This year’s Last Word Festival at The Roundhouse has been a mixture of online and in-person events. Although I had hoped to be able to attend more events, and accessing the festival hasn’t been easy, it was a pleasure to listen to poets Cecilia Knapp and Alexandra Huỳnh in conversation as I tucked into my dinner at home.
Perhaps Marcus Rashford was trying to be too precise. Whilst Frank Lampard, my dad and thousands of others criticised Rashford’s stuttering steps in the build-up to his penalty, he successfully sent Gianluigi Donnarumma the wrong way. Had his effort been just a few inches to the right it would have been hailed as a brilliant penalty. But elite sport is a game of inches.
The following was originally published as the afterword to the collection Love after Babel and Other Poems by Chandramohan S, published in January 2020 by Daraja Press. The collection won the Nicolás Cristóbal Guillén Batista Outstanding Book Award in January of this year. You can order a copy direct from Daraja Press here.
They ask me why do you write poems?
I write poems – the people have the right to…bear arms.
These lines, taken from his one-stanza masterpiece ‘Why Do I Write Poetry?’, encapsulate the very essence of Chandramohan S’ approach to his craft in his third collection, Love after Babel and Other Poems. These poems are unapologetically weapons, fighting against the pre-modern notion of caste in all its insidious 21st century glory.
I mostly read The Breakup Monologues: The Unexpected Joy of Heartbreak over the course of one weekend, author and comedian Rosie Wilby’s conversational stage persona making it easily digestible and impossible to put down on a sunny weekend with few commitments. Mirroring the non-linear nature of breakups, the book flits back and forth in time, marked B.G. (Before Girlfriend) and A.G. (After Girlfriend). Using ever-changing vocabulary to describe a number of different ‘ghosting’ methods, the book delves into Wilby’s dating and breakup history, alongside incredulous anecdotes from others. The driving point of the book, inspired by the podcast of the same name, is that each breakup can teach us something. Despite this, the romantic in me can’t help but hope that Wilby, equipped with the knowledge and experience of past relationships, might find a happy ever after with Girlfriend. With this mixed sense of hope and impending doom, the book itself mirrors the structure of an uncertain relationship.
by Howard Green
From a certain perspective, mobilisation amongst football fans is something that is wasted in the route toward social progress. Frequently individuals sacrifice their money and a vast amount of their free time to follow their football club, or just to participate in the general activity of football. If this sort of frequency and mass of mobilisation were done in the name of protest and justice, we would probably see greater change in our society. But since the initial announcement of the breakaway European Super League, the views of the most loyal of football fans are not being taken into account. A powerful elite are changing their audience, and in many ways it is necessary that football fans must call out what this is: mere capitalism.
Content warning: references to and short descriptions of sexual harassment, sexual violence, xenophobia, homophobic & transphobic abuse.
Made by Sea and Wood, in Darkness, the debut novel by Alexandros Plasatis, weaves together a collage of stories that tell the experience of Egyptian immigrants in Greece through a variety of voices. The stories are primarily set in and around Café Papaya in Kavala, where Pavlo the waiter works nights, acting as both a main character and an observer of the Egyptian fishermen. In snapshots of a male underworld, violence dominates this narrative, as the central female character Angie the barmaid fights against being cast as a victim.
January 2021 saw the start of the Living Record Festival, which featured over forty artists and theatre companies showcasing digital work, from spoken word audio pieces to mini-web series. It has garnered many four-star and five-star reviews. In the second part of this two-part series, Carmina Masoliver discusses her remaining picks of the festival’s most interesting shows. You can read part one here.
Your local music scene is a hive of energy which fuses together networks of people from all walks of life. It’s as much an awkward social battleground as it is an arena where ideas can be shared and explored in confidence and solidarity; it sustains avenues of expression which promote unity and mutual aid and offers sanctuary for people from disadvantaged and marginalised backgrounds to let off some steam. So as we enter a political chapter dominated by censorship and surveillance, we should all be asking ourselves what we can do to keep it alive.
January 2021 saw the start of the Living Record Festival, which featured over forty artists and theatre companies showcasing digital work, from spoken word audio pieces to mini-web series. It has garnered many four-star and five-star reviews. In this two-part series, Carmina Masoliver discusses her picks of the festival’s most interesting shows. You can read part two here.
I am your nail technician, your straight A student,
your wildest dream, your exotic girlfriend, your
piano teacher, your lawyer, your doctor, your
nanny, your hairdresser, your Made in China,
your waitress, your receptionist, your
maths tutor, your babysitter,
your Instagram hero,
your voice of wisdom,
your liar, your thief,
your nurse, your writer,
your convenience store clerk,
your disease, your leader,
your toy, your master,
your victim of
I am mine
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