Few novels with openly queer protagonists are as enduringly loved, or have achieved such acclaim, as Patricia Highsmith’s The Talented Mr Ripley.
Tom Ripley is a charming, Machiavellian antihero whose talents include ‘forging signatures… and impersonating practically anybody’, and whose unreciprocated worship of Dickie Greenleaf, the prodigal son of a New York shipping tycoon, leads him to kill Dickie and assume his identity. He is also asexual, yet not a single adaptation of Highsmith’s work has addressed this. With a new adaptation in the works, in the form of a Showtime drama directed by Steven Zaillan and starring Andrew Scott, it’s important to acknowledge and reflect on the ways in which this aspect of Ripley’s character has been erased.
by Paige Selby-Green
TW: acephobia, conversion therapy
This week is all about asexuality and aromanticism at UEA. Starting from today, there’s a week of events ranging from an information stall to film screenings and a discussion panel hosted by UEA Pride. The occasion is Ace and Aro Awareness Week, and you can find the full list of events here on this handy timetable.
While asexuality becoming increasingly visible is a positive thing, the downside is that the long period of invisibility means most people have already developed some pretty untrue ideas about what asexuality is. Seeing as it’s Ace and Aro Awareness Week, I figured I’d flex my debunking fingers and dismantle the five misconceptions about asexuality that I’ve faced most often.