by Mollie Leveque
CW: miscarriage, bleeding, rape
Hard as I try, it’s difficult to rewatch David Tennant as the Tenth Doctor without smelling blood.
It’s not his fault. But in a bid to restore a sense of normalcy to the fact that I was miscarrying and just realized I’d been pregnant because of the miscarriage itself, I threw on The Doctor for familiar noise. It happened to be Ten’s era.
Close contenders for comfort media were The Thick of It, The Twilight Zone, and Sunset Boulevard. I like seeing Julius Nicholson squirm. Wickwire providing unwitting astronauts with “eternifying fluid” intrigues me. And Norma Desmond is always a good distraction.Continue Reading
by Carmina Masoliver
content warning: mentions of death, abortion
The last exhibition of Emin’s I had been to was probably She Lay Down Beneath The Sea at Turner Contemporary in her hometown of Margate. For me, what this current exhibition at White Cube lacked in comparison to the previous one was more context to frame the concept of the artwork. Whilst there was an A4 sheet about the exhibition overall, it felt like the viewer was being pushed to form their own meanings. Whilst formulating the meaning of the work is part of the joys of conceptual art, it is always interesting to read or listen to more, particularly for those who are not as familiar with Emin’s work as fans will be able to infer the meaning and links to past work that newcomers can’t access. I also enjoyed the work in Margate more for its skill of embroidery where the stitched looked like paint from afar, whilst pieces in this exhibit lacked this sense of innovation.
by Carmina Masoliver
Ever since I studied Frida Kahlo in class, I have been a fan. Self Portrait with Monkeys (1943) and The Broken Column (1944) always stood out in my mind from those years, the monkeys offering a protective symbolism, and the latter painting signifying a kind of strength through suffering. Like Kahlo, I enjoyed painting self-portraits, and I found it difficult to paint other faces with the same accuracy.
by Thai Braddick
I was elected as a delegate to NUS National Conference last year in October by students in UEA SU. I received the highest number of votes, and am proud to say that it was because I am a socialist who values and appreciates all intersections of my electorate. Today at the NUS National Conference, delegates were meant to be debating motions in the Welfare Zone, but the debate on motions W106 ‘Decriminalisation of Abortion in Northern Ireland’ and W107 ‘Students and Sex Work’ were both filibustered aggressively, with continued procedural motions and DPC and chair misconduct. These actions were taken to intentionally prevent conference being given the chance to support people in Northern Ireland’s right to choose to have an abortion and to support student sex workers through campaigning to decriminalise sex work.
by Zoe Harding
Content warning: article mentions terrorism, (anti) abortion, homophobia, racism
So, the election was fun, right? Even if you didn’t vote Labour (and fair enough if you didn’t), watching Theresa May fall from an unassailable lead in the polls all the way to a humiliatingly hung Parliament, in a blizzard of vague soundbites, invasive and inadequate policies and flailing attempts to smear the opposition, was still rather viscerally satisfying in its own way. Early Friday morning saw a weird sense of relief from many who expected a Tory landslide.
Unfortunately, early Friday morning turned to mid-Friday morning, and then suddenly dove back into the bad old days, with the announcement that a desperate May government had decided to form a ‘confidence and supply’ agreement with the Northern Irish Democratic Unionist Party (DUP) in order to form a government.Continue Reading
by Cherry Somersby
On the last day of NUS National Conference, an extensive governance review was passed amid confusion and accusations of political bias from NUS’ Democratic Procedures Committee. The review was comprised of four sections, each relating to four ‘principles for a good democracy’, and in total, sixteen amendments were submitted by delegates, many of which contained fundamental changes to the vision that the review had set out.
by Cherry Somersby
Content warning: article mentions physical and emotional abuse, abortion, xenophobia, gendered Islamophobia, deportation
Last week, over a hundred women+ students travelled from student unions all over the country to NUS Women’s Conference to elect a new NUS Women’s Officer, and set the direction for the NUS Women’s Campaign for the incoming year. I attended conference as a delegate from UEASU, and sat down with NUS President Malia Bouattia, and NUS Women’s Officer Hareem Ghani after having won her re-election.
This article provides an account of key events at Women’s conference, including motions passed and issues raised at plenaries and workshops throughout conference. I have also published comments given by both Malia and Hareem in response to the questions I asked about NUS, Women’s Conference, and the Women’s Campaign in the context of student deportations and migrants’ rights campaigns.Continue Reading
By Ellen Musgrove
‘We call upon the Government to take direct responsibility for what is a violation of human rights. We believe a national strike is not only possible, but an incredible opportunity to show the sheer power of our movement, and to put pressure on the government to call a referendum. In the past 5 years, support for repeal has grown to a level that the government can no longer ignore.’
by Tara Gulwell
Article mentions pro-life rhetoric, and abortion
The American Catholic college I attend, Loyola University New Orleans, has been experiencing a fierce debate on campus recently. After fierce backlash against the controversial moves of the pro-life group Loyola Students For Life (LSFL), which you can read about here, the group had to concede in a public statement that The Vagina Monologues was “an empowering work of feminist art meant to bring awareness to discrimination, sexual abuse, and other important issues affecting women.”
