I mostly read The Breakup Monologues: The Unexpected Joy of Heartbreak over the course of one weekend, author and comedian Rosie Wilby’s conversational stage persona making it easily digestible and impossible to put down on a sunny weekend with few commitments. Mirroring the non-linear nature of breakups, the book flits back and forth in time, marked B.G. (Before Girlfriend) and A.G. (After Girlfriend). Using ever-changing vocabulary to describe a number of different ‘ghosting’ methods, the book delves into Wilby’s dating and breakup history, alongside incredulous anecdotes from others. The driving point of the book, inspired by the podcast of the same name, is that each breakup can teach us something. Despite this, the romantic in me can’t help but hope that Wilby, equipped with the knowledge and experience of past relationships, might find a happy ever after with Girlfriend. With this mixed sense of hope and impending doom, the book itself mirrors the structure of an uncertain relationship.
January 2021 saw the start of the Living Record Festival, which featured over forty artists and theatre companies showcasing digital work, from spoken word audio pieces to mini-web series. It has garnered many four-star and five-star reviews. In this two-part series, Carmina Masoliver discusses her picks of the festival’s most interesting shows. You can read part two here.
by Robyn Banks
Last semester at University I was diagnosed as suffering from learning disabilities (Specific Learning Difficulties (SpLDs)). Whilst the diagnoses of having ADHD, Dyspraxia and Dysgraphia didn’t come to much of a shock to me, the fact that I then had to pay £100 in order to be diagnosed did.