by Chris Jarvis
Following up on the incendiary Built on Our Backs EP in 2015, Darlington’s darlings of hardcore In Evil Hour are back, this time with their second full-length release – Lights Down. In the age of an emboldened far right, intensified hawkishness in the international military arena, and revelations of the worst excesses of neoliberalism with the likes of the Grenfell disaster, Lights Down is a much needed and timely response.Continue Reading
by Olivia Hanks
Outside onlookers would be forgiven for thinking that Jeremy Corbyn’s Labour party had won the general election. From the scale of the jubilation among sections of the left, you wouldn’t imagine we still had a hard-right government, now propped up by the very-very-hard right. For some, the joy is purely that a Labour party which seemed irrevocably divided and defeated has reasserted itself as a credible force. For others, myself included, the reasons for optimism are more nuanced, because our hopes are not for Labour, but for a real, functioning democracy. That’s why we can join Labour supporters in rejoicing that young people came out to vote, that the UK rejected the vicious bile of the tabloid media and the arrogance of a Prime Minister who believed the election was a formality. It’s also why we are sceptical that a tribal Labour party still wedded to first-past-the-post is capable of offering the answers we need.Continue Reading
by Candice Nembhard
There are many ways in which the art world can be viewed as an exclusive realm to which only a select few are invited – and to a certain extent, I’d be inclined to agree with some of that sentiment. Behind the careful curation of white walls lies a system of complex unspoken rules that perimeter a selective and hierarchical structure. Be it curator, PR or private collector, everyone has their respective role in the art chain and, in part, this allows practice, consumption and interest in fine art to flourish.
by Alice Thomson
I’ve been thinking a lot about my body recently. In the last month I’ve been pushing it pretty hard, so I have a lot to reflect on. I talked about going to the March for Europe in my last article, and the preparation I put in beforehand to make sure my body would survive. Since the march, I have been doing a lot of walking and swimming. This brings feelings of terror and excitement. I fear I will dislocate and put myself back in my wheelchair. But I’m excited to feel the freedom my body hasn’t experienced in over five years. My current mission is to make myself stronger, stable, and resilient.
by Alice Thomson
(Content warning: mention of sexual assault)
I’m sure you’ve all noticed the Valentine’s Day gifts and cards that seem to be everywhere at the moment. Like Christmas, it’s almost impossible to avoid. When I got outside I can barely move for all the soppy rom-coms, chocolates and flowers that are being bandied about. And all of them carry connotations of sex.
by Eve Lacroix
(Content warning for the Holocaust, antisemitism, ethnic cleansing, xenophobia, and islamophobia)
January 27th 2017. Holocaust Remembrance Day. Released by one Mr Trump on behalf of the White House, this statement: “It is with a heavy heart and sombre mind that we remember and honour the victims, survivors, heroes of the Holocaust. It is impossible to fully fathom the depravity and horror inflicted on innocent people by Nazi terror (…) Together we will make love and tolerance prevalent around the world.”
Is this statement missing something? Ah, yes, perhaps a specific and explicit mention of the six million Jewish people who were the victims of Hitler’s final solution.
by Candice Nembhard
From terror attacks to constitutional changes, there is no doubt that 2016 will go on record for being an insanely dismal year. To paraphrase Ginsberg’s Howl, ‘I saw the best minds of my generation destroyed by bigotry, fear and greed’ (or something like that).
However, despite certain adversities and geopolitical setbacks, much was gained by the likes of small yet vocal communities campaigning for drastic change. With the help of social media and public platforms, we have seen a burgeoning of new safe spaces for women of colour, nonbinary folk and creatives alike. It goes without saying that their good and honest work should not go unnoticed, nor should it be underrepresented.