by Rob Harding
(Part 6 of a serialised prose fiction endeavour. Part 1, part 2, part 3, part 4, part 5)
Speaking of, I decide it’s time to go for a walk. Staying active is good for your mental health, which is why every single public park and footpath is perpetually rammed with DeepGrey drones trying to keep their brains stable enough to run the god-spreadsheet – in my case it also helps immensely with the dysphoria, which is useful because nothing else is going to any more.
I pull on a bomber jacket and a baseball cap, opting for relatively shallow heels in case I need to out-sidle a DeepGrey recruiter. For once I’ve got enough money for a solid grocery shop, and near me there’s still a place that takes cash, earned scandalously but (in my opinion, anyway) honestly. I feel a solid meal coming on tonight.Continue Reading
by Laura Potts
Salò Press is a Norwich-based independent publisher of poetry, prose and experimental writing. The surreal nature of much of the work by the imprint allows a new ground for experimental writing, and the eventual outcomes that follow. Their most recent book – MILK: an anthology of eroticism – has just been published and I have the pleasure of reviewing the work.
The first thing evident within MILK is the importance of independent publishing as an arena to allow a multitude of voices, as there is a very broad range of writers with varied backgrounds and circumstances included. It shows a much wider cross section of society, and the creative work embodies that greatly: we find a freedom to pen emotions so strong that you wouldn’t initially think literary testimony could do them justice. Writers such as Jessica Rhodes, Rosie Quattromini, and Jane Jacobs have done just that.Continue Reading
by Carmina Masoliver
cw: mentions suicide, rape, abuse, domestic violence, sexual violence
I left this year’s Being a Man Festival with over fifty pages of notes and a hopeful feeling – inspired by the coming together of people of all genders to take part in a dialogue on gender and its many intersections. Events like this show just how much there is to gain from men addressing gender from a feminist perspective, as opposed to the toxic perspective of the MRA groups. Below are a few highlights from the weekend focusing, in this first part, on mental health and the role of violence in men’s lives.
by Justin Reynolds
Two thousand years ago this winter, a heartbroken Roman nobleman died far from home by the frozen shores of the Black Sea.
The poet Publius Ovidius Naso, known to the world as Ovid, had lived a very different life from the millions of Syrian refugees who today find precarious asylum in nearby Turkey, or the Rohingya, further east, camped in the fields of Bangladesh. But he too knew the pain and bitterness of exile.
In Rome, together with his contemporaries Horace and Virgil, he had been lauded as one of the greats of Latin literature. He was certainly the most fashionable. Born into the Roman aristocracy and enjoying the patronage of the legendary benefactor Maecenas, Ovid had won fame with his sly, knowing love poetry, before writing one of the classics of world literature, the Metamorphoses.Continue Reading
by Eli Lambe
Almost exactly one year ago, I attended a conference at UEA on ‘hybrid writing’, organised by Seam Editions. The last presentation before lunch absolutely captured the theme of the conference. Anna Metcalfe presented ‘I hope to Show’, or the Last Thing out of Pandora’s Box, a creative-critical reflection on academic writing, optimism and Hesiod. Last Tuesday, in an unassuming brown padded envelope, my advance copy of A Hope on The Wall arrived. I keep describing it to myself as “a beautiful little book” and it truly is; Francesca Romano has done an amazing job of making a deceptively minimalist-looking home for a complex and engaging read. I can see it conveniently sitting inside my notebook, ready for me to dive into whenever doubt sets in.
by Rowan Gavin
Today, Essex-born folk singer Beans On Toast releases his ninth album, ‘Cushty’. Last night, I saw Beans play live for the ninth-ish time (if I’m honest, I’ve lost count, but the symmetry is pleasing). If you’ve been to a British festival in the past decade you’ve probably run into Beans as well – he’s the kind of musician who pops up everywhere. With a new album out every year since 2009, he’s perpetually turning up in your town on tour, or supporting one of his many musical friends, or appearing at festivals you didn’t know he was on the bill for.