by Carmina Masoliver
It is so easy to feel overwhelmed by the state of the world, in which we are mostly powerless to create a dramatic change. Yet music offers us respite, and re-energises us to continue fighting for what we believe in, bringing us together and making us stronger.
So the annual return of International Women’s Day and Women’s History Month, seemed like an prime opportunity to round up some incredible feminist anthems from the past year, and celebrate some of the best artists around at the moment. All these tracks deserve to be heard on repeat, as they serve to get us pumped up for a month of marches, activism, and empowerment.
Share your favourites in the comments below.
by Sara Harrington
An acoustic bar cuts the silence as a rowdy ‘1, 2, 3, 4’ heralds in the full band and an anthemic pop punk belter: the start of something new for punks of the folk persuasion; Jake & The Jellyfish – Long In Winters. Released 26 January 2018 with a gloriously green vinyl available on Invisible Llama Music, this album sees an evolution of sound from this newly re-outfitted 5 piece (sometimes 6), as 2 new members, Derek and Omar, grace the line up. The album revels in raucous, melodic sing-alongs which you can’t help but join in with, even though you don’t know the words yet. But trust me, you will.
by Chris Jarvis
It’s a common cliché that the quality and abundance of political and protest music is directly proportionate to the awfulness of the broader political landscape. The Vietnam War gave us the great American folk singers. The stagnation, unemployment and neoliberalism’s cusp of the 1970s bred punk. Thatcher’s Britain brought us the motley crew of rebels surrounding Red Wedge. The rapid and destructive spread of militant capitalism and imperialism at the end of the Cold War bore Rage Against the Machine. Apartheid in South Africa swelled a wonderful mix of pioneering sounds and firebrand resistance.
Unsurprisingly, 2017 was one of those years – a terrifying political context coalescing into a bumper crop of fantastic radical releases. So with a withering nod to the year that was and with a glint of hope in the sounds of revolution, here are the very best radical musical releases 2017 had to offer.
by Rowan Gavin
Today, Essex-born folk singer Beans On Toast releases his ninth album, ‘Cushty’. Last night, I saw Beans play live for the ninth-ish time (if I’m honest, I’ve lost count, but the symmetry is pleasing). If you’ve been to a British festival in the past decade you’ve probably run into Beans as well – he’s the kind of musician who pops up everywhere. With a new album out every year since 2009, he’s perpetually turning up in your town on tour, or supporting one of his many musical friends, or appearing at festivals you didn’t know he was on the bill for.
by Sara Harrington
Part of a series exploring great music from the DIY music scene that you may have missed.
Hi Niels, thanks so much for letting me bother you with lots of questions! How are you doing today?
No worries. My pleasure. I’m pretty good today – currently in an airport, waiting for a plane to Copenhagen where I’m going to visit an old friend and see a Guns ‘n’ Roses show. Ten year old me is stoked.
So, I’m pretty late to the game and only just stumbled across you and your musical endeavours – Can you tell me a bit about ‘Stöj Snak’ and how it started and who is involved?
Stöj Snak is a ScreamerSongwriter band from Denmark. I started Stöj Snak as an acoustic solo act around 4 years ago – basically just me recording songs in my apartment as a hobby project. It was never meant for anyone to hear.
Since then the band has grown to a four piece with drums, washboard, upright bass and other trash instruments but the attitude towards the music is still very much the same – we do everything ourselves and because it’s fun. It’s basically the antithesis to Guns ‘n’ Roses.Continue Reading
One of the bands appearing at ROAR on April 28th in aid of Norwich’s local Women’s Refuge, Leeway, is London based all girl H/C punks Kill Bitches To Dress Foxes.
I first came across KBTDF on one of those meandering journeys through the internet.. Previously known as Medication Time, this London based three piece is comprised of Ale on bass, Itxi on drums and Turko on guitar. With a variety of musical backgrounds and citing influences as wide as Municipal Waste, Emma Goldman and Andy Stanton, they kindly agreed to an interview about punk, politics and other stuff.Continue Reading
Content Warning: Racial slurs, homophobia
by Chris Jarvis
A few minutes’ walk from the dreaming spires for which the city is famed lies East Oxford’s Cowley Road – the hub where ‘kids of the multiculture’ grow up. An area undergoing rapid gentrification, it still retains its working class heritage, ethnic diversity, and unique character under the strains of the expansionist middle classes settling, with students and university professors increasingly filling the nearby terraces.
Cowley Road is home to the O2 Academy. Previously the Zodiac, the venue is emblematic of other changes in the area – a corporate takeover of a formerly independent music venue. Across the road sit branches of Subway and Costa, but a little further down is the Truck Store – the pivot of the local independent music scene. Here, at Oxford’s O2 Academy, Manchester-born Sonic Boom Six get set to tear up the stage on a Friday evening. Continue Reading