Content warning: references to police violence, racist violence.
The revival of the Black Lives Matter movement has inspired an array of haunting artistic responses. Black Lives Matter: Poems for a New World, edited by Ambrose Musiyiwa, is no exception. With over 100 contributions from writers of diverse ages and backgrounds, the collection is a poignant exploration of an era of renewed protest and newfound solidarities, against the backdrop of the coronavirus pandemic.
There is an elephant in the room with Amie Marie’s mischievous comedy The Play About Theresa May: why publish a satire on May’s bungled and mayhemic term in government in 2021? When placed beside the burning wreckage of policies created by her etonian man-child of a successor, there is a risk of the text losing its relevance before you’ve even passed the cover. Marie navigates this hurdle gracefully, however; its name-sake target has been out of office nearly two years, but The Play About Theresa May is still an extremely timely exploration of political engagement in 21st Century Britain.
Description: A raised fist in the foreground is chained in a wrist shackle with the image of Israeli flag superimposed over the shackle bracelet. Two raised fist holding Palestinian resistance scarf (with black-and-white keffiyeh pattern and Palestine flag on white fabric) on either side of the chained wrist are breaking the chains of shackles. In the background, two more raised fists are breaking the chains attached to the shackled fist in foreground. The bracelet of the wrist shackle begin to break. Release all Palestinian Political Prisoners text is written on top part of the image. The word, Palestine, has image of the Palestinian flag superimposed over it.
On 13th February 2021, the poet Matthew Dickman posted on Instagram: ‘I wish the poem I wrote 14 years ago was still true.’ The poem in question is ‘Chick Corea is Alive and Well’ – an elegy for the jazz pianist, written fourteen years before his death.
Foreground, left: a woman holding a sickle in one hand and a large red flag in the other, and wearing a green scarf over a yellow khadi; behind her, a man in a light orange khadi, a light blue turban, a beard, and raising his fist; in front of her are three ears of corn growing out of green stalks.
Background, center to right: two red farming tractors drawn as if moving up a slight incline, towards the right; one is partially behind the two human figures, and bears a small red flag; the other is fully visible, and bears a small green flag.
Above the two tractors is the text: Unite against corporate slavery of farmers.
In December, I found out that the Instagram account, simply titled ‘feminist’ is run by two cis-gender white men: Tanner Sweitzer and Jacob Castaldi.
Accounts like ‘feminist’ become popular by reposting relevant content from others without creating their own. This means they have more time to simply put out more content. The focus of the account revolves around it being relatable to their target audience, and so part of the responsibility also falls with us as the audience, to make sure we follow the tagged content creators, supporting them rather than simply ‘liking’ posts, and interrogating who is behind such popular accounts when that transparency isn’t there.
At year’s end, many of us feel the pull to try and put a positive spin on the preceding 12 month period – to celebrate its joys, while recognising its difficulties in order to put them behind us as we look to the new year with a hopeful eye. At the end of 2020, it is particularly difficult to find a positive angle from which to look back, or forward. The slow-motion explosion that is Brexit has rolled on, the UK government that came to power just over a year ago has taken every opportunity to demonstrate its incompetence and corruption, and the mainstream media has continued to side with the powerful over the marginalised. And then there’s the elephant in every room – the Covid-19 pandemic, which has pushed many of the institutions we rely on to breaking point, revealing just how little many governments care about the lives of their more vulnerable citizens.
There are few people in this world who have had a more eventful life than Diego Armando Maradona, who has unfortunately passed away aged 60 years on Wednesday 25th. His existence has been a tale of spectacle and interest. The man has died as one of the best footballers ever to play the game, and a hero to the Argentine people.
DOPE magazine – popularly dubbed ‘the anarchist Big Issue’ – is a quarterly newspaper published by Dog Section Press. It’s jam-packed with slick art, contemporary culture and radical ideas, and has featured content from the likes of David Graeber, Sleaford Mods, Molly Crabapple, Ruth Kinna and Benjamin Zephaniah (among many many others) – but not only is its content cool as f*#k, so is its growing social impact.