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THE GREAT COPYRIGHT SCAM
July 12, 2022by Alex Valente
Consider this example: Marvel Comics publishes Spider-Man, Sony makes a Spider-Man film or videogame, and your local queer fan-artist sells an art zine or print inspired by that film. There is a cost associated with each of these items: the floppy or trade collected comic; a cinema ticket or streaming subscription; the art print itself. But, there is no ethical consumption. ‘Illegally’ downloading or streaming the film, torrenting or finding a hosting site for the comic, or pirating the zine are all the same act: you are overcoming the monetary gatekeeping of art. With one exception: if you ‘steal’ from Marvel, Sony or any other megacorp you might even be doing some good; if you do it to an artist who is trying to pay their bills, you’re an asshole.
WE LIVE IN A CORRUPT AND VIOLENT STATE – JOHNSON’S RESIGNATION WON’T CHANGE THAT
July 7, 2022By Rowan Gavin
At long last, the Johnson juggernaut has run out of road. The Bohnson’s repeated scandals, criminal convictions, outright racism and transphobia were not enough to unseat him; in the end all it took was a few opportunistic cronies seeing a chance to pull their knives. Et tu, Gove?
BATS, BIKES AND BETRAYALS – THE FIGHT TO STOP THE WENSUM LINK
June 20, 2022By Sophie Ciurlik-Rittenbaum
The Norwich Western Link, also known as the Wensum Link, is a proposed road that cuts through the Wensum River Valley. It would cut through a Site of Special Scientific Interest destroying critical habitat, most notably inhabited by one of the only colonies of endangered Barbastelle bats. The project is already over budget, and according to Stop The Wensum Link, may cost up to £300 million. The Conservative-controlled Norfolk County Council is responsible for the Link and is pushing for its construction, whereas the Labour-controlled Norwich City Council has announced its opposition to the link.
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‘BURN THE WITCH’: AN OVER-DUE DEFENCE OF AMBER HEARD IN A MANIACALLY MISOGYNISTIC MEDIA
May 30, 2022by Sunetra Senior
CW: abuse, sexism, domestic violence
It is difficult not to be polarised on any given topic in the explosively divisive climate we are living through. However, emerging from the sensationalism is an irrefutable objective truth in the high-profile trial, where megastar Johnny Depp is suing his ex-wife, up-and-coming actress Amber Heard, for $50 million over editorial defamation: a clear example of inherent misogyny of the media. Heard penned her self-professed subjective piece in The Washington Post, supportively discussing a ‘Transformative Moment for Women’ during the height of the #MeToo campaign. The article, which was read out during the trial as part of Heard’s opening statement, was intelligently and boldly written, focussing on the actress’ harrowing experience of speaking out as female victim of domestic violence and the progressive change within the industry that she wishes to see. Further to this, there was no mention of Johnny Depp specifically or any of the personal accounts, currently being spewed out in public, due to his bringing her to court.
SPIRITED, RIDICULOUS, FUN – THE LOVELY EGGS LIVE AT THE WATERFRONT
May 25, 2022by Kasper Hassett
The Lovely Eggs brought a buzz to an eager crowd at the Waterfront on a Tuesday night last April. Formed by the Lancaster couple Holly Ross and David Blackwell, the band delivers a charismatic hippie-punk sound which brings the room to life. Although there are only two members, there is enough going on to satisfy any noise-hungry gig-goer. Holly juggles vocals with the guitar, complemented by David on the drums, creating something which is lively, interactive, and absurd.
OUR SUBVERSIVE VOICE: 400 YEARS OF PROTEST SONGS
May 23, 2022By Rowan Gavin
Last year, two-tone legends The Specials released an album entitled ‘Protest Songs 1924-2012’. It featured covers of tracks by Bob Marley, Leonard Cohen, Big Bill Broonzy and other legends of protest music – but not one song penned by a British person, despite the band’s Coventry origins. This, UEA Professor John Street tells me, was part of the impetus behind the project Our Subversive Voice: The History and Politics of the English Protest Song.
OFFSHORING: A DEMONSTRATION OF CONSERVATIVE CRUELTY AND XENOPHOBIA
April 18, 2022by Sarah Edgcumbe
CW: mentions of suicide, sexual assault
Safe routes of asylum to the UK should be available to all who need them, not least because Britain is complicit in an untold number of conflicts and repressive governments around the globe. Yet of all those who require support and protection, only Ukrainian refugees are deserving of such assistance, according to the Conservative government; one clear demonstration is the introduction of the government’s ‘Homes for Ukraine’ scheme. Of course, Ukrainians should be welcomed to the UK – or any other country they’d prefer to claim asylum in – but so should refugees from any other context of conflict or persecution. Just as Russia has obliterated parts of Ukraine leaving a trail of war crimes in its wake, so too has it devastated swathes of Syria. Why then, as a nation, are we willing to be so selective as to who we will welcome as refugees?
TWO BILLION BEATS BY SONALI BHATTACHARYYA – REVIEW
March 4, 2022By Ananya Wilson-Bhattacharya
The presence of South Asian characters in British theatre is not the extreme rarity it once was. Whilst South Asians and people of colour more widely are still hugely underrepresented in theatre – as actors, writers, directors and in storylines – there has undoubtedly been some progress in recent years. What remains less visible, however, is South Asian characters engaging in rich discussions of history in all its complexity, from a questioning, left-wing perspective. If this is not for you, you should probably avoid playwright and Momentum activist Sonali Bhattacharyya’s Two Billion Beats, showing now at London’s Orange Tree Theatre.
THE OTHER SIDE OF HOPE – REVIEW
February 26, 2022By Sarah Edgcumbe
To refer to The Other Side of Hope simply as ‘a literary magazine’ feels like an injustice. It is a beautiful, complex and painful collection of short stories, non-fiction and poems written and edited by refugees and immigrants. Having recently finished reading my copy, I find myself contemplating the journeys portrayed between the covers of the magazine days later. My mind wanders back to the melancholic ending of the fictional story ‘the Proposal’ by Qin Sun Stubis, or the heart-wrenching experiences of perpetual displacement, racism and otherness experienced by the protagonist of the poem ‘Engelestân’ by Kimia Etemadi. The Other Side of Hope is more than a magazine – it constitutes a tool for building empathy, for generating understanding, and an avenue through which to become immersed in the lives of refugees and immigrants for a brief, yet emotive period of time.
BEHIND THE CAMPAIGN: UPDATES FROM A STUDENT DIVESTMENT CAMPAIGNER
February 23, 2022By Sophie Ciurlik-Rittenbaum
I’m a student and divestment campaigner at the University of East Anglia (UEA). Halfway through my third year and, still pushing this campaign through, I think it’s time for an update.
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