by Hannah Rose
Louise Mothersole and Rebecca Biscuit—aka Sh!t Theatre—are Generation Renters living in Windsor House on the Woodberry Down housing estate in Hackney. Their digs are dirty, cramped, noisy and downright dangerous—thankfully, the pigeon netting saved one of them from a fall off the balcony (which, incidentally, is covered in pigeon shit).
The kitchen is “fucking disgusting,” not to mention expensive at £1200 a month. This however, is the standard experience for thousands of London dwellers who have no hope in securing affordable, safe housing in England’s capital city. In Letters to Windsor House, Louise and Rebecca crack open a window and shine a light on the London housing bubble via this renegade piece of political theatre—a stimulating medley of storytelling, reportage, video, and Oliver inspired songs.Continue Reading
by Mike Vinti
The last week or so has seen the release of two of the most anticipated projects in recent musical history; Skepta’s fourth album Konnichiwa and Chance the Rapper’s third mixtape Coloring Book.
With both MCs having made a name for themselves over the past couple of years as being pioneers in their respective fields of rap music, the release of their full length efforts has served to cement their reputations and effectively crown them as kings of their respective sides of the Atlantic. However, while both projects are excellent musically speaking, what’s most interesting about the hype surrounding both Chance and Skepta is that they’re both totally independent artists.Continue Reading
by Chris Jarvis
Luvdump came kicking and skanking out of Bury St Edmunds in 2007, bringing to life their aggressive mix of melodic punk rock and ska-core. 2013 saw the release of their second full length album, Age of Austerity, alongside their relocation to the North West, where they have made their home ever since. A regular on the UK ska and punk circuit, Luvdump have continuously maintained a political current to their music, lifestyles and lyrics, with the social conscience of the band seeping through almost every song.Continue Reading
by Chris Jarvis
The Midlands have been for many years a breeding ground for the very best talents on the UK ska scene. In the 1980s, it was the pioneering sounds of Coventry’s two-tone bands – The Specials and The Selecter that led the way. Nowadays, Birmingham has a lively and burgeoning scene of acts that are fusing traditional reggae and dub music with the energy and raw anger of punk and hip-hop. Building on the reggae vibes of Brummie legends such as Steel Pulse and UB40, Lobster and their peers have built a sound and a scene that brings together the many traditions of these musical legacies. Throughout this, they have maintained a focus on politics and conscious lyricism. Because of this, we decided to talk with Lobster’s frontman Spud about his and the band’s outlook and the implications this has for their music as part of our series Music That Matters.
by Alex Valente.
Original Italian by Virgilia D’Andrea (1888 – 1933).
Tall and serious, his brow stark
his face towards the wide sea…
But the eyes now dark
speak of a bitter history.Continue Reading