Not quite the opinion you’d expect from a bunch of religious pro-life students, right?Continue Reading
by Eve Lacroix
2016 is nearing its end, and boy has it been a traumatic year.
We have seen a wave of well-loved personalities pass away, experienced the racist and economic after-shocks of the British Brexit Referendum results and witnessed terrorist attacks in Beirut, Bagdad, Brussels and Nice to name a few. We’ve continued to struggle with refugee crises all over the world and been submitted to the ignorant, irresponsible and incomprehensible rhetoric coming out of Donald Trump’s presidential campaign.
As winter starts to make itself known, I would like to change the narrative by reviewing some of the positive things that have come out of this year. I assure you, there have been some! Here are 5 amazing moments from 2016, ranging from scientific breakthroughs, to environmental advancements, to comforting examples of the sheer force of human willpower to create a better world.
by Carmina Masoliver
On 9th and 10th October, the Royal Festival Hall played host to the premier of ‘The Hollow of the Hand’ – a collaboration between musician PJ Harvey and photographer-filmographer Seamus Murphy. It was essentially a book launch, but it will also be a project that includes a film to be released next year. It’s a relatively new breed of art, with politics at its heart, where reportage and art combine to create a particular type of documentary where the genre is combined with artistic photography/videography, poetry, and music.
The project saw Harvey and Murphy travel to Kosovo, Afghanistan, and Washington DC. Murphy stated that they went to these countries without any agenda, without a particular message they wished to convey. It appeared Murphy enjoyed going down the road less travelled, and cited a chicken coop in Kosovo as an example of the kinds of places he liked to visit, and was glad Harvey felt the same way.Continue Reading
by Jake Reynolds
They watched him play alone
with teddies in a queue
for so long
that sometimes when drunk
they made love to be illegal, but
rumour has it the lady from
the tea-shop had her second
in the dark places between
the legal buildings.Continue Reading
by Srishti Dutta Chowdhury
Disclaimer: Mentions female foeticide, abortion, and domestic abuse.
As part of the Vogue Empower project, that was initiated in October 2014, to commemorate the seventh year for Vogue in India, Homi Adajania’s video ‘My Choice’ features some prominent faces in the country of India. Besides Deepika Padukone, there’s Adjania’s wife, actress Nimrat Kaur, film critic Anupama Chopra, and Director Zoya Akhtar, among others.
The video went viral on social networking sites, such as Facebook and Twitter, in a matter of days — which is great news except it garnered negative criticisms everywhere. The reservation against the video by feminists and gender activists is understandable. According to a large number, while the video seeks to raise questions such as ‘If men can do what they want, why should women be deprived of the same right?’, it falls short of effectively addressing the question of women empowerment.
by Jess Howard
Disclaimer: article discusses sensitive topics — features forced abortion.
The annual Met ball returned to New York this week. Held at the Metropolitan Museum of Art, the event charges ticket prices from upwards of £900, all in aid of The Met Costume Institute that opened in the 1940’s. The event is best known, however, for the guests that frequent it. Beyonce, Kim Kardasian and singer Lady Gaga all graced the red carpet. Draped in designs that supposedly followed the designated theme — ‘China: Through the looking glass’.
Celebrity interpretation was ‘interesting’ and, in some cases, borderline racist. For instance Fifty Shades of Grey star Dakota Johnson chose to accompany her Chanel Haute couture mini dress with a bag by the same designer. However, far from being a fun and exciting piece of couture, the bag featured a Chinese woman with stereotypically fine slits in place of eyes. As if Chanel, and indeed Johnson, were unaware of the thousands of Asian woman undergoing plastic surgery for the sake of achieving the western eyelid shape.Continue Reading
by Carmina Masoliver
Sunday 8th February saw the launch of The Bechdel Test Fest at Genesis Cinema in East London. The test itself emerged after Alison Bechdel published a comic strip, inspired by friend Liz Wallace, where one character has a set of rules for watching a film. The criteria for passing the test are whether the film has two named female characters who talk about something other than a man. It is widely acknowledged as an extremely low bar.
Set up 30 years ago now, it seeks to address the gender bias in works of fiction; it has been found that just around half of films pass this test. With such a low bar set, the figure should be closer to 100%. This festival, led by Corinna Antrobus, puts The Bechdel Test in the spotlight, and aims to provoke discussion on gender in the film industry. In an effect to ‘reclaim the rom-com’, the launch event featured 2014’s Obvious Child and classic The Philadelphia Story — though I couldn’t stay for this part. After the first screening there was a panel discussion, including a video statement from Chloe Angyal about a statement she made that there is “no such thing as a feminist rom-com”, arguing that this is largely because society is still sexist.