carmina Masoliver

The past few weeks I have been acquainting myself with the visual art that the city of Córdoba has to offer. These included the Museo de Bellas Artes de Córdoba, the Museo Julio Romero De Torres, and the Centro de Creación Contemporánea. Whilst there is still more to see, my wanderings gave me a varied picture of fine art in this part of Spain. Continue Reading

REVIEW: KIMI NO NA WA, OR, WHAT’S IN A NAME

by Alex Valente

A quick preface to the following, which also serves as a way to convince myself that I am … allowed to write about this, rather than the Bologna protests, or the political mess in Rome, or the current turmoil on the Italian left-of-centre party PD, or the upcoming women’s general strike. Those are things at the front of my mind – but I will take this week to find a little glimmer of beauty in a sea of constantly rising anger, instead.

Enter then, one of the two films I saw this year that made me think about language, and how we use it, and how it is used in the media. The other is Arrival, and so much has been written about it already, I decided to focus on Makoto Shinkai’s gorgeous animated film 君の名は (‘Kimi no na wa’), released in English as Your Name.Continue Reading