by Laura Potts
Artistic culture and practice has changed drastically over the past few centuries. From Renaissance painting and its high-minded focus on aesthetic and documentary purpose, to the eruption of absurdist Dada work in 1915, to the stark political statements of much modern art. The aesthetics of art and its chosen themes are not the only thing that has changed though; the spaces where we encounter art have also transformed.
by Jess Howard
Last week it was announced that AQA, the last exam board to offer art history as an A level subject, has removed the course from its curriculum. The decision to remove the subject from A Level course choices means future students will no longer be able to study the subject at this level. A spokesman from the board said that the decision to remove the subject had “nothing to do with the importance of history of art”, but I find this hard to believe.Continue Reading
by Candice Nembhard
In the niche space we call the ‘art world’, the discrediting or downplaying of black artists has not gone unnoticed as it has undocumented. That’s not to say critical discussion of African/African diaspora art has not been made; it is to suggest however that favourable and more accessible criticism is blessed upon the dominant sphere of white, European Art. For many black artists, including the likes of Kerry James Marshall, publicising the potential racist nature of art history opens up the narrative of what really goes on in the art world.
by Jess Howard
My younger brother is 14, and with that is coming all manner of traditional 14 year old behaviours. Sulking, door slamming, wearing a can of Lynx per day, and spending eternity glued to his Xbox. In addition to this, he has also discovered the wonderful world of procrastinating on YouTube, and so we are being treated to a delightful array of narration on a daily basis.
During one particular conversation revolving around a group of people who seem to sit and chat rubbish for hours, with one relevant fact thrown in for good measure, he asked why the Mona Lisa was such a valuable painting. An interested and insightful question, but one we only arrived upon after he asked if Leonardo DiCaprio was around during the Renaissance period.Continue Reading
Content warning: nudity
by Jess Howard
Owing to a particularly traumatic experience with a bottle of hair removal cream, I recently started thinking about body hair. For years fashion photographs have been telling us that men and women alike should trim, wax, shave, and pluck in order to look beautiful and presentable. This opinion is reflected in the visual arts of today, with models seldom seen with body hair and advertising campaigns even choosing to show women shaving a hair free leg, to prevent the ultimate taboo of showing body hair in the ad itself. Today it seems body hair is off the menu, but how does this compare to artistic examples throughout history?Continue Reading
by Jess Howard
The Kardashian/Jenner family are rarely far from the press. From Caitlyn Jenner’s sensational Vanity Fair cover early this year, to the recent birth of Saint West, they are seldom out of the news. Recently, it has been model and the youngest of the Kardashian sisters, Kylie Jenner, who has been in the limelight.
Causing controversy by taking part in a photoshoot in which she posed passive and sexually in a gold wheelchair, Jenner’s photoshoot, directed by photographer Steven Klein, and accompanying interview, were part of a feature in Interview magazine, and it is explicitly clear why the internet has reacted in such a passionate and infuriated way. Continue Reading
by Carmina Masoliver
I was moved to go to this exhibit with its promise that it would move beyond the mainstream artists we think of when we think of pop art, such as Andy Warhol, Robert Rauschenberg, and Richard Hamilton, working in the 1960s and 70s. I enjoy the work of these artists, but having seen them all before, I was intrigued to see more women exhibited, as well as those across the globe.
The literature on the exhibition states it ‘expands the notion of pop art into a far wider geographical context, showing how different cultures and countries contributed to the movement.’ With Warhol’s famous Campbell soup cans we had a critique of consumerism, yet the images shown at The World Goes Pop aim to challenge social imbalances, including the role of women and civil rights. Here, I will discuss some of my highlights from the exhibition.Continue Reading