REVIEW: TWO LITTLE DUCKS EDINBURGH FRINGE PREVIEW

by Laura Potts

CW: Mentions violence against children

More than any other art form, spoken word performance art allows an audience to directly interact with the thoughts of the artist. This kind of interaction can often change minds more effectively than argument or statistic, making spoken word art a very progressive medium. As a spoken word enthusiast and an artist on a student budget, I was therefore excited to attend Matt Abbott’s pay-what-you-can preview of his Edinburgh Fringe show ‘Two Little Ducks’ at the Norwich Arts Centre recently. And my excitement was certainly justified – Two Little Ducks is a powerfully thought-provoking, politically driven work.

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UKIP: THE ORIGINAL RADICALS

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by James Anthony

Following the recent elections both locally in Norfolk and nationally at Westminster, many of us will have been enjoying the demise of the entity we all know as ‘UKIP’ – the United Kingdom Independence Party. With many realising that their main objective of leaving the European Union has been all but completed, the electorate have decisively rejected their flimsy, populist, far right manifesto and consigned the party to the history books.

It’s hard to believe that they were ever a considerable electoral force, this year picking up just under 2% of the vote, losing all of their incumbent 145 local councillors and their only seat in parliament less than twelve months after their referendum victory. UKIP campaigners were keen to talk about voters returning to them, but this clearly didn’t materialise.Continue Reading

THE LEFT HAS DEFIED THE ODDS. NOW WE NEED TO SHAPE HISTORY.

by Bradley Allsop

For the third time in a year an earthquake has rocked the political establishment, upsetting polls, pundits and precedent alike. Yet this time, unlike the division and isolation of Brexit, or the utter horror of Trump, we instead have hope. Snatching insurgence from the jaws of implosion, Labour and the broader left have risen to the edge of power. Yet whilst the election result was an excellent start, surviving the challenges our society faces will require much more. We need to build a movement which aims for nothing less than a complete transformation of our society. It is crucial now that we do not succumb to hubris or allow ourselves to be absorbed by the internal Conservative party debates – we need to use the time granted by their division to plan, organise and mobilise the movement that will transform Britain.

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AFTER TRUMP AND BREXIT, THE LEFT NEEDS TO REDISCOVER CLASS ANGER

By Robyn Banks

I’m in the break room at work choking on my out of date sandwich. I’ve just been informed by two of my colleagues- good, down to earth working class people who probably think I bang on about my degree too much- that Boris Johnson is a “lad”, and I have no idea what to say. But none of us have any money, I want to shout. And he wants us to have less! Before I can respond, the conversation moves on to laughing about his hair, which is much more tolerable. Later, as I complain about Trumps victory, I am told that all I want is for “everyone to sit in a circle and hold hands”.

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US ELECTIONS: WHAT WENT WRONG?

by Gunnar Eigener

The victory of Donald Trump to become the 45th President of the United States has shocked and dumbfounded many. What does it say about the state of politics when the first female major party presidential candidate – who was, by far, the most technically qualified – is defeated by a man who has never held any political office? Continue Reading

SKEPTA, CHANCE THE RAPPER AND RAP’S DIY REVOLUTION

by Mike Vinti

The last week or so has seen the release of two of the most anticipated projects in recent musical history; Skepta’s fourth album Konnichiwa and Chance the Rapper’s third mixtape Coloring Book.

With both MCs having made a name for themselves over the past couple of years as being pioneers in their respective fields of rap music, the release of their full length efforts has served to cement their reputations and effectively crown them as kings of their respective sides of the Atlantic. However, while both projects are excellent musically speaking, what’s most interesting about the hype surrounding both Chance and Skepta is that they’re both totally independent artists.Continue Reading

PUNK’S PLACE IN THE 21ST CENTURY

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by Mike Vinti

This year, as I’m sure you’ll be hearing a lot of as we move closer to summer, marks 40 years(ish) of punk. As such there’s a plethora of punk-themed exhibitions, celebrations and, inevitably, memorabilia knocking around with the aim of inducing some punk-nostalgia in the generation that came of age during the mid to late 70s and early 80s. However, while there’s much to celebrate about punk’s legacy, and the modern punk scene itself, a lot of the ‘official’ anniversary celebrations are somewhat missing the point.Continue Reading

A DISMAL DAY OUT

by Mike Vinti

Banksy’s anti-theme park is a strange thing to behold. After all the media hype and ensuing comment pieces, it’s hard to know what to expect when entering through its cheap, plastic doors. The queues outside set the tone rather nicely, reminiscent of Dismaland’s mainstream counterparts and laying the foundations of what promises to be a dismal experience.

Once at the front, visitors get their first taste of Dismaland’s stewards. Adorned in Mickey Mouse ears and pink hi-vis vests they are the antithesis of your average, over-friendly theme park worker, barely making eye contact and offering nothing but disdain to those who pass them by.Continue Reading

TEENAGE KICKS: PUNK AND POLITICS

by Mike Vinti

Recently I came across the 2012 film ‘Good Vibrations’. A stirring tale, based on real events, about a man, Terri Hooley (Richard Dormer), who opens a record shop on the most bombed half mile in Europe — Great Victoria Street, Belfast. Terri’s mission is to use music to bring people together as sectarianism tears the city in two.  It is through this shop that Terri first encounters punk. For Terri, punk changes everything, and the community of rowdy teenagers that make up Belfast’s scene come to symbolise hope, both for him and the city.

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