FREEDOM FOR PALESTINE

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by V Arun Kumar
Description: In foreground, an Israeli military bulldozer is broken in half due to impact of a map of Palestine. Pieces of the Israeli bulldozer lay scattered around. The Palestinian map is overlaid with Palestinian flag. The military bulldozer represents Israeli annexation of Palestinian land and the Palestinian map represents Palestinian resistance. In the background is the text: 'Resist Israel’s Annexation Plan' and 'Freedom For Palestine'.

Description:

In the foreground, an Israeli military bulldozer is broken in half due to impact of a map of Palestine. Pieces of the Israeli bulldozer lay scattered around. The Palestinian map is overlaid with Palestinian flag. The military bulldozer represents Israeli annexation of Palestinian land and the Palestinian map represents Palestinian resistance. In the background text reads: ‘Resist Israel’s Annexation Plan’ and ‘Freedom For Palestine’.


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ISOLATION AND SOLIDARITY

by Joseph Reardon

The longest period I spent completely alone during this pandemic was one week. I spent the week reading the increasingly distressing news on my phone, desperately wanting to do something, to be a small part of some collective action against the tightening authoritarian grip of the Tory government. Instead, I sat alone in my rented room, waiting, worrying and reading.

A few years ago, a friend bought me The Desert Fathers: Sayings of the Early Christian Monks. When I picked up the book, I drew no connecting line between these 4th Century monks sitting in their cells in the Egyptian desert, waiting for the world to end, and myself, sitting, in the 21st Century, in my room in South East London. Perhaps with good reason; these monks spent decades in near or complete isolation, barely eating, sleeping or drinking – I spent a week scrolling on my phone and eating takeaway pizzas. But eventually I did begin to ask a question that connected my experience with theirs: What am I doing in here by myself, when terrible things are happening to us out there?

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‘FORWARD MOMENTUM’ OR CONTINUED DECLINE?

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by Sean Meleady

A group of left-wing Norfolk Labour activists have re-founded the Norfolk branch of the socialist pressure group Momentum. Originally they were affiliated with the pro-reform Forward Momentum faction, which argued that the group needed to change in a post-Corbyn era. Following the victory of Forward Momentum candidates in the Labour Party’s internal National Coordinating Group (NCG) elections, at the expense of the Momentum Renewal slate associated with Momentum founder Jon Lansman, they hope that the group can be revived locally. 

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THE ‘C’ WORD: COMMUNIST ERASURE IN LIBERATION ACTIVISM

by Kasper Hassett

From the first Red Scare in the US, terms like ‘communism’, ‘socialism’, and ‘anarchism’ have been subject to suspicion and scrutiny. Despite describing common views, they are considered subversive, chaotic and threatening, and cause others to be wary. Many of society’s role models, however, have been communists – especially those most associated with struggles against oppression, imperialism and bigotry. Forgetting this is no accident: when centrists and the right-wing express a shared sense of pride for achievements in activism, they place history under a rose-tinted lens, carefully side-stepping mention of their role in enforcing the barriers which required lifting in the first place.

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I AM MINE

by Samantha Rajasingham
a white skinned, black hair and clothed, Asian woman on a red background, looking at the viewer and wearing red lipstick; the style is a bit in the style of Alex Katz paintings, the eyes doing all the work at looking back at the viewer.

I am your nail technician, your straight A student,

your wildest dream, your exotic girlfriend, your

piano teacher, your lawyer, your doctor, your

nanny, your hairdresser, your Made in China,

your waitress, your receptionist, your

maths tutor, your babysitter, 

your Instagram hero,

your voice of wisdom, 

your liar, your thief, 

your nurse, your writer, 

your convenience store clerk,

your disease, your leader,

your toy, your master,

your victim of

foot binding,

your submissive,

your friend,

your enemy

your fantasy

your heresy

!

!

.

I am mine


The Norwich Radical is non-profit and run by volunteers. You can help us continue our work by becoming a supporter. All funds raised help cover the maintenance costs of our website, as well as contributing towards future projects and events.

THE BURDENSOMENESS OF TIME: ON SIMONE WEIL’S ‘THE MYSTICISM OF WORK’

by Joseph Reardon

The call came and I was told that my second period of furlough had ended. I would return to the workshop for three twelve and a half hour shifts per week, 7am to 7.30pm. The week my boss called, I’d been rereading Gravity and Grace by Simone Weil (1909-1943). Weil was a philosopher who worked in temporary teaching jobs, often being run out of town for her trade union-organising and activism. By the time of her death, Weil had built up a body of idiosyncratic, unorthodox, mystically-inclined theological writing, posthumously collected in Gravity and Grace. I read the final section, ‘The Mysticism of Work’, the day before my return to the workshop. After sitting in my room for three months, going back to such long days would be hard physically, which made it hard mentally; I didn’t want to do it, but I had no choice. At least I’d be able to search for Weil’s mysticism of work.

