by Mollie Leveque
CW: miscarriage, bleeding, rape
Hard as I try, it’s difficult to rewatch David Tennant as the Tenth Doctor without smelling blood.
It’s not his fault. But in a bid to restore a sense of normalcy to the fact that I was miscarrying and just realized I’d been pregnant because of the miscarriage itself, I threw on The Doctor for familiar noise. It happened to be Ten’s era.
Close contenders for comfort media were The Thick of It, The Twilight Zone, and Sunset Boulevard. I like seeing Julius Nicholson squirm. Wickwire providing unwitting astronauts with “eternifying fluid” intrigues me. And Norma Desmond is always a good distraction.Continue Reading
by Carmina Masoliver
content warning: mentions of death, abortion
The last exhibition of Emin’s I had been to was probably She Lay Down Beneath The Sea at Turner Contemporary in her hometown of Margate. For me, what this current exhibition at White Cube lacked in comparison to the previous one was more context to frame the concept of the artwork. Whilst there was an A4 sheet about the exhibition overall, it felt like the viewer was being pushed to form their own meanings. Whilst formulating the meaning of the work is part of the joys of conceptual art, it is always interesting to read or listen to more, particularly for those who are not as familiar with Emin’s work as fans will be able to infer the meaning and links to past work that newcomers can’t access. I also enjoyed the work in Margate more for its skill of embroidery where the stitched looked like paint from afar, whilst pieces in this exhibit lacked this sense of innovation.
by Carmina Masoliver
Ever since I studied Frida Kahlo in class, I have been a fan. Self Portrait with Monkeys (1943) and The Broken Column (1944) always stood out in my mind from those years, the monkeys offering a protective symbolism, and the latter painting signifying a kind of strength through suffering. Like Kahlo, I enjoyed painting self-portraits, and I found it difficult to paint other faces with the same accuracy.
by Thai Braddick
I was elected as a delegate to NUS National Conference last year in October by students in UEA SU. I received the highest number of votes, and am proud to say that it was because I am a socialist who values and appreciates all intersections of my electorate. Today at the NUS National Conference, delegates were meant to be debating motions in the Welfare Zone, but the debate on motions W106 ‘Decriminalisation of Abortion in Northern Ireland’ and W107 ‘Students and Sex Work’ were both filibustered aggressively, with continued procedural motions and DPC and chair misconduct. These actions were taken to intentionally prevent conference being given the chance to support people in Northern Ireland’s right to choose to have an abortion and to support student sex workers through campaigning to decriminalise sex work.
by Zoe Harding
Content warning: article mentions terrorism, (anti) abortion, homophobia, racism
So, the election was fun, right? Even if you didn’t vote Labour (and fair enough if you didn’t), watching Theresa May fall from an unassailable lead in the polls all the way to a humiliatingly hung Parliament, in a blizzard of vague soundbites, invasive and inadequate policies and flailing attempts to smear the opposition, was still rather viscerally satisfying in its own way. Early Friday morning saw a weird sense of relief from many who expected a Tory landslide.
Unfortunately, early Friday morning turned to mid-Friday morning, and then suddenly dove back into the bad old days, with the announcement that a desperate May government had decided to form a ‘confidence and supply’ agreement with the Northern Irish Democratic Unionist Party (DUP) in order to form a government.Continue Reading
by Cherry Somersby
On the last day of NUS National Conference, an extensive governance review was passed amid confusion and accusations of political bias from NUS’ Democratic Procedures Committee. The review was comprised of four sections, each relating to four ‘principles for a good democracy’, and in total, sixteen amendments were submitted by delegates, many of which contained fundamental changes to the vision that the review had set out.
by Cherry Somersby
Content warning: article mentions physical and emotional abuse, abortion, xenophobia, gendered Islamophobia, deportation
Last week, over a hundred women+ students travelled from student unions all over the country to NUS Women’s Conference to elect a new NUS Women’s Officer, and set the direction for the NUS Women’s Campaign for the incoming year. I attended conference as a delegate from UEASU, and sat down with NUS President Malia Bouattia, and NUS Women’s Officer Hareem Ghani after having won her re-election.
This article provides an account of key events at Women’s conference, including motions passed and issues raised at plenaries and workshops throughout conference. I have also published comments given by both Malia and Hareem in response to the questions I asked about NUS, Women’s Conference, and the Women’s Campaign in the context of student deportations and migrants’ rights campaigns.Continue Reading
By Ellen Musgrove
‘We call upon the Government to take direct responsibility for what is a violation of human rights. We believe a national strike is not only possible, but an incredible opportunity to show the sheer power of our movement, and to put pressure on the government to call a referendum. In the past 5 years, support for repeal has grown to a level that the government can no longer ignore.’
by Tara Gulwell
Article mentions pro-life rhetoric, and abortion
The American Catholic college I attend, Loyola University New Orleans, has been experiencing a fierce debate on campus recently. After fierce backlash against the controversial moves of the pro-life group Loyola Students For Life (LSFL), which you can read about here, the group had to concede in a public statement that The Vagina Monologues was “an empowering work of feminist art meant to bring awareness to discrimination, sexual abuse, and other important issues affecting women.”
Not quite the opinion you’d expect from a bunch of religious pro-life students, right?Continue Reading
by Carmina Masoliver
On 9th and 10th October, the Royal Festival Hall played host to the premier of ‘The Hollow of the Hand’ – a collaboration between musician PJ Harvey and photographer-filmographer Seamus Murphy. It was essentially a book launch, but it will also be a project that includes a film to be released next year. It’s a relatively new breed of art, with politics at its heart, where reportage and art combine to create a particular type of documentary where the genre is combined with artistic photography/videography, poetry, and music.
The project saw Harvey and Murphy travel to Kosovo, Afghanistan, and Washington DC. Murphy stated that they went to these countries without any agenda, without a particular message they wished to convey. It appeared Murphy enjoyed going down the road less travelled, and cited a chicken coop in Kosovo as an example of the kinds of places he liked to visit, and was glad Harvey felt the same way.Continue Reading