In Sanatorium, Abi Palmer likens illness to a ‘lack of access’ to the world. But could we view this feeling of being ostensibly unmoored from reality as merely a different manifestation of it? Ableism is a prerequisite for the doctrine of optimum productivity and consumption endorsed by capitalist ethos, rendering healthcare essentially meritocratic. For women, BAME people, marginalised genders, queer people and anyone lacking cultural capital, who consequently struggle to be taken seriously by medical professionals (an experience that Palmer vividly evokes), performative illness becomes a grim necessity.
by Laura Potts
Artistic culture and practice has changed drastically over the past few centuries. From Renaissance painting and its high-minded focus on aesthetic and documentary purpose, to the eruption of absurdist Dada work in 1915, to the stark political statements of much modern art. The aesthetics of art and its chosen themes are not the only thing that has changed though; the spaces where we encounter art have also transformed.
Since moving into my own place in the beautiful city of Córdoba, I’ve realised how important the aesthetics of our environment are to our well-being. Both inside and outside of the home, I feel uplifted, and can meditate on the simple pleasures of my surroundings. So for many Spanish people, the news that street names are being changed is a lot bigger than it might seem on the surface.
Franco’s dictatorship is an all-too-present memory, which I learnt more about when speaking to my abuelito, my paternal grandfather, about it. It divided the family, and although a majority of Spain looks back on this time with regret and sadness, there are some who still support his legacy. At such times where we are becoming more divided, and dominant groups increasingly scapegoat, discriminate against, and oppress minorities, perhaps this is an important message from a government which is currently in disorder.
by Sam Naylor
Disclaimer: mentions body dysmorphia, body shaming
Type into Google images “attractive men” or “attractive male body” and see what pops up. I’ll just give you a moment to scan over some of those photos. Done? Good. In both searches a grossly disproportionate number of these men are celebrities but more importantly they’re white. Switch tabs to “attractive male body” and you are met with a sea of torsos and chests sculpted by the media gods. Chiselled jaw lines, blue or green eyes and ‘designer’ stubble appear to be just three of the ingredients to get you on your way to being an attractive male.
At first glance (and second and third) you might wonder why this representation of the male form is a problem for anyone. I’ve spoken to male friends before that don’t see anything wrong with wanting to keep their bodies healthy and in shape. I agree, I’m not saying that exercise and a good diet are things to be raged against, quite the opposite. It is an issue though when this idealised version of a muscular physique, which is predominately portrayed as white, is paraded as our default-sexy setting.
Content warning: nudity
by Jess Howard
Owing to a particularly traumatic experience with a bottle of hair removal cream, I recently started thinking about body hair. For years fashion photographs have been telling us that men and women alike should trim, wax, shave, and pluck in order to look beautiful and presentable. This opinion is reflected in the visual arts of today, with models seldom seen with body hair and advertising campaigns even choosing to show women shaving a hair free leg, to prevent the ultimate taboo of showing body hair in the ad itself. Today it seems body hair is off the menu, but how does this compare to artistic examples throughout history?
by Jess Howard
With the threat of terrorist attacks and war seeming to dominate every newspaper front page and website, it can be easy to ask if we should still place any importance on the visual arts. With daily news telling us that more and more people are dying, starving, or becoming homeless, many may ask if we should concern ourselves with art at all. But, when we really consider it, we can see that an aversion to what may be deemed frivolous and unnecessary is actually completely impossible.
by Asia Patel