by Justin Reynolds
Frankenstein: or The Modern Prometheus, the classic novel by Mary Shelley that stands at the pinnacle of the gothic tradition and looks forward to the new genre of science fiction, was first published 200 years ago this month. Shelley’s visceral tale of the terrible consequences that follow the failure of brilliant young scientist Victor Frankenstein to take responsibility for the strange new life he creates, is both of its time and utterly contemporary.
It can be read as a high Romantic fantasy set against a background of electric storms, shimmering Alpine peaks, Rhineland forests and Arctic wastelands, and as a subtle meditation on themes of knowledge and responsibility that resonate with today’s hopes and fears for the possibilities opened by artificial intelligence (AI) and synthetic biology.Continue Reading
by James Anthony
I never thought I’d start off a serious article by writing about talking during sex, but here we are. It’s a slightly awkward subject, and one that the world of comedy is not afraid to touch upon. Specifically, I’m referring to everyone’s favourite fictional radio presenter, Alan Partridge, who is no stranger to the delicate topic of conversations mid-intercourse. I’m Alan Partridge brought to British comedy a very memorable line, during a less than steamy sex scene, in which Alan asks his partner just what she thinks of the pedestrianisation of Norwich City Centre.
Aside from being a line used as a sure-fire way to detect a fellow Partridge fan, those outside of Norwich may not realise that we recently celebrated fifty years since the first high street in the city became pedestrianised, and that the debate around the motorist vs pedestrian issue continues to rage on. It is very much to this day – as Alan himself would say – a ‘hot topic’.Continue Reading
by Hannah Rose
CW: mentions of sexual assault
Think of your best friend, I bet they spin a good yarn. No doubt they think the same about you. The exchange of life stories is how the finest, most novel human bonds are made. It’s within these intimate, warm spaces where the stories of our lives unfold; cementing who we are, rooting memory, making kaleidoscopes of our imaginations.
This is the essence of True Stories Live—the invention of Norfolk producer Lucy Farrant and writer and host Molly Naylor. Continue Reading
by Hannah Rose
True Stories Live is a beautifully simple idea which has blossomed since its inception a year ago. Each night promises to be engaging and entertaining, offering a storytelling space where the unexpected nearly always happens. The premise is straightforward, inviting members of the public to share their unscripted stories with an audience.
A theme is set for each night and storytellers are invited to workshops to help prepare for their performance. To date, themes have included: ‘There’s No Place Like Home’, ‘Forgive And Forget’, and ‘In Another Life’. A rich experience often including the intimate, the bittersweet and the darkly funny, drawing large audiences each time round.Continue Reading
by Chris Jarvis
Anniversaries are strange things. Almost exclusively, they consist of rose-tinted, uncritical and nostalgic assessments of whatever they seek to commemorate. 2016, forty years since the ‘birth’ of punk, appears no different. Expect Union Jacks, safety pins galore and excessive images of John Lydon in BBC sanctioned documentaries. Expect descriptions of how important Malcolm Mclaren was to punk’s success, claims that New Rose was without contention the first punk rock single and a neat lineage where pub rock became punk – a very British phenomenon.
Inadequate as such histories are, they are demonstrative of the problem we have with understanding punk as a cultural occurrence. Debate rages amongst fans about whether punk was ever grassroots, whether it was ever political, whether any of the anti-establishment ethos was ever genuine, or instead fabricated by an astute record industry seeking to find the new zeitgeist. Adherents to either theory will read selectively into the evidence and ignore anything which would disprove their dogma.Continue Reading
by Ellie Howell, JTG, Adam Dawson, Saraswathi Menon
From an idea by Jake Reynolds.
April 23rd will mark four hundred years since the death of William Shakespeare. I won’t patronise you by introducing him. I contacted ten people — some undergraduates, some Master’s students, some UEA alumni — and asked them who their favourite Shakespeare character is. Or, more specifically, which character had the most profound effect on them. The responses have been read in a variety of different and fascinating ways. Some ground the character in the text, while others branch across to discuss film portrayals, personal experience, and cultural commentaries. The characters you will see championed here over the next three weeks come from current and former students of literature, creative writing, American studies, film studies, scriptwriting and performance, politics and international relations, and more. What binds them is their passion — the Shakespearean character, whoever he, she, or they may be, still survives the death of their creator, alive and rattling in our minds as they did to Shakespeare’s contemporaries. Continue Reading
by Mike Vinti
This year, as I’m sure you’ll be hearing a lot of as we move closer to summer, marks 40 years(ish) of punk. As such there’s a plethora of punk-themed exhibitions, celebrations and, inevitably, memorabilia knocking around with the aim of inducing some punk-nostalgia in the generation that came of age during the mid to late 70s and early 80s. However, while there’s much to celebrate about punk’s legacy, and the modern punk scene itself, a lot of the ‘official’ anniversary celebrations are somewhat missing the point.Continue Reading