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PARASITE

by Samantha Rajasingham
Hybrid watercolour image of a traditional depiction of a monarch using biological ephemera from parasites such as parasitic worms; the sceptre is crowned by a virus representation, the face bears nine black eyes and insect-like mandibles. To the right of the image, the word PARASITE in black ink, reading vertically from top to bottom.
Image description: Hybrid watercolour image of a traditional depiction of a monarch using biological ephemera from parasites such as parasitic worms; the sceptre is crowned by a virus representation, the face bears nine black eyes and insect-like mandibles. To the right of the image, the word PARASITE in black ink, reading vertically from top to bottom.

The Norwich Radical is non-profit and run by volunteers. You can help us continue our work by becoming a supporter. All funds raised help cover the maintenance costs of our website, as well as contributing towards future projects and events.

BLIGHTED LIVES: ROMANI CHILDREN IN STATE CARE

Lil' Sister Looking Out The Window
by Bernard Rorke

CW: child mistreatment, state violence, abuse

Back in May 2018, both Vladimir Putin and former US Attorney General Jeff Sessions hit the headlines in the same week by threatening to take children away from their families. In the New Yorker, Masha Gessen called this a form of state terror: “Hostage-taking is an instrument of terror. Capturing family members, especially children, is a tried-and-true instrument of totalitarian terror.”

This form of ‘state terror’ is all too familiar to Europe’s Roma. While for centuries, racist folktales warned children not to wander into the woods lest they get ‘snatched by Gypsies’, the historical reality is quite the reverse. It is Romani children who have been kidnapped by the authorities and separated from their parents; kidnapped by authorities bent on forced assimilation, or in the case of the Nazis and their allies, gruesome experimentation and annihilation. In the democratic 21st Century, where anti-Roma racism has been routinized, disproportionate numbers of Romani children are removed from their biological families and placed in institutional state care.       

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RELEASE ALL PALESTINIAN POLITICAL PRISONERS

by Arun Kumar / Rebel Politik

A raised fist in the foreground is chained in a wrist shackle with the image of Israeli flag superimposed over the shackle bracelet. Two raised fist holding Palestinian resistance scarf (with black-and-white keffiyeh pattern and Palestine flag on white fabric) on either side of the chained wrist are breaking the chains of shackles. In the background, two more raised fists are breaking the chains attached to the shackled fist in foreground. 
The bracelet of the wrist shackle begin to break. 
Release all Palestinian Political Prisoners text is written on top part of the image. The word, Palestine, has image of the Palestinian flag superimposed over

Description: 
A raised fist in the foreground is chained in a wrist shackle with the image of Israeli flag superimposed over the shackle bracelet. Two raised fist holding Palestinian resistance scarf (with black-and-white keffiyeh pattern and Palestine flag on white fabric) on either side of the chained wrist are breaking the chains of shackles. In the background, two more raised fists are breaking the chains attached to the shackled fist in foreground. 
The bracelet of the wrist shackle begin to break. 
Release all Palestinian Political Prisoners text is written on top part of the image. The word, Palestine, has image of the Palestinian flag superimposed over it. 


The Norwich Radical is non-profit and run by volunteers. You can help us continue our work by becoming a supporter. All funds raised help cover the maintenance costs of our website, as well as contributing towards future projects and events.

WHAT NEXT AFTER THE SIEGE OF CAPITOL HILL?

by Sarah Edgcumbe and Clyde Collins

The storming of Capitol Hill in Washington on the 6th January and the ongoing aftermath has dominated western media over the past few days with good reason. White Americans fuelled by bizarre QAnon conspiracy theories and egged on by Trump’s false narrative of fraudulent election results, forced their way into the building, ransacked the interior, hung confederate flags, stole items and generally behaved like a bunch of supremacist football hooligans who had been binge-drinking for several hours, and whose team had just lost. In doing so however, they demonstrated the extent to which they have become empowered by Trump – and that is terrifying. When Trump leaves the White House (hopefully in handcuffs; tears streaking his fake tan), his manifest right-wing extremist legacy is going to remain present for years to come.

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