For the past 8 years the future of Anglia Square – a 1960’s-built shopping complex in Norwich’s north city – has been a contentious local concern. In 2018 Norwich City Council approved a £250 million development planning application submitted by asset management group Columbia Threadneedle, who bought the site in 2012, and property developers Weston Homes. The proposal included plans for a new shopping centre, hotel, cinema, and 20-storey apartment block. After receiving over 700 objections, which collectively led to a government inquiry, earlier this month Secretary of State Robert Jenrick officially rejected the plans, on the basis that they “did not protect and enhance the heritage assets of the city”.
As part one of this series warned, the Conservative government are pushing to make trespass a criminal offence, rather than a civil one. This iron-fisted extension of the long arm of the law would not only endanger – and indeed criminalise – certain groups and their ways of life, but it would also serve to stifle our collective sense of curiosity and affinity with the natural world which surrounds us. It has the potential to jeopardise our age-old freedom to roam.
by Bernard Rorke
On the Wednesday evening of the 2nd of September, in a narrow street in Budapest’s eighth district, a large crowd gathered in solidarity with the students who have staged an occupation of Hungary’s University of Theatre and Film Arts (SZFE). The students had sealed the entrances to the building with red and white tape in protest against the latest power grab by the far-right government of Victor Orbán.
From the first-floor balconies, students stood silently in yellow face masks with clenched fists, while below, leading figures from Hungary’s cultural and literary scene recited apposite verses from the country’s rich reserve of defiant, liberty-loving poetry. The students closed the event with a folk song and the crowd joined in defiant chants of ‘Szabad Ország, Szabad Egyetem! (Free Country, Free University!)’.
by Jonathan Lee
On the edge of my hometown stands a boulder about shoulder high, hewn from the mountainside, with the word “Rebeca” inscribed on its surface. It commemorates the night of the 6th September 1843, when over a hundred working-class men on horseback rode out, in full drag, and destroyed the most grievous symbol of class oppression in rural Wales – the toll gate.
In my earliest years, my great-grandmother used to sit with me in her bungalow, a low-roofed gloomy building with carpets like moss, to tell me I was the ‘best boy in the wewd’. I believed her, of course – she made fantastic cheese on toast and gave me ice pops (‘lolly ices’ to her) out of love. She was family. I took her words as law; I would recite everything I heard her say back to my mother when I was dropped off at our flat. But, rather than approval, I was met with correction – not of the message, but the delivery.
A misleading image presents itself within certain areas of Black power discourse. It is the gilded image of the Black royal or the ancient African empire, manifesting within popular culture as a vision to aspire to. The recent release of Beyoncé’s Black Is King brings the subject back to the forefront of the public domain, presenting a glorification of Black royalty in the matrix of the Black liberation struggle.
This idolisation does not fit a revolutionary paradigm, but, rather, strives for “advancement” in line with a white supremacist world. It honours the western concept of civilisation as a system that oppresses others: there would be no monarchy without subjugation, no “great” empire without violence and theft.
The structure of white supremacy feeds off the narrative of the ‘docile slave.’ Painting Black people in history as submissive beings upholds the white conscience; it tapes over white people’s historical and present reliance on oppression for their mental stability and superiority, by suggesting that Black people were willingly inferior. When, in reality, Black people have been rebelling with might since their capture.
by Michael Noone for IAS UK
In March 2018, the then Justice Secretary David Guake delivered a speech on the topic of prison reform. He kicked off proceedings by detailing his perception of the prison system and its modus operandi. Describing it as three-fold, Guake explained the aims as follows:
First, protection of the public – prison protects the public from the most dangerous and violent individuals. Second, punishment – prison deprives offenders of their liberty and certain freedoms enjoyed by the rest of society and acts as a deterrent. It is not the only sanction available, but it is an important one. And third, rehabilitation – prison provides offenders with the opportunity to reflect on, and take responsibility for, their crimes and prepare them for a law-abiding life when they are released.
By Robyn Banks
Content warning: discussion of transphobia, genitalia
In June, the news broke that Graham Linehan, former comedy writer turned full time transphobe, was finally removed from twitter for his continued attacks on the trans* community. Whilst it is positive that twitter is finally taking the action that the trans* community have long been asking for, this should have happened years ago, when Linehan started doxing people who dared challenge him.
CW: racism, violence, police brutality, suicide
I’ll admit, the title of this article is posed in a slightly tongue-in-cheek manner, but the underlying premise points to two concurring factors: the hypocrisy and northern hemisphere-bias underpinning global governance, and the distinct shift towards authoritarianism that we are currently seeing in Trump’s America; the latter possibly justifying intervention under the Responsibility to Protect doctrine. The Trump administration’s current bent towards authoritarianism is not mere hyperbole, nor the incendiary Twitter-ranting of an orange mad man, but a dark and extremely worrying leap towards the kind of repression that characterizes Assad’s Syria, or the recent kidnappings in Iraq, wherein those protesting against the regime are bundled into unmarked cars and whisked away into the night.