Sunetra Senior – Perspectives section writer
Sunetra graduated from Warwick University with a MA in English Literature. After spending some time putting together a thesis that felt like she was submitting to the UN, she acquired a taste/developed an addiction to extensive coverage in general, that resulted in her diverse experimentation as a freelancer. In-between bursts of intensive writing, she enjoys frolicking around London to exercise spatial awareness and remind herself of her carbon-based components: fresh air, good quality food and culture at large are all factors that help in this de-robot (icisation) process. She is also partial to film noir and coffee, and all that is unabashedly subversive.
(23.01.17) – The Troll Vote: What Tipped Trump to Victory?
In a socio-political climate where rape jokes and racism are very much in the mainstream, let’s not be afraid to call a troll a troll. The left is falling into the tendency to self-chastise after election defeats, even as a sinister phenomenon rises outside of our camp, and now more than ever requires our passionate standing. Over the past couple of months, the “Alt-Right” movement – a storm of right-wing publications primarily driven by Neo-fascist groups that use the web to circulate hate gossip and headlines to forward the far right’s agenda – has been confirmed to be a significant factor in the dissented zeitgeist of the US elections. The Guardian’ s Jason Wilson said of the self-professed ‘platform for the Alt-right’– Breitbart News – that ‘the ideal Breitbart headline is provocative and designed to offend progressive sensibilities’, and that ‘they went with the stuff that got them the most hits and the most attention using the most extreme clickbait they could come up with’. For me, a further examination of this extremist social runaway train signals an alarming topple over an ideological precipice: the end to free-thinking and western democracy as we know it.
(07.11.16) – Reclaiming the Self-Narrative
When we think of having a ‘self-narrative’, we might find that connotations of egotism and/or triviality occur to us – and that some of us will draw a complete blank. It isn’t mentioned very often, and when it is, there’s a fashion of deconstructing it. This deconstruction paints the idea of having your own conscious story as being strangely self-indulgent, or, at best, intriguing – but either take on it concludes that having a conscious story is basically useless. But ours is a world that is increasingly trying to tell us who we are, a world where nationalism is on the rise, a world where even in the most seemingly free-thinking of countries conformity is king. In the face of all this, having a healthy self-narrative – the perception of how our life experiences have come to define and shape us – is not only valid and beautiful but, I would argue, key to rejuvenating our social freedom.
(30.08.16) – Pretension is a Scourge
On Friday June 23rd 2016, millions of us woke up to the rattling reality of a momentous decision: the pound had plummeted to a 31-year low, our young people had lost the right to live and work nearby abroad, and oh yes – the UK as we knew it was now officially in a state of civil conflict. But this isn’t going to be another article about how we should respect the people who voted Leave – though of course we should – nor one that commiserates upon how we’ve tragically lost touch with the ‘underprivileged and disadvantaged’ of us, for the simple fact that it is the sole circulation – and indulgence of – such statements that is fanning the right-wing heat blowing an insidious hole through our country.
The story of Noamh Baumbach’s 2012 film ‘Frances Ha’ focuses on the drifting friendship between two women in their late twenties. There is a particularly poignant scene where Frances (Greta Gerwig) awakes to find that her best friend, Sophie, (Mickey Sumner) has left without saying goodbye after spending the night sleeping over when they haven’t seen each other in a long time. As Sophie’s car pulls away, Frances runs after her screaming her name. This boldly illustrates the highly sentimental nature of many women’s friendships and the pain that inevitably results because, we as a society, do not respect it. Indeed, through all the big life changes Frances explicitly undergoes — moving between different apartments, facing financial troubles, and trying to launch a tentative dancing career —what remains as palpably constant are the unrequited affections for her ever elusive friend.
Unfortunately, this is very much reflective of what happens in ordinary life.
The seed for this article was planted when I was watching Aziz Ansari’s ‘Master of None’: a clever, New York-based sitcom about a young, Indian actor trying to make it. Here was Ansari, a talented Asian comedian – who just by being himself – was getting the respect he deserved. Very few actors in Hollywood have been able to build their careers up to a point where they can claim producer/writer status; let alone those facing institutional racism. This guy had joined the ranks of Happy Days’ Ron Howard, creator of hit, indie show Arrested Development, and Saturday Night Live’s Amy Poehler, who went on to write the warm, bureaucratic satire Parks and Recreation. So why, despite all this, was I still feeling uneasy?
(14.03.16) – Normalising CBT; Making Visible Mental Health
If your friend says ‘I’ve started going to the gym’ it is considered undisputedly positive; if they tell you ‘I’m getting CBT’, suddenly the atmosphere becomes tense. They seem to feel awkward as they tell you, and you don’t quite know how to react. They might as well have told you they’ve contracted an STD. But Cognitive Behavioural Therapy — ‘a talking therapy that can help you manage your problems by changing the way you think and behave’ — is only good for you. It is evidence of a sensible choice. And yet, sweating, starving and interfacing with an inanimate, rectangular scale every morning, is more attractive to people than sitting in a comfortable chair and talking leisurely with someone you trust.
(06.02.16) – Botched Bodies
Trigger Warnings: Eating disorders, self-harm
The main appeal of Leslye Headland’s underrated 2012 film ‘Bachelorette’ was how it treated commonly stigmatised women’s disorders such as bulimia, self-harm and nymphomania. Rather than treading delicately, the comedy-drama shows the three main characters, close friends Regan, Katie and Gena (Kirsten Dunst, Isla Fischer and Lizzy Caplan) – each with their respective ailment- in an unapologetic, borderline celebratory way.
(12.12.15) – Beauty is in the Hands of the Affluent
‘This article is inspired by the bizarre reaction I have encountered as a reasonably dressed British-Asian travelling through the less diverse, major cities in Western Europe.’
(23.11.15) – Equalimania
‘For my first article, I thought it would be fitting to explore the relationship between two neglected areas of society that I feel passionately about: the representation of women and mental health issues. Deep down, the thought of a connection existing between emotionality and the female sex might evoke those uncomfortable, backward cultural connotations – women as fragile, women as prone to hysteria, and on the softer side of it, women as the ‘gentler’ sex.’