‘BURN THE WITCH’: AN OVER-DUE DEFENCE OF AMBER HEARD IN A MANIACALLY MISOGYNISTIC MEDIA

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by Sunetra Senior

Content warning: abuse, domestic violence, sexism

It is difficult not to be polarised on any given topic in the explosively divisive climate we are living through. However, emerging from the sensationalism is an irrefutable objective truth in the high-profile trial, where megastar Johnny Depp is suing his ex-wife, up-and-coming actress Amber Heard, for $50 million over editorial defamation: a clear example of inherent misogyny of the media. Heard penned her self-professed subjective piece in The Washington Post, supportively discussing a ‘Transformative Moment for Women’ during the height of the #MeToo campaign. The article, which was read out during the trial as part of Heard’s opening statement, was intelligently and boldly written, focussing on the actress’ harrowing experience of speaking out as female victim of domestic violence and the progressive change within the industry that she wishes to see. Further to this, there was no mention of Johnny Depp specifically or any of the personal accounts, currently being spewed out in public, due to his bringing her to court.

It is worth remembering that Depp lost his prior lawsuit against The Sun for referring to him as ‘abusive’, and in which the British judge found him guilty on 12 counts of the alleged domestic violence. To use the defendant’s own words in court then, he has ironically made democratic activism solely “about him.” 

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IT’S A GIRL!

by Paige Selby-Green

“They’ll never do it,” I said, with total certainty. “I mean I’d love it – if it wasn’t Stephen Moffat writing it, at least – but they’ll never do it.”

I don’t think I’ve ever been so happy to be so wrong.

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SIRENS AT SOHO THEATRE

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by Carmina Masoliver

I stepped into the New Year by seeing a production at Soho Theatre by a theatre company, Belgian Ontroerend Goed (translated as Real Estate, according to Wikipedia), entitled ‘Sirens’. I knew it was to be experimental and that it would touch on Feminist issues.

It began in darkness. Six women came on stage, making noises that evoked the sound of the sea, alluding to the Greek myth where creatures portrayed as femme fatales would seduce sailors with their voice, leading them to crash against rocks and drown.

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