by Lewis Martin
On March 20th I had the pleasure of interviewing The Handsome Family as a part of their tour for the 20th anniversary of their album Through the Trees. I interviewed Rennie Sparks, half of the band’s duo, about the difference the band offers from the usual Americana band (and if they are even an Americana band), what it’s like releasing music under your own label, and if being in the spotlight makes their message more powerful.Continue Reading
by Carmina Masoliver
Part 1 of 2
Women of the World (WOW) Festival is always place for stimulating and challenging debate on important issues of the day. It was a privilege to be involved this year with my own segment with She Grrrowls as part of Gem’s Jam on the Sunday, featuring poets Bridget Minamore and Selina Nwulu, with live music from Roxanne Tatae and DJ sets from Born N Bread, Jamz Supernova, and host Gemma Cairney.
I also sat in on three very different panel discussions. I focus on only two panels, as the third, Testimony, included confidential accounts of women’s experiences of rape – an important and powerful space for their stories to be shared. I will dedicate this part one to the first panel I attended:
by Rowan Gavin
Since their formation in the early ‘90s, Californian Rock & Rollers The BellRays have befuddled the expectations of music media and the industry, just as much as they have thrilled audiences. They’ve taken an open-minded approach to the genre that has defined American music for the past seven decades, and they’ve been an independent outfit that whole time.
The BellRays have self-published their nine albums through a variety of independent labels, including Upper Cut and Alternative Tentacles. 2017 saw the release of EP Punk Funk Rock Soul vol 1, the long-awaited follow up to 2010’s Black Lightning, and last month gave us the album-length Punk Funk Rock Soul vol 2. I caught up with Lisa Kelaula & Bob Vennum, the band’s permanent members, before they went on stage at Norwich Arts Centre last Friday.Continue Reading
by Hannah Rose
It’s now ten years since the global financial crisis, the most significant economic meltdown since The Great Depression in the 1930s. What better way to mark the event than by going to see The Audit (or Iceland, a modern myth) at Norwich Arts Centre on 21st March? Taking on the voice of a nation which spoke out against the accepted narratives succeeding the 2008 financial crash, Proto-Type theatre’s latest work speaks to the powerless about the powerful.
A medley of performance, text, animation, music and myth-busting promises shine a light on new perspectives of the systems, government and hierarchies that have shaped recent global politics. Be warned: this is theatre that will turn the truth inside out.
This is the second piece of political work by Proto-Type, following A Machine They’re Secretly Building about surveillance in our modern times. Rachel Baynton, Gillian Lees, and Andrew Westerside are multi-disciplinary artists who lead the group, and also support young artists across the globe in making and performing original works.
Come and support this movement of myth-busting and truth telling…
Featured image via NAC, by Adam York Gregory
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by Eli Lambe
On Monday, Jon McGregor, author of Costa Book Award winning Reservoir 13, announced that he would not be taking part in this week’s event for the UEA Spring Literary Festival. His reason was that doing so would involve crossing the picket line of the ongoing UCU Strike against changes to pensions, which would leave lecturers and teaching staff at universities across the UK around £10,000 a year worse off (than in the previous arrangement). He stated “I have never crossed a picket line in my life, and am not about to start now. Instead, I will be joining staff, students, and writers for an evening of readings and discussion as part of the Alternative University being organised by striking staff and hosted by the Students’ Union.”
by Carmina Masoliver
It is so easy to feel overwhelmed by the state of the world, in which we are mostly powerless to create a dramatic change. Yet music offers us respite, and re-energises us to continue fighting for what we believe in, bringing us together and making us stronger.
So the annual return of International Women’s Day and Women’s History Month, seemed like an prime opportunity to round up some incredible feminist anthems from the past year, and celebrate some of the best artists around at the moment. All these tracks deserve to be heard on repeat, as they serve to get us pumped up for a month of marches, activism, and empowerment.
Share your favourites in the comments below.
by Sara Harrington
As The Owl looks set to close once more, I took a look at the history of the iconic venue and where its closure would leave the Norwich DIY scene.
The chaos and hubbub spill out to the quiet back streets of that historic mound by the castle. Red paint, skate decks and Antifa flags adorn the walls, and a rotating crowd of faces mill around the bar inside. The air is joyous and muskily sweet with the smell of human sweat, stained beer and crust punk looming miasmic and familiar. In some way or another, I know everyone in this